Nigerian video films—dramatic features shot on video and sold as cassettes—are being produced at the rate of nearly one a day, making them the major contemporary art form in Nigeria. The history of African film offers no precedent for such a huge, popularly based industry.The contributors to this volume, who include film and television directors, an anthropologist, and scholars of film studies and literature, take a variety of approaches to this flourishing popular art.
In the case of Nigeria, scholarship on religious politics has not adequately taken into account the pluralistic context and the idealistic pretensions of the state that inhibit the possibility of forging an enduring civic amity among Nigeria’s diverse groups. Ilesanmi proposes a new philosophy or model of religio-political interaction, which he calls dialogic politics.
Consequent upon the Berlin West Africa Conference (1884–1885), the Africanische Gesellschaft in Deutschland launched the Niger-Benue expedition to investigate possible riverine communications throughout the Niger-Benue river system. Responsibility for the expedition ultimately fell to Paul Staudinger, a young entomologist with no experience of inner Africa.This