Women on death row are such a rarity that, once condemned, they may be ignored and forgotten. Ohio, a typical, middle-of-the-road death penalty state, provides a telling example of this phenomenon. The Fairer Death: Executing Women in Ohio explores Ohio’s experience with the death penalty for women and reflects on what this experience reveals about the death penalty for women throughout the nation.
During World War II, U.S. businesses devised marketing strategies that encouraged consumers to believe their country’s wartime experience would launch a better America. Advertisements and promotional articles celebrated the immense industrial output that corporations achieved during the war.
Quilts of the Ohio Western Reserve includes early quilts brought from Connecticut to the Western Reserve in northeastern Ohio and contemporary quilts, including one by a conservative Amish woman and another inspired by Cleveland’s Rock and Roll Hall of Fame.
When his captain was killed during the Battle of Perryville, John Calvin Hartzell was made commander of Company H, 105th Ohio Volunteer Infantry. He led his men during the Battle of Chickamauga, the siege of Chattanooga, and the Battle of Missionary Ridge.
Opera houses were fixtures of Appalachian life from the end of the Civil War through the 1920s. The only book on opera houses that stresses their cultural context, Condee’s unique study will interest cultural geographers, scholars of Appalachian studies, and all those who appreciate the gaudy diversity of the American scene.
The last decade of the twentieth century brought a maturing of the new racial and ethnic communities in the United States and the emergence of diversity and multiculturalism as dominant fields of discourse in legal, educational, and cultural contexts.
Religion in Ohio tells the story of Ohio’s religious and spiritual heritage going back to the state’s ancient and historic native populations, the development of a wide variety of faith traditions in the years preceding the mid-twentieth century, and the arrival of many newer immigrants in the last fifty years.
As a function of its corporate duties, the Consolidation Coal Company, one of the largest coal-mining operations in the United States during the first half of the twentieth century, had photographers take hundreds of pictures of nearly every facet of its operations. Whether for publicity images, safety procedures, or archival information, these photographs create a record that goes far beyond the purpose the company intended.
The ways science and technology are portrayed in advertising, in the news, in our politics, and in the culture at large inform the way we respond to these particular facts of life. The better we are at recognizing the rhetorical intentions of the purveyors of information and promoters of mass culture, the more adept we become at responding intelligently to them.
The death of her father begins Dorothy Weil’s search for what causes the family’s “spinning of in all directions like the pieces of Chaos.” She embarks on a river odyssey, traveling the Ohio, Missouri, and Mississippi Rivers by steamboat, towboat, and even an old-fashioned flatboat. The river brings her family back, as she records the stories of her fellow “river rats”: steamboat veterans, deckhands, captains, and cooks.
Amid the turbulent swirl of foreign intrigue, external and internal threats to the young nation’s existence, and the domestic partisan wrangling of the 1790s, the United States Congress solidified its role as the national legislature. The ten essays in The House and Senate in the 1790s demonstrate the mechanisms by which this bicameral legislature developed its institutional identity.
Scholars today take for granted the existence of a “wall of separation” dividing the three branches of the federal government. Neither Separate nor Equal: Congress in the 1790s demonstrates that such lines of separation among the legislative, executive, and judicial branches, however, were neither so clearly delineated nor observed in the first decade of the federal government's history.
Tucked away in the Appalachian Mountains of West Virginia, preserved for generations, handmade bed quilts are windows into the past. In 1983, three West Virginia county extension agents discussed the need to locate and document their state's historic quilts. Mary Nell Godbey, Margaret Meador, and Mary Lou Schmidt joined with other concerned women to found the West Virginia Heritage Quilt Search.