Charity and Condescension explores how condescension, a traditional English virtue, went sour in the nineteenth century, and considers the ways in which the failure of condescension influenced Victorian efforts to reform philanthropy and to construct new narrative models of social conciliation.
Through an examination of metaphors that describe the trauma, loss, and suffering associated with the the transatlantic slave trade, Metaphor and the Slave Trade shows how the horrors of slavery are communicated from generation to generation and persist in West African discourse.
If nineteenth-century Britain witnessed the rise of medical professionalism, it also witnessed rampant quackery. It is tempting to categorize historical practices as either orthodox or quack, but what did these terms really signify in medical and public circles at the time? How did they develop and evolve? What do they tell us about actual medical practices?Doctoring
The Complete Works of Robert Browning, Volume XVII
With Variant Readings and Annotations
By Robert Browning
· Edited by Ashby Bland Crowder and Allan C. Dooley
In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning’s known writing. The series encompasses autobiography as well as influences bearing on Browning’s life and career and aspects of Victorian thought and culture.With
The history of Cincinnati runs much deeper than the stories of hogs that once roamed downtown streets. In addition to hosting the nation’s first professional baseball team, the Tall Stacks riverboat celebration, and the May Festival, there’s another side to the city—one that includes some of the most famous names and organizations in American letters.Literary
Across the nineteenth century, meter mattered—in more ways and to more people than we might well appreciate today. For the period’s poets, metrical matters were a source of inspiration and often vehement debate. And the many readers, teachers, and pupils encountered meter and related topics in both institutional and popular forms.
Anglophone Poetry in Colonial India, 1780–1913: A Critical Anthology makes accessible for the first time the entire range of poems written in English on the subcontinent from their beginnings in 1780 to the watershed moment in 1913 when Rabindranath Tagore won the Nobel Prize in Literature.Mary Ellis Gibson establishes accurate texts for such well-known poets as Toru Dutt and the early nineteenth-century poet Kasiprasad Ghosh.
In the Shadows of Romance examines the role of the tragedy in Germany, England and France during the romantic literary period. Cox responds to the prevailing dismissive view of the romantic tragic drama, effectively arguing for its place as expressions of the whole romantic movement and as a vital chapter in the history of Western literature.
Indian Angles is a new historical approach to Indian English literature. It shows that poetry, not fiction, was the dominant literary genre of Indian writing in English until 1860 and recreates the historical webs of affiliation and resistance that writers in colonial India—writers of British, Indian, and mixed ethnicities—experienced.
Czesław Miłosz (1911–2004) often seemed austere and forbidding to Americans, but those who got to know him found him warm, witty, and endlessly enriching. An Invisible Rope: Portraits of Czesław Miłosz presents a collection of remembrances from his colleagues, his students, and his fellow writers and poets in America and Poland.
Lit from Within offers creative writers a window into the minds of some of America’s most celebrated contemporary authors. Witty, direct, and thought–provoking, these essays offer something to creative writers of all backgrounds and experience. With contributions from fiction writers, poets, and nonfiction writers, this is a collection of unusual breadth and quality.Contributors:
Amy Levy has risen to prominence in recent years as one of the most innovative and perplexing writers of her generation. Embraced by feminist scholars for her radical experimentation with queer poetic voice and her witty journalistic pieces on female independence, she remains controversial for her representations of London Jewry that draw unmistakably on contemporary antisemitic discourse.Amy
During the nineteenth century, geography primers shaped the worldviews of Britain’s ruling classes and laid the foundation for an increasingly globalized world. Written by middle-class women who mapped the world that they had neither funds nor freedom to traverse, the primers employed rhetorical tropes such as the Family of Man or discussions of food and customs in order to plot other cultures along an imperial hierarchy.Cross-disciplinary
Dancing out of Line transports readers back to the 1840s, when the craze for social and stage dancing forced Victorians into a complex relationship with the moving body in its most voluble, volatile form.By
Why should Salman Rushdie describe his truth telling as an act of swallowing impure “haram” flesh from which the blood has not been drained? Why should Rudyard Kipling cast Kim, the imperial child–agent, as a body/text written upon and damaged by empire? Why should E. M. Forster evoke through the Indian landscape the otherwise unspeakable racial or homosexual body in his writing?
Gruel and truffles, wine and gin, opium and cocaine. Making a Man: Gentlemanly Appetites in the Nineteenth-Century British Novel addresses the role of food, drink, and drugs in the conspicuously consuming nineteenth century in order to explore the question of what makes a man of a certain class in novels of the period.
Oscar Wilde and Modern Culture: The Making of a Legend explores the meteoric rise, sudden fall, and legendary resurgence of an immensely influential writer’s reputation from his hectic 1881 American lecture tour to recent Hollywood adaptations of his dramas. Always renowned—if not notorious—for his fashionable persona, Wilde courted celebrity at an early age. Later, he came to prominence as one of the most talented essayists and fiction writers of his time.In
In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning’s known writing. The series encompasses autobiography as well as influences bearing on Browning’s life and career and aspects of Victorian thought and culture.Volume XI of The Complete Works of Robert Browning contains two strikingly disparate long poems from the 1870s, Fifine at the Fair and Red Cotton Night-Cap Country.
Heretical Hellenism examines sources such as theater history and popular journals to uncover the ways women acquired knowledge of Greek literature, history, and philosophy and challenged traditional humanist assumptions about the uniformity of classical knowledge and about women’s place in literary history.
The Carnivalesque Defunto explores the representations of death and thedead in Brazil’s collective and literary imagination. The recurring stereotype of Brazil as the land of samba, soccer, and sandy beaches overlooks a more complex cultural heritage in which, since colonial times, a relationship of proximity and reciprocity has been cultivated between the living and the dead.Robert
Marked by a rigorously close textual reading, detached frombiographical or other extratextual material, New Criticism was thedominant literary theory of the mid-twentieth century. Since thattime, schools of literary criticism have arisen in support of or in opposition tothe approach advocated by the New Critics. Nonetheless, the theory remainsone of the most important sources for groundbreaking criticism and continuesto be a controversial approach to reading literature.Praising
When Margaret Thatcher called in 1979 for a return to Victorian values such as hard work, self-reliance, thrift, and national pride, Labour Party leader Neil Kinnock responded that “Victorian values” also included “cruelty, misery, drudgery, squalor, and ignorance.”The Victorians in the Rearview Mirror is an in-depth look at the ways that the twentieth century reacted to and reimagined its predecessor.
In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning’s known writing. The series encompasses autobiography as well as influences bearing on Browning’s life and career and aspects of Victorian thought and culture.In the 1880s, the aging Browning showed once again the remarkable versatility of his lyric and narrative talents.
For two spring days in 2001, John Updike visited Cincinnati, Ohio, engaging and charming his audiences, reading from his fiction, fielding questions, sitting for an interview, participating in a panel discussion, and touring the Queen City.Successful writers typically spend a portion of their lives traveling the country to give readings and lectures.
Situated in a remote outpost in West Virginia at the turn of the last century, the story that Lenore McComas Coberly tells in Sarah’s Girls is one of place, people, and unquenchable spirit. In this fictionalized account of her recent ancestors, Coberly masterfully traces the journeys of their lives, their dreams, and their hardships over the course of the twentieth century.At
In these stories of magic and memory, clustered around a resort hotel in a small Virginia community, Cary Holladay takes the reader on an excursion through the changes wrought by time on the community and its visitors. From the quiet of a rural forest to the rhythms of rock and roll, The Quick-Change Artist is at once whimsical and hard-edged, dizzying in its matter-of-fact delivery of the fantastic.Romance,
Rewriting Modernity: Studies in Black South African Literary History connects the black literary archive in South Africa to international postcolonial studies via the theory of transculturation, a position adapted from the Cuban anthropologist Fernando Ortiz.
J. M. Coetzee and the Idea of the Public Intellectual addresses the contribution Coetzee has made to contemporary literature, not least for the contentious forays his work makes into South African political discourse and the field of postcolonial studies.
In his new collection of poems, Dick Davis, the acclaimed author of Belonging, addresses themes that he has long worked with—travel, the experience of being a stranger, the clash of cultures, the vagaries of love, the pleasures and epiphanies of meaning that art allows us.
Scholars have argued for decades over which constitutes the best possible version of Charlotte Perkins Gilman’s frequently anthologized story “The Yellow Wall-Paper.”Most editions have been based on the 1892 New England Magazine publication rather than the handwritten manuscript at Radcliffe College. Publication of the unedited manuscript in 1994 sparked controversy over which of the two was definitive.
Originating in 1891 in the port city of Surabaya, the Komedie Stamboel, or Istanbul-style theater, toured colonial Indonesia, Singapore, and Malaysia by rail and steamship. The company performed musical versions of the Arabian Nights and European fairy tales and operas such as Sleeping Beauty and Aida, as well as Indian and Persian romances, Southeast Asian chronicles, true crime stories, and political allegories.
Since the appearance of Timothy Steele’s first collection of poems in 1979, growing numbers of readers and critics have recognized him as one of the best and most significant poets of his generation. Widely credited with anticipating and encouraging the revival of poetry in traditional form, Steele has produced a body of work praised for its technical accomplishment, its intellectual breadth, and its emotional energy.Toward
The midwestern pastoral is a literary tradition of place and rural experience that celebrates an attachment to land that is mystical as well as practical. It is exemplified in the poetry, fiction, and essays of writers who express an informed love of the nature and regional landscapes of the Midwest.
In her second collection of poems, Jennifer Rose writes primarily of places and displacement. Using the postcard’s conventions of brevity, immediacy, and, in some instances, humor, these poems are greetings from destinations as disparate as Cape Cod, Kentuckiana, and Croatia. Rich in imagery, deftly crafted, and imbued with a lightness of voice, these poems are also postmarked from poetry’s more familiar provinces of love, nature, and loss.
Lee Gerlach’s Selected Poems is a rigorous culling from the life’s work of a remarkable and prolific poet. Written over a period of fifty years, the poetry of Lee Gerlach is a full spectrum of human expression, vision, and experience. It reflects a wisdom and maturity of character that has been constant during the entire span of Gerlach’s writing career. This selection, chosen by the poet, is the retrospective of a true twentieth-century American original.
Loving Mountains, Loving Men is the first book-length treatment of a topic rarely discussed or examined: gay life in Appalachia. Appalachians are known for their love of place, yet many gays and lesbians from the mountains flee to urban areas. Jeff Mann tells the story of one who left and then returned, who insists on claiming and celebrating both regional and erotic identities.
In the 1950s, professional historians claiming to specialize in tropical Africa were no more than a handful. The teaching of world history was confined to high school courses, and even those were focused on European history, with a chapter added to account for the history of East and South Asia. The change over the ensuing decades was revolutionary.Philip D. Curtin was a leader among a new generation of historians that emerged after the Second World War.
Rosamund Marriott Watson was a gifted poet, an erudite literary and art critic, and a daring beauty whose life illuminates fin-de-siècle London. In Graham R., Linda K. Hughes traces the poet’s development from accomplished ballads and sonnets, to avant-garde urban impressionism and New Woman poetry, to her anticipation of literary modernism.
One of the century’s most enduring American writers, Zane Grey left a legacy to our national consciousness that far outstrips the literary contribution of his often predictable plots and recurring themes. How did Grey capture the attention of millions of readers and promote the Western fantasy that continues to occupy many of the world’s leisure hours? This study assesses the Zane Grey phenomenon by examining Grey’s romantic novels in the context of his life and era.Grey,
Clarence Darrow, son of a village undertaker and coffinmaker, rose to become one of America’s greatest attorneys—and surely its most famous. The Ohio native gained renown for his central role in momentous trials, including his 1924 defense of Leopold and Loeb and his defense of Darwinian principles in the 1925 Scopes “Monkey Trial.”
Featuring innovative research by emergent and established scholars, The Fin-de-Siècle Poem throws new light on the remarkable diversity of poetry produced at the close of the nineteenth century in England. Opening with a detailed preface that explains why literary historians have frequently underrated fin-de-siècle poetry, the collection shows how a strikingly rich body of lyrical and narrative poems anticipated many of the developments traditionally attributed to Modernism.
Masculine codes of honor and dominance often are expressed in acts of violence, including war and terrorism. In Disarming Manhood: Roots of Ethical Resistance, David A. J. Richards examines the lives of five famous men—great leaders and crusaders—who actively resisted violence and presented more humane alternatives to further their causes.Richards argues that William Lloyd Garrison, Leo Tolstoy, Mohandas Gandhi, Winston Churchill, and Martin Luther King Jr.
Polish émigrés have written poignantly about the pain of exile in letters, diaries, and essays; others, more recently, have recreated Polish-American communities in works of fiction. But it is Danuta Mostwin’s fiction, until now unavailable in English translation, that bridges the divide between Poland and America, exile and emigration.Mostwin and her husband survived the ravages of World War II, traveled to Britain, and then emigrated to the United States.