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Music

Music Book List

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Cover of 'Gone Dollywood'

Gone Dollywood
Dolly Parton’s Mountain Dream
By Graham Hoppe

Country music superstar Dolly Parton’s Dollywood is a 150-acre fantasyland that hosts three million people a year. What does it tell us about the modern South, and in turn what does that tell us about America as a whole? Hoppe blends tourism, public history, and personal reflection into an unforgettable interrogation of Southern American identity.

Cover of 'Gongs and Pop Songs'

Gongs and Pop Songs
Sounding Minangkabau in Indonesia
By Jennifer A. Fraser

Scholarship on the musical traditions of Indonesia has long focused on practices from Java and Bali, including famed gamelan traditions, at the expense of the wide diversity of other musical forms within the archipelago. Jennifer A. Fraser counters this tendency by exploring a little-known gong tradition from Sumatra called talempong, long associated with people who identify themselves as Minangkabau.

Choice 2005 Outstanding Academic Title
Cover of 'Music Hall and Modernity'

Music Hall and Modernity
The Late-Victorian Discovery of Popular Culture
By Barry J. Faulk

The late-Victorian discovery of the music hall by English intellectuals marks a crucial moment in the history of popular culture. Music Hall and Modernity demonstrates how such pioneering cultural critics as Arthur Symons and Elizabeth Robins Pennell used the music hall to secure and promote their professional identity as guardians of taste and national welfare. These social arbiters were, at the same time, devotees of the spontaneous culture of “the people.”

Cover of 'Stories from the Anne Grimes Collection of American Folk Music'

Stories from the Anne Grimes Collection of American Folk Music
By Anne Grimes

Stories from the Anne Grimes Collection of American Folk Music is a treasury of American traditional music and Ohio’s folklife heritage. Traveling along the highways and byways of Ohio in the 1950s as a folksinger and collector of traditional music, Anne Grimes encountered people from many different backgrounds who opened up their homes to her to share their most precious family heirlooms—their songs.

Cover of 'Intonations'

Intonations
A Social History of Music and Nation in Luanda, Angola, from 1945 to Recent Times
By Marissa J. Moorman

Intonations tells the story of how Angola’s urban residents in the late colonial period (roughly 1945–74) used music to talk back to their colonial oppressors and, more importantly, to define what it meant to be Angolan and what they hoped to gain from independence. A compilation of Angolan music is included in CD format. Marissa J. Moorman presents a social and cultural history of the relationship between Angolan culture and politics.

Cover of 'Words on Music'

Words on Music
From Addison to Barzun
Edited by Jack Sullivan

For centuries, distinguished writers have taken on the challenge of describing great music and its significance in their lives. From Joseph Addison to Virgil Thomson, writers in and out of the music field have used their most vivid language to conjure the sounds and emotions of the music that mattered most to them. Yet until this book, no single volume has ever collected the best of this writing in one place.

Cover of 'Ontology of the Work of Art'

Ontology of the Work of Art
The Musical Work, The Picture, The Architectural Work, The Film
By Roman Ingarden
· Translation by Raymond Meyer and John T. Goldthwait

In these studies Roman Ingarden investigates the nature and mode of being of four kinds of art works: the musical work, the picture, the architectural work, and the film. He establishes that the work of art is a purely intentional object but considers also its connections to the real world. By analyzing a work of art in its “constitutive heterogeneous strata,” Ingarden demonstrates that a work of art will reveal, when examined in the appropriate way, its own inherent structure.

Cover of 'Mode in Javanese Music'

Mode in Javanese Music
By Susan Pratt Walton

One of the most controversial aspects of Javanese gamelan music is its musical mode, pathet. From her experience as a performer of sindhenan, or female singing, Walton analyses the melodies and defines the basic laws of mode for sindhenan. She explains more convincingly than previous authors how two systems of mode operate simultaneously in gamelan music to enhance its aesthetic appeal.

Cover of 'Decadent Style'

Decadent Style
By John Robert Reed

In Decadent Style, John Reed defines “decadent art” broadly enough to encompass literature, music, and the visual arts and precisely enough to examine individual works in detail. Reed focuses on the essential characteristics of this style and distinguishes it from non–esthetic categories of “decadent artists” and “decadent themes.” Like the natural sciences and psychology, the arts in the late nineteenth century reflect an interest in the process of atomization.

Cover of 'An Introduction to Richard Wagner’s Der Ring des Nibelungen'

An Introduction to Richard Wagner’s Der Ring des Nibelungen
A Handbook
By William O. Cord

Today, more than a century after its first performance, Richard Wagner’s The Ring of Nibelung endures as one of the most significant artistic creations in the history of opera. This monumental work not only altered previously accepted concepts of music and drama but also inspired creative and intellectual efforts far beyond the field of opera. Previous studies of the Ring have appealed only to those already acquainted in some way with the Wagnerian art.