About the author of this award-winning collection, final judge Miller Williams commented: “Meredith Carson writes poems so well-controlled in tone that the language of conversation takes on an elegance rarely found in contemporary poetry, but emphatically contemporary.” In this, her first collection of poetry, Meredith Carson combines form and feeling, human nature and animal instinct, a scientist's eye and a poet's heart to create poetry of detail and delight.
The lifework in verse of one of the century's finest and liveliest American poets, this collection of the poems of J. V. Cunningham (1911-85) documents the poet's development from his early days as an experimental modernist during the Depression to his emergence as the master of the classical “plain style”—distinguished by its wit, feeling, and subtlety.
In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning’s known writing. The series encompasses autobiography as well as influences bearing on Browning’s life and career and aspects of Victorian thought and culture.
“Fantasies to me, as I wrote in an earlier 1983 edition of American Fantasies, are the active, visionary links between reality and imagination as my characters pursue their destinies. Although we pretend to be a pragmatic, materialistic country, our fantasies, once suppressed by tradition, peer increasingly through the media into our private and public behavior.
This reference volume is a supplement to Alexander’s earlier work covering the years 1928–1978. Its purpose is to provide access to articles, parts of articles, and parts of books of criticism on British and American poets. No other index or bibliography reaches this level of comprehensiveness. The focus is on journals and books that are widely held by academic libraries. Arrangement is alphabetical by poet’s name and then by the title of the poem.
Swimming at Midnight collects the short and middle-length poems from John Matthias’s earlier books together with twenty poems that have previously appeared only in magazines. It is published simultaneously with Beltane at Aphelion, which includes all of Matthias’s longer poems. The two books together represent some thirty years of his work.
Ohio University Press published a first volume of Alain Bosquet’s work, Selected Poems, in 1973. Since then, the avant-garde and metaphysical poetry of Bosquet has become widely available to an international audience. Such eminent poets as Paul Celan, Vasko Popa, Octavio Paz, and Ismail Kadare have translated his work into German, Serbo-Croatian, Spanish, and Albanian.
Haiku at its best is an art in which the poet takes a natural, most ordinary event, and without fuss, ornament or inflated words makes of it a rare moment—sparely rendered, crystallized into a microcosm which reveals transcendent unity. Small wonder haiku has a growing audience throughout the world.
Lucien Stryk has been a presence in American letters for almost fifty years. Those who know his poetry well will find this collection particularly gratifying. Like journeying again to places visited long ago, Stryk’s writing is both familiar and wonderfully fresh. For those just becoming acquainted with Stryk’s work, Zen, Poetry, the Art of Lucien Stryk makes an excellent introduction.
During the seventeenth and eighteenth centuries, Thai poets produced epics depicting elaborate myths and legends which intermingled the human, natural, and supernatural worlds. One of the most famous of these classical compositions is the Samuttakhoot kham chan, presented here in English for the first time as The Tale of Prince Samuttakote.
Although Michelangelo’s work has been applauded from the earliest years of his long and productive career, he has been better known for his sculpture, painting, drawing, and architecture than for his poetry. Yet there is a close relationship between his visual art and his poetry that, while recognized by scholars and aficionados, has not been generally appreciated.
This volume presents a broad overview of the work of seven of Africa’s leading poets. Five of them have received international recognition: Niyi Osundare and Chinua Achebe, the Commonwealth Poetry Prize; Osundare and Antonio Jacinto, the Noma Prize; and Jose Craveirinha, the Camoes Prize. The poems concern political, personal, and social themes and are written with aesthetic simplicity and lyricism.
Chairil Anway (1922–1949) was the primary architect of the Indonesian literary revolution in both poetry and prose. In a few intense years he forged almost ingle-handedly a vital, mature literary language in Bahasa Indonesia, a language which formally came to exist in 1928. Anway led the way for the many Indonesian writers who have emerged during the past fifty years. This volume contains all that has survived of Anwar’s writing.