Lit from Within offers creative writers a window into the minds of some of America’s most celebrated contemporary authors. Witty, direct, and thought–provoking, these essays offer something to creative writers of all backgrounds and experience. With contributions from fiction writers, poets, and nonfiction writers, this is a collection of unusual breadth and quality.Contributors:
Amy Levy has risen to prominence in recent years as one of the most innovative and perplexing writers of her generation. Embraced by feminist scholars for her radical experimentation with queer poetic voice and her witty journalistic pieces on female independence, she remains controversial for her representations of London Jewry that draw unmistakably on contemporary antisemitic discourse.Amy
During the nineteenth century, geography primers shaped the worldviews of Britain’s ruling classes and laid the foundation for an increasingly globalized world. Written by middle-class women who mapped the world that they had neither funds nor freedom to traverse, the primers employed rhetorical tropes such as the Family of Man or discussions of food and customs in order to plot other cultures along an imperial hierarchy.Cross-disciplinary
Dancing out of Line transports readers back to the 1840s, when the craze for social and stage dancing forced Victorians into a complex relationship with the moving body in its most voluble, volatile form.By
Why should Salman Rushdie describe his truth telling as an act of swallowing impure “haram” flesh from which the blood has not been drained? Why should Rudyard Kipling cast Kim, the imperial child–agent, as a body/text written upon and damaged by empire? Why should E. M. Forster evoke through the Indian landscape the otherwise unspeakable racial or homosexual body in his writing?
Gruel and truffles, wine and gin, opium and cocaine. Making a Man: Gentlemanly Appetites in the Nineteenth-Century British Novel addresses the role of food, drink, and drugs in the conspicuously consuming nineteenth century in order to explore the question of what makes a man of a certain class in novels of the period.
Oscar Wilde and Modern Culture: The Making of a Legend explores the meteoric rise, sudden fall, and legendary resurgence of an immensely influential writer’s reputation from his hectic 1881 American lecture tour to recent Hollywood adaptations of his dramas. Always renowned—if not notorious—for his fashionable persona, Wilde courted celebrity at an early age. Later, he came to prominence as one of the most talented essayists and fiction writers of his time.In
In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning’s known writing. The series encompasses autobiography as well as influences bearing on Browning’s life and career and aspects of Victorian thought and culture.Volume XI of The Complete Works of Robert Browning contains two strikingly disparate long poems from the 1870s, Fifine at the Fair and Red Cotton Night-Cap Country.
Heretical Hellenism examines sources such as theater history and popular journals to uncover the ways women acquired knowledge of Greek literature, history, and philosophy and challenged traditional humanist assumptions about the uniformity of classical knowledge and about women’s place in literary history.
The Carnivalesque Defunto explores the representations of death and thedead in Brazil’s collective and literary imagination. The recurring stereotype of Brazil as the land of samba, soccer, and sandy beaches overlooks a more complex cultural heritage in which, since colonial times, a relationship of proximity and reciprocity has been cultivated between the living and the dead.Robert
Marked by a rigorously close textual reading, detached frombiographical or other extratextual material, New Criticism was thedominant literary theory of the mid-twentieth century. Since thattime, schools of literary criticism have arisen in support of or in opposition tothe approach advocated by the New Critics. Nonetheless, the theory remainsone of the most important sources for groundbreaking criticism and continuesto be a controversial approach to reading literature.Praising
When Margaret Thatcher called in 1979 for a return to Victorian values such as hard work, self-reliance, thrift, and national pride, Labour Party leader Neil Kinnock responded that “Victorian values” also included “cruelty, misery, drudgery, squalor, and ignorance.”The Victorians in the Rearview Mirror is an in-depth look at the ways that the twentieth century reacted to and reimagined its predecessor.
In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning’s known writing. The series encompasses autobiography as well as influences bearing on Browning’s life and career and aspects of Victorian thought and culture.In the 1880s, the aging Browning showed once again the remarkable versatility of his lyric and narrative talents.
For two spring days in 2001, John Updike visited Cincinnati, Ohio, engaging and charming his audiences, reading from his fiction, fielding questions, sitting for an interview, participating in a panel discussion, and touring the Queen City.Successful writers typically spend a portion of their lives traveling the country to give readings and lectures.