Ureña Valerio illuminates nested imperial and colonial relations using sources ranging from medical texts and state documents to travel literature and fiction. She analyzes scientific and medical debates to connect medicine, migration, and colonialism, providing an invigorating model for the analysis of Polish history from a global perspective.
Through close readings of several Polish American and Polish Canadian novels and short stories published over the last seven decades, Kozaczka demonstrates how Polish American women writers have shown a strong awareness of their patriarchal oppression, which followed them from Poland into America. She tells the complex story of how they sought empowerment through resistive and transgressive behaviors.
Of trailblazing Polish novelist Eliza Orzeszkowa's many works of social realism, Marta is among the best known, but until now it has not been available in English. Easily a peer of The Awakening and A Doll’s House, the novel was well ahead of English literature of its time in attacking the ways the labor market failed women.
The Politics of Morality is an anthropological study of the expansion of power of the religious right in postsocialist Poland and its effects on individual rights and social mores.
Moving beyond a traditional study of Polish dramatic literature, Taking Liberties is a masterful intellectual history of what may be called patriotism without borders: a nonnational form of loyalty compatible with the universal principles and practices of democracy and human rights.
The Clash of Moral Nations is a study of the political culture of interwar Poland, as reflected in and by the May 1926 coup and the following period of “sanacja.” It tracks the diverse appropriations and manipulations of that concept, introducing an important cultural and gendered dimension to understandings of national and political identity in interwar Poland.
Between the Brown and the Red captures the multifaceted nature of church-state relations in communist Poland, relations that oscillated between mutual confrontation, accommodation, and dialogue. Ironically, under communism the bond between religion and nation in Poland grew stronger. This happened in spite of the fact that the government deployed nationalist themes in order to portray itself as more Polish than communist.
A comparative study of Polish migrants in the Ruhr Valley and in northeastern Pennsylvania, The Borders of Integration questions assumptions about race and white immigrant assimilation a hundred years ago, highlighting how the Polish immigrant experience is relevant to present-day immigration debates. It shows the complexity of attitudes toward immigration in Germany and the United States, challenging historical myths surrounding German national identity and the American “melting pot.”
Czesław Miłosz (1911–2004) often seemed austere and forbidding to Americans, but those who got to know him found him warm, witty, and endlessly enriching. An Invisible Rope: Portraits of Czesław Miłosz presents a collection of remembrances from his colleagues, his students, and his fellow writers and poets in America and Poland. Miłosz’s oeuvre is complex, rooted in twentieth-century eastern European history.
The Origins of Modern Polish Democracy is a series of closely integrated essays that traces the idea of democracy in Polish thought and practice. It begins with the transformative events of the mid-nineteenth century, which witnessed revolutionary developments in the socioeconomic and demographic structure of Poland, and continues through changes that marked the postcommunist era of free Poland.
When an independent Poland reappeared on the map of Europe after World War I, it was widely regarded as the most Catholic country on the continent. Yet the relations of the Second Polish Republic with the Church proved far more difficult than expected.
At midcentury, two distinct Polish immigrant groups—those Polish Americans who were descendants of economic immigrants from the turn of the twentieth century and the Polish political refugees who chose exile after World War II and the communist takeover in Poland—faced an uneasy challenge to reconcile their concepts of responsibility toward the homeland. The new arrivals did not consider themselves simply as immigrants, but rather as members of the special category of political refugees.
The Law of the Looking Glass: Cinema in Poland, 1896–1939 reveals the complex relationship between nationhood, national language, and national cinema in Europe before World War II. Author Sheila Skaff describes how the major issues facing the region before World War I, from the relatively slow pace of modernization to the desire for national sovereignty, shaped local practices in film production, exhibition, and criticism.
At the height of the Nazi extermination campaign in the Warsaw Ghetto, a young Jewish woman, Irena, seeks the protection of her former lover, a young architect, Jan Malecki. By taking her in, he puts his own life and the safety of his family at risk.
Polish émigrés have written poignantly about the pain of exile in letters, diaries, and essays; others, more recently, have recreated Polish-American communities in works of fiction. But it is Danuta Mostwin’s fiction, until now unavailable in English translation, that bridges the divide between Poland and America, exile and emigration. Mostwin and her husband survived the ravages of World War II, traveled to Britain, and then emigrated to the United States.