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Ohio University Press · Swallow Press · www.ohioswallow.com

Poetry

Poetry Book List

Cover of 'No Second Eden'

No Second Eden
Poems
By Turner Cassity

If you think that Turner Cassity has mellowed or slowed down since the 1998 release of his selected poems, The Destructive Element, think again. In No Second Eden Cassity is back more Swiftian than ever. Among the targets reduced to ruin are countertenors, parole boards, the French Symbolists, calendar reformers, the Yale Divinity School, and the cult of Elvis. Without turning a blind eye, he even extends a toast to Wernher von Braun.Surprisingly,

Cover of 'Belonging'

Belonging
Poems
By Dick Davis

There are worlds within our own in which even the smallest victories are hard won, the tender moment is almost unbearable, and the understated rings like a bell. Belonging, a new collection by British poet Dick Davis, is an extended visit to these worlds.Deepened

Cover of 'Taken In Faith'

Taken In Faith
Poems
By Helen Pinkerton
· Afterword by Timothy Steele

In 1967, Yvor Winters wrote of Helen Pinkerton, “she is a master of poetic style and of her material. No poet in English writes with more authority.” Unfortunately, in 1967 mastery of poetic style was not, by and large, considered a virtue, and Pinkerton’s finely crafted poems were neglected in favor of more improvisational and flashier talents.

Winner of the 2001 Hollis Summers Poetry Prize.
Cover of 'The Palace of Bones'

The Palace of Bones
By Allison Eir Jenks

The Palace of Bones by Allison Eir Jenks is an often stark and startling vision of the way we live, the places we inhabit, and the relics we make to comfort ourselves.Haunted by a quiet, unquenchable longing, Jenks expertly and calmly guides the reader through a vivid dreamscape in this first full-length collection of poems.The Palace of Bones was selected by final judge and Pulitzer Prize winner Carolyn Kizer.

Cover of 'The Complete Works of Robert Browning, Volume XII'

The Complete Works of Robert Browning, Volume XII
With Variant Readings and Annotations
By Robert Browning
· Edited by Rita Patteson and Paul Turner

In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning’s known writing. The series encompasses autobiography as well as influences bearing on Browning’s life and career and aspects of Victorian thought and culture.A single work, the complex Aristophanes’ Apology (1875), comprises the twelfth volume of The Complete Works of Robert Browning.

Winner of the 2000 Hollis Summers Poetry Prize.
Cover of 'Midland'

Midland
Poems
By Kwame Dawes

The winning manuscript of the fourth annual Hollis Summers Poetry Prize is also the exciting American debut by a poet who has already established himself as an important international poetic voice. Midland, the seventh collection by Kwame Dawes, draws deeply on the poet’s travels and experiences in Africa, the Caribbean, England, and the American South.

Cover of 'The Selected Poems of Janet Lewis'

The Selected Poems of Janet Lewis
By Janet Lewis
· Edited by R. L. Barth

Since the appearance in print of her early poems over seventy-five years ago, the poetry of Janet Lewis has grown in quiet acclaim and popularity. Although she is better known as a novelist of historical fiction, her first and last writings were poems. With the publication of her selected poems, Swallow Press celebrates the distinguished career of one of its most cherished authors.Critics

Cover of 'Set the Ploughshare Deep'

Set the Ploughshare Deep
A Prairie Memoir
By Timothy Murphy

Fifteen years in the making, Set the Ploughshare Deep is a memoir in prose, verse, and woodcuts. It depicts the consequences of Warren’s advice for a writer who turned his back on cities and the academic world, who bought and sold, farmed and failed like his forebears, all the while distilling what he saw, heard, or felt into his tall tales and short verses. Timothy Murphy has harvested pheasants and ducks as well as wheat and apples.

Cover of 'Pebbles, Monochromes and Other Modern Poems, 1891–1916'

Pebbles, Monochromes and Other Modern Poems, 1891–1916
By W. D. Howells
· Edited by Edwin Cady

Metaphysical, agnostic, and ironic with a modernist voice.

Cover of 'Pages'

Pages
New Poems and Cuttings
By John Matthias

A unique voice among contemporary American poets, John Matthias has compiled here a major new collection, his first volume of poetry since the publication in 1995 of his retrospective collections of shorter and longer poems. Divided into three sections, Pages begins with thirty short poems that range in subject from Ovid and Akhmatova to remembered friends and family.

Winner of the 1999 Hollis Summers Poetry Prize.
Cover of 'Nostos'

Nostos
By V. Penelope Pelizzon

In choosing the winning manuscript for the Hollis Summers Poetry Prize, judge Andrew Hudgins remarked: “With immense poetic verve, Pelizzon finds flamboyance in places where it has been forgotten and brings it back to vivid life—and she sees it for what it is. Her vision is then both passionate and dispassionate at the same time, a maturity of perspective that is just one of the many accomplishments of this superb first book.”In

Cover of 'The Complete Works of Robert Browning, Volume X'

The Complete Works of Robert Browning, Volume X
With Variant Readings and Annotations
By Robert Browning
· Edited by Allan C. and Susan E. Dooley

In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning’s known writing. The series encompasses autobiography as well as influences bearing on Browning’s life and career and aspects of Victorian thought and culture.The

Cover of 'Battle of Kosovo'

Battle of Kosovo
By John Matthias and Vladeta Vučković
· Preface by Charles Simic
· Afterword by Christopher Merrill

The Battle of Kosovo cycle of heroic ballads is generally considered the finest work of Serbian folk poetry. Commemorating the Serbian Empire’s defeat at the hands of the Turks in the late fourteenth century, these poems and fragments have been known for centuries in Eastern Europe.

Cover of 'The Selected Poems of Yvor Winters'

The Selected Poems of Yvor Winters
By Yvor Winters
· Edited by R. L. Barth
· Introduction by Helen Pinkerton Trimpi

Yvor Winters (1900-1968) was a friend, colleague, and teacher to poets of several generations from Hart Crane and Allen Tate to J. V. Cunningham, Turner Cassity, and Edgar Bowers to Robert Hass, Philip Levine, and Robert Pinsky. His impact on mid- to late-twentieth-century poetry is profound. This stems in large part from his own poetry, which was a reflection of his critical thinking about poetry, and which underwent substantive changes over his career as a poet.

Cover of 'The Complete Works of Robert Browning, Volume XVI'

The Complete Works of Robert Browning, Volume XVI
With Variant Readings and Annotations
By Robert Browning
· Edited by Susan Crowl and Roma A. King Jr.

In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning’s known writing. The series encompasses autobiography as well as influences bearing on Browning’s life and career and aspects of Victorian thought and culture.Robert Browning wrote Parleyings with Certain People of Importance in Their Day in his seventy-third year.

Winner of the 1998 Hollis Summers Poetry Prize.
Cover of 'The Watchers'

The Watchers
By Memye Curtis Tucker

In the world of Memye Curtis Tucker’s poetry, the observed are on display, on trial, on guard, or disappearing, and often changed by the eyes upon them; the gazers are benevolent, threatening, judgmental, separate, invisible.There is in the poems a surface accessibility; mysteries in this book are not puzzles or ellipses, but moving revelations of paradox and unending possibilities. And while many are meditative there is always the tug of the narrative impulse.Northrop

Cover of 'The Destructive Element'

The Destructive Element
New and Selected Poems
By Turner Cassity

Turner Cassity is like a highly accomplished traditional composer—Camille Saint-Saëns, say, or Richard Strauss—who does not doubt that the music is the score and the score is the music. That is, poetry is verse and verse is poetry.Given that confidence, he is prepared to take on any subject. In the forty years he has been publishing, Mr. Cassity has never once written about nothing.

Cover of 'And Still Birds Sing'

And Still Birds Sing
New and Collected Poems
By Lucien Stryk

Written over a career that spans five decades, And Still Birds Sing is the masterwork of a major voice in American poetry.Bringing

Winner of the 1997 Hollis Summers Poetry Prize
Cover of 'Infinite Morning'

Infinite Morning
Poems
By Meredith Carson

About the author of this award-winning collection, final judge Miller Williams commented:“Meredith Carson writes poems so well-controlled in tone that the language of conversation takes on an elegance rarely found in contemporary poetry, but emphatically contemporary.”In this, her first collection of poetry, Meredith Carson combines form and feeling, human nature and animal instinct, a scientist’s eye and a poet’s heart to create poetry of detail and delight.From

Cover of 'The Poems of J. V. Cunningham'

The Poems of J. V. Cunningham
Edited by Timothy Steele

The lifework in verse of one of the century’s finest and liveliest American poets, this collection of the poems of J. V. Cunningham (1911-85) documents the poet’s development from his early days as an experimental modernist during the Depression to his emergence as the master of the classical “plain style”—distinguished by its wit, feeling, and subtlety.

Cover of 'The Complete Works of Robert Browning, Volume VI'

The Complete Works of Robert Browning, Volume VI
With Variant Readings and Annotations
By Robert Browning
· Edited by Allan C. and Susan E. Dooley and John Berkey

In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning’s known writing. The series encompasses autobiography as well as influences bearing on Browning’s life and career and aspects of Victorian thought and culture.The

Cover of 'The Complete American Fantasies'

The Complete American Fantasies
By James Schevill

“Fantasies to me, as I wrote in an earlier 1983 edition of American Fantasies, are the active, visionary links between reality and imagination as my characters pursue their destinies. Although we pretend to be a pragmatic, materialistic country, our fantasies, once suppressed by tradition, peer increasingly through the media into our private and public behavior.

Cover of 'Beltane at Aphelion'

Beltane at Aphelion
Longer Poems
By John Matthias

Beltane at Aphelion collects all of John Matthias’s longer poems and is published simultaneously with Swimming at Midnight, which collects his shorter poems.

Cover of 'Swimming At Midnight'

Swimming At Midnight
Selected Shorter Poems
By John Matthias

Swimming at Midnight collects the short and middle-length poems from John Matthias’s earlier books together with twenty poems that have previously appeared only in magazines. It is published simultaneously with Beltane at Aphelion, which includes all of Matthias’s longer poems. The two books together represent some thirty years of his work.The

Cover of 'Beyond the Archipelago'

Beyond the Archipelago
Selected Poems
By Muhammad Haji Salleh

A collections of 70 poems from one of Malaya’s leading poets, that depict longing, loneliness, modernization, and insights in Malaysian culture.

Cover of 'God’s Torment'

God’s Torment
Poems By Alain Bosquet
By Alain Bosquet
· Translation by Edouard Roditi

Ohio University Press published a first volume of Alain Bosquet’s work, Selected Poems, in 1973. Since then, the avant-garde and metaphysical poetry of Bosquet has become widely available to an international audience. Such eminent poets as Paul Celan, Vasko Popa, Octavio Paz, and Ismail Kadare have translated his work into German, Serbo-Croatian, Spanish, and Albanian.

Cover of 'Cage of Fireflies'

Cage of Fireflies
Modern Japanese Haiku
By Lucien Stryk

Haiku at its best is an art in which the poet takes a natural, most ordinary event, and without fuss, ornament or inflated words makes of it a rare moment—sparely rendered, crystallized into a microcosm which reveals transcendent unity. Small wonder haiku has a growing audience throughout the world.In

Cover of 'The Tale of Prince Samuttakote'

The Tale of Prince Samuttakote
A Buddhist Epic from Thailand
By Thomas Hudak

During the seventeenth and eighteenth centuries, Thai poets produced epics depicting elaborate myths and legends which intermingled the human, natural, and supernatural worlds. One of the most famous of these classical compositions is the Samuttakhoot kham chan, presented here in English for the first time as The Tale of Prince Samuttakote.

Cover of 'The Complete Poetry of Michelangelo'

The Complete Poetry of Michelangelo
Edited by Sidney Alexander

Although Michelangelo’s work has been applauded from the earliest years of his long and productive career, he has been better known for his sculpture, painting, drawing, and architecture than for his poetry. Yet there is a close relationship between his visual art and his poetry that, while recognized by scholars and aficionados, has not been generally appreciated.

Cover of 'Echoes of the Sunbird'

Echoes of the Sunbird
An Anthology of Contemporary African Poetry
Edited by Donald Burness

This volume presents a broad overview of the work of seven of Africa’s leading poets. Five of them have received international recognition: Niyi Osundare and Chinua Achebe, the Commonwealth Poetry Prize; Osundare and Antonio Jacinto, the Noma Prize; and Jose Craveirinha, the Camoes Prize. The poems concern political, personal, and social themes and are written with aesthetic simplicity and lyricism.

Cover of 'The Voice of the Night'

The Voice of the Night
Complete Poetry and Prose of Chairil Anwar
By Chairil Anwar
· Translation by Burton Raffel

Chairil Anway (1922–1949) was the primary architect of the Indonesian literary revolution in both poetry and prose. In a few intense years he forged almost ingle-handedly a vital, mature literary language in Bahasa Indonesia, a language which formally came to exist in 1928. Anway led the way for the many Indonesian writers who have emerged during the past fifty years.This volume contains all that has survived of Anwar’s writing.

Cover of 'New and Selected Poems'

New and Selected Poems
By James Schevill

From a poetic career that spans more than half a century and that is still producing poems as fresh and honest as the first, comes James Schevill’s New and Selected Poems, redefining the achievement of this uniquely American vision.Schevill’s poetry, acclaimed and criticized, has been rigorously selected here by the poet himself down to the best and most representative of his significant output.

Cover of 'A Gathering of Ways'

A Gathering of Ways
By John Matthias

A Gathering of Ways is John Matthias’ first collection of poems since the publication of his warmly received Northern Summer collection in 1985.

Cover of 'Early Poems'

Early Poems
1947–1959
By Yves Bonnefoy
· Translation by Galway Kinnell and Richard Pevear

Yves Bonnefoy is probably the most prominent figure in the generation of French poets who came into public view following World War II. Dedicated to poetry more as a means of spiritual illumination than as a technique for creating artistic monuments, he uses what he conceives to be the brokenness and poverty of language to enable us to glimpse a wholeness lacking in our contemporary world.

Cover of 'The Poetry of Resistance'

The Poetry of Resistance
Seamus Heaney and the Pastoral Tradition
By Sidney Burris

Does the artist have a responsibility to mirror the conflicts and problems of society in his or her work? Perhaps more than most, the Irish poet, Seamus Heaney, has been faced with this question. Living in Belfast since 1957, Heaney decided to leave Northern Ireland altogether in 1972, his residency there spanning fifteen years of social upheaval and violence.

Cover of 'The Nameless Sight'

The Nameless Sight
Poems 1937–1956
By Alan Swallow

Although Alan Swallow’s work on behalf of other poets has tended to overshadow his work as a poet, the reputation of his poems has been upon the ascendancy. This volume, a “selected” one, runs the gamut of Swallow’s themes. John Holmes reviewed in The New York Times, speaking of “love and compassion warming the face of the carving.”The volume was published in a beautiful limited edition by Carroll Coleman’s The Prairie Press.

Cover of 'Of Pen and Ink and Paper Scraps'

Of Pen and Ink and Paper Scraps
By Lucien Stryk

The first of this new collection’s three parts ranges very widely, from poems of childhood-his own, his children’s, and his grandchild’s-to poems of keen social and political awareness, and on to pieces about his neighbors, about growing more firmly and deeply into a personal place.The

Cover of 'James Wright'

James Wright
The Poetry of a Grown Man; Constancy and Transition in the Work of James Wright
By Kevin Stein

Although some critics have identified two phases in the poetry of James Wright and have isolated particulars of his movement from traditional to more experimental forms, few have noted also the elements of constancy in the evolution of his poetry.

Cover of 'Other Concerns and Brother Clark'

Other Concerns and Brother Clark
By Hollis Summers

Ordinary, everday, homely. These are words that come to mind to describe the dimension Hollis Summers’ poems live in. But they are inadequate words, and his are deceptively simple poems. They speak little, and quietly, but they record, in the silences they create, a desperate, melancholy magic about the surfaces and trivial events of our days. So we are led to discover, and assent, to all these tonal perceptions as the true domestic furniture of our inner lives.

Cover of 'Ambiguous Dancers of Fame'

Ambiguous Dancers of Fame
Collected Poems: 1945-1986
By James Schevill

This second volume of James Schevill’s collected poems is a companion to his remarkable ongoing sequence of poems, The American Fantasies, published by Swallow in 1983. This collection extends the scope of the poet’s concern with American power and influences to Mexico, Central America, and the Caribbean. In these poems, Schevill reveals again the range of his lyrical and dramatic powers. As M.I.

Cover of 'You Will Hear Thunder'

You Will Hear Thunder
By Anna Akhmatova
· Translation by D. M. Thomas

Anna Akhmatova (1889–1966) was part of that magnificent and in many ways tragic generation of Russian artists which came to first maturity before 1917, and which then had to come to terms with official discouragement and often persecution. As D.M. Thomas points out in his introduction, practically none of her poetry was published between 1923 and 1940. Her poetic range was wide, from the transparent anonymity of “Requiem” to the symphonic complexity of “Poem without a Hero.”

Cover of 'Collected Poems 1953–1983'

Collected Poems 1953–1983
By Lucien Stryk

Lucien Stryk’s poetry is made of simple things—frost on a windowpane at morning, ducks moving across a pond, a neighbor’s fuss over his lawn—set into language that is at once direct and powerful.Years of translating Zen poems and religious texts have helped give Stryk a special sense of the particular, a feel for those details which, because they are so much a part of our lives, seem to define us.

Cover of 'The Complete Works of Robert Browning, Volume VII'

The Complete Works of Robert Browning, Volume VII
With Variant Readings and Annotations
By Robert Browning
· Edited by Roma A. King Jr.

Cover of 'Northern Summer'

Northern Summer
New and Selected poems, 1963-1983
By John Matthias

Northern Summer is a representative selection from John Matthias’s previous books, together with a group of poems written since 1980. Robert Duncan wrote of his first book, Bucyrus, that in part “Matthias is a Goliard – one of those wandering souls out of a dark age in our own time.”

Cover of 'American Fantasies'

American Fantasies
Collected Poems, 1945-1981
By James Schevill

In this collection, Schevill brings together a series of poems that he has been working on since his first book was published in 1947.Diverse characters, both real and imaginary, reveal fantasies of American life and history. The dramatic voices of the characters contrast with the subjective voice of the narrator as he moves through time and space, remembering and anticipating.

Cover of 'Collected Poems E. L. Mayo'

Collected Poems E. L. Mayo
By E. L. Mayo

E. L. Mayo was a quiet poet who embraced obscurity almost as a condition for his intellectual freedom. Still, a few discerning critics noticed. David Daiches has said that “Mayo’s poems … pretend to be simple prose–like utterances, whereas in fact the best of them contain an echoing poetic meaning which begins to relase itself a split second after we have read the words.”John

Cover of 'The Complete Works of Robert Browning, Volume V'

The Complete Works of Robert Browning, Volume V
With Variant Readings and Annotations
Edited by Roma A. King Jr., Allan C. Dooley, Harry Krynicky, and Donald Smalley

In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning’s known writing. The series encompasses autobiography as well as influences bearing on Browning’s life and career and aspects of Victorian thought and culture.Volume V contains: A Soul’s Tragedy Poems Christmas-Eve and Easter Day Essay on Shelley Men and Women, Vol.

Winner of the 1981 Commonwealth Club of California Poetry Medal
Cover of 'Poems Old and New, 1918-1978'

Poems Old and New, 1918-1978
By Janet Lewis

Kenneth Rexroth wrote: “Janet Lewis uses reason to veil and adorn the flesh of feeling and intuition. This is the way the greatest poetry has always been written.”The poems in this collection range over a period of 60 years. The style is spare, direct, cutting to the core of subject. Richness of intelligence and a concern for the human has also characterized every phase of Lewis’ development.

Cover of 'Selected Poems'

Selected Poems
By Lucien Stryk

Lucien Stryk’s poetry is spare and quiet, but intensely powerful. Selected Poems brings together nearly all his published work, including all the poems from Notes for a Guidebook, The Pit and Other Poems, and Awakening, as well as new and previously uncollected poems.

Cover of 'Awakening'

Awakening
By Lucien Stryk

The sharpness of Lucien Stryk’s poetry is made of simple things—frost on a windowpane at morning, ducks moving across a pond, an argument flailing in the distance, a neighbor’s fuss over his lawn—set down in a language that is at once direct and powerful. Awakening is, in large part, an approach to what is most familiar by a poet whose language and poetic attention have found their own maturity.Years

Cover of 'The Complete Works of Robert Browning, Volume IV'

The Complete Works of Robert Browning, Volume IV
Edited by Roma A. King Jr., Thomas Wilson, Park Honan, Raymond E. Fitch, and Morse Peckham

In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning’s known writing. The series encompasses autobiography as well as influences bearing on Browning’s life and career and aspects of Victorian thought and culture.Volume

Cover of 'The Movie at the End of the World'

The Movie at the End of the World
Collected Poems
By Thomas McGrath

For more than 30 years Thomas McGrath has held a special place among American poets. His lyric and rhapsodic strengths are unequalled. His use of rhetoric and of the sonorities of poetic speech have been compared to Hart Crane and Dylan Thomas.McGrath’s work has become more significant in recent years, as a new generation of pets with intense political concerns have discovered his work.

Cover of 'The Complete Works of Robert Browning, Volume III'

The Complete Works of Robert Browning, Volume III
With Variant Readings and Annotations
By Robert Browning
· Edited by Roma A. King Jr., Morse Peckham, Park Honan, Donald Smalley, and John Hulsman

In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning’s known writing. The series encompasses autobiography as well as influences bearing on Browning’s life and career and aspects of Victorian thought and culture.Volume

Cover of 'The Complete Works of Robert Browning, Volume II'

The Complete Works of Robert Browning, Volume II
With Variant Readings and Annotations
By Robert Browning
· Edited by Roma A. King Jr., Gordon Pitts, and John Berkey

In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning’s known writing. The series encompasses autobiography as well as influences bearing on Browning’s life and career and aspects of Victorian thought and culture.Volume II contains Browning’s play, Strafford: An Historical Tragedy (1837), and the long poem, Sordello (1840).

Cover of 'Translations by American Poets'

Translations by American Poets
Edited by Jean Garrigue

This unique collection of poems, translated by more than forty major contemporary American poets, grew out of a project of the Poetry Center of the New York YMHA supported by the Bollingen Foundation and under the direction of Miss Elizabeth Kray. The purpose was two-fold: “to stimulate the art of translation” and to open “the flow of foreign poetry into native English current.”

Cover of 'Forms of Discovery'

Forms of Discovery
Critical and Historical Essays on the Forms of the Short Poem in English
By Yvor Winters

With Forms of Discover, Yvor Winters completes his critical canon. The distinguished poet-critic defines by analysis and example the development of the method that he has called “post-Symbolist.”Starting with the styles of the English Renaissance, Winters discusses at length the felicities and shortcomings of these traditions, the main defect being that sensory imagery was little more than ornament.

Cover of 'The Complete Works of Robert Browning, Volume I'

The Complete Works of Robert Browning, Volume I
With Variant Readings and Annotations
By Robert Browning
· Edited by Roma A. King Jr., John Berkey, and Morse Peckham

In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning’s known writing. The series encompasses autobiography as well as influences bearing on Browning’s life and career and aspects of Victorian thought and culture.Volume I contains two dramatic poems, Pauline; A Fragment of a Confession and Paracelsus, along with a sonnet, “Eyes Calm Beside Thee.”