Poetry | American
Poetry | American | African American
Poetry | Subjects & Themes | Death, Grief, Loss
Poetry | Subjects & Themes | Family
Poetry | Subjects & Themes | Places
This timely and accessible companion to the work of twentieth-century American poet Theodore Roethke (1908–1963) gathers essays that illuminate his poetics, themes, and the contexts of his poems through the diverse critical approaches that have emerged in the past five decades.
The poems in Julie Hanson’s second award-winning book inscribe deep stillness on a world of harmonies in motion, illustrating the movement between and among seasons and tasks, work and leisure, solitude and people, and all through private life as it intersects with the products and noises of industry and nature.
Planted by the Signs brings us the contemporary Appalachian poetry of Misty Skaggs. With a knack for pointed personal and social observation, she tells the stories of generations of women who have learned to navigate a harsh world with a little help from the Farmers’ Almanac and the stars: women who know how to plant by the signs.
In this powerful debut, Capista traverses earth and ether to yield poems that elucidate the space between one’s life and one’s livelihood. While its landscapes range from back-alley Baltimore to the Bitterroot Valley, this book remains close to unbidden beauty and its capacity to sway one’s vision of the world.
Way of All the Earth contains selected poems written by Anna Akhmatova, one of Russia’s greatest poets whose works embody the complexities of her era. Intricately observed and unwavering in their emotional immediacy, these strikingly modern poems represent one of the twentieth century’s most powerful voices.
With this edition of Requiem and Poem without a Hero, Swallow Press presents two of Anna Akhmatova’s best-known works, ones that represent the poet at full maturity, and that most trenchantly process the trauma she and others experienced living under Stalin’s regime.Akhmatova began the three-decade process of writing Requiem in 1935 after the arrests of her son, Lev Gumilev, and her third husband.
In Doubtful Harbor, Idris Anderson turns wandering into art. From large landscapes to the minutest details, she seeks with each poem to convey the world more clearly, acutely, and exquisitely. As she meditates on indelible moments with intimate others, friends, and strangers, she teases from these encounters their elusive connections and disconnections.