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Cover of 'Good-bye, Son and Other Stories'

Good-bye, Son and Other Stories
By Janet Lewis

Lewis’ only collection of short fiction was first published in 1946, but remains as quietly haunting today as it was then. Set in small communities of the upper Midwest and northern California in the ’30s and ’40s, these midcentury gems focus on the quiet cycles connecting youth and age, despair and hope, life and death.

Cover of 'Good-bye, Son and Other Stories'

Good-bye, Son and Other Stories
By Janet Lewis

Lewis’ only collection of short fiction was first published in 1946, but remains as quietly haunting today as it was then. Set in small communities of the upper Midwest and northern California in the ’30s and ’40s, these midcentury gems focus on the quiet cycles connecting youth and age, despair and hope, life and death.

Cover of 'Brides in the Sky'

Brides in the Sky
Stories and a Novella
By Cary Holladay

Each of the crystalline worlds Cary Holladay brings us in the short stories and novella that make up Brides in the Sky has sisterhood, in all its urgency and peril, at its heart. She crafts these stories with subtle humor, a stunning sense of place, and an unerring eye for character.

Cover of 'Marta'

Marta
A Novel
By Eliza Orzeszkowa
· Translation by Anna Gąsienica Byrcyn and Stephanie Kraft
· Introduction by Grażyna J. Kozaczka

Of trailblazing Polish novelist Eliza Orzeszkowa’s many works of social realism, Marta is among the best known, but until now it has not been available in English. Easily a peer of The Awakening and A Doll’s House, the novel was well ahead of English literature of its time in attacking the ways the labor market failed women.

Cover of 'The Constant Listener'

The Constant Listener
Henry James and Theodora Bosanquet—An Imagined Memoir
By Susan Herron Sibbet

In 1907, in a quiet English village, Theodora Bosanquet answered Henry James’s call for someone to transcribe his edits and additions to his formidable body of work. The aging James had agreed to revise his novels and tales into the twenty-four-volume New York Edition. Enter Bosanquet, a budding writer who would record the dictated revisions and the prefaces that would become a lynchpin of his legacy.Embracing

Cover of 'Waste of Timelessness and Other Early Stories'

Waste of Timelessness and Other Early Stories
By Anaïs Nin
· Introduction by Allison Pease
· Foreword by Gunther Stuhlmann

Written when Anaïs Nin was in her twenties and living in France, the stories collected in Waste of Timelessness contain many elements familiar to those who know her later work as well as revelatory, early clues to themes developed in those more mature stories and novels. Seeded with details remembered from childhood and from life in Paris, the wistful tales portray artists, writers, strangers who meet in the night, and above all, women and their desires.These

Cover of 'Trapeze'

Trapeze
The Unexpurgated Diary of Anaïs Nin, 1947–1955
By Anaïs Nin
· Edited by Paul Herron
· Introduction by Benjamin Franklin V
· Preface by Paul Herron

Anaïs Nin made her reputation through publication of her edited diaries and the carefully constructed persona they presented. It was not until decades later, when the diaries were published in their unexpurgated form, that the world began to learn the full details of Nin’s fascinating life and the emotional and literary high-wire acts she committed both in documenting it and in defying the mores of 1950s America.

Cover of 'Winter of Artifice'

Winter of Artifice
Three Novelettes
By Anaïs Nin
· Introduction by Laura Frost

Swallow Press’s reissue of Winter of Artifice, with a new introduction by Laura Frost, presents an important opportunity to consider anew the work of Anaïs Nin who laid the groundwork for later writers, but whom critics frequently dismiss as solipsistic or overblown.

Cover of 'The Common Lot and Other Stories'

The Common Lot and Other Stories
The Published Short Fiction, 1908–1921
By Emma Bell Miles
· Edited by Grace Toney Edwards
· Introduction by Grace Toney Edwards

The seventeen narratives of The Common Lot and Other Stories, published in popular magazines across the United States between 1908 and 1921 and collected here for the first time, are driven by Emma Bell Miles’s singular vision of the mountain people of her home in southeastern Tennessee. That vision is shaped by her strong sense of social justice, her naturalist’s sensibility, and her insider’s perspective.Women

Cover of 'Ladders to Fire'

Ladders to Fire
By Anaïs Nin
· Introduction by Benjamin Franklin V
· Foreword by Gunther Stuhlmann

Anaïs Nin’s Ladders to Fire interweaves the stories of several women, each emotionally inhibited in her own way: through self-doubt, fear, guilt, moral drift, and distrust. The novel follows their inner struggles to overcome these barriers to happiness and wholeness. The author’s own experiences, as recorded in her famous diaries, supplied the raw material for her fiction. It was her intuitive, experimental, and always original style that transformed one into the other.

Cover of 'Seduction of the Minotaur'

Seduction of the Minotaur
By Anaïs Nin
· Introduction by Anita Jarczok

“Some voyages have their inception in the blueprint of a dream, some in the urgency of contradicting a dream. Lillian’s recurrent dream of a ship that could not reach the water, that sailed laboriously, pushed by her with great effort, through city streets, had determined her course toward the sea, as if she would give this ship, once and for all, its proper sea bed…. With her first swallow of air she inhaled a drug of forgetfulness well known to adventurers.”Seduction

Finalist for the 2015 Weatherford Award
Cover of 'Once I Too Had Wings'

Once I Too Had Wings
The Journals of Emma Bell Miles, 1908–1918
By Emma Bell Miles
· Edited by Steven Cox
· Foreword by Elizabeth S. D. Engelhardt

Previously examined only by a handful of scholars, the journals of Emma Bell Miles (1879–1919) contain poignant and incisive accounts of nature and a woman’s perspective on love and marriage, death customs, child raising, medical care, and subsistence on the land in southern Appalachia in the early twentieth century.

Cover of 'A Spy in the House of Love'

A Spy in the House of Love
By Anaïs Nin
· Introduction by Anita Jarczok

Although Anaïs Nin found in her diaries a profound mode of self-creation and confession, she could not reveal this intimate record of her own experiences during her lifetime. Instead, she turned to fiction, where her stories and novels became artistic “distillations” of her secret diaries.

Cover of 'Cases of Circumstantial Evidence'

Cases of Circumstantial Evidence
By Janet Lewis
· Introduction by Kevin Haworth

This is the first digital version of Cases of Circumstantial Evidence, a collection of three historical novels by noted American writer Janet Lewis.

Cover of 'The Wife of Martin Guerre'

The Wife of Martin Guerre
By Janet Lewis
· Introduction by Kevin Haworth
· Afterword by Larry McMurtry

The Wife of Martin Guerre—based on a notorious trial in sixteenth-century France—is “one of the most significant short novels in English” (Atlantic Monthly). Originally published in 1941, it still raises questions about identity, belonging, and about an individual’s capacity to act within an inflexible system.