There are worlds within our own in which even the smallest victories are hard won, the tender moment is almost unbearable, and the understated rings like a bell. Belonging, a new collection by British poet Dick Davis, is an extended visit to these worlds.
In 1967, Yvor Winters wrote of Helen Pinkerton, “she is a master of poetic style and of her material. No poet in English writes with more authority.” Unfortunately, in 1967 mastery of poetic style was not, by and large, considered a virtue, and Pinkerton's finely crafted poems were neglected in favor of more improvisational and flashier talents.
Lenore McComas Coberly has woven together a bittersweet community of strong Appalachian women and men in this remarkable collection. Moving and joyful, these stories are made from the stuff of life.
The death of her father begins Dorothy Weil’s search for what causes the family’s “spinning of in all directions like the pieces of Chaos.” She embarks on a river odyssey, traveling the Ohio, Missouri, and Mississippi Rivers by steamboat, towboat, and even an old-fashioned flatboat. The river brings her family back, as she records the stories of her fellow “river rats”: steamboat veterans, deckhands, captains, and cooks.
The Palace of Bones by Allison Eir Jenks is an often stark and startling vision of the way we live, the places we inhabit, and the relics we make to comfort ourselves. Haunted by a quiet, unquenchable longing, Jenks expertly and calmly guides the reader through a vivid dreamscape in this first full-length collection of poems. The Palace of Bones was selected by final judge and Pulitzer Prize winner Carolyn Kizer.
With much recent scholarship polarizing frontier novels into “popular” and “literary” camps, The Word Rides Again challenges the critical orthodoxy that such works have little in common, arguing instead that formulaic Western fictions can subtly (and even subversively) share cultural concerns with more highbrow brethren.
Among the major writers of the Hemingway and Fitzgerald generation, Edmund Wilson defied categorization. He wrote essays, stories and novels, cultural criticism, and contemporary chronicles, as well as journals and thousands of letters about the literary life and his own private world. Here for the first time in print is Wilson's personal correspondence to his parents, lovers and wives, children, literary comrades, and friends from the different corners of his life.
Latin American intellectuals have traditionally debated their region’s history, never with so much agreement as in the fiction, commentary, and scholarship of the late twentieth century. Collisions with History shows how “fictional histories” of discovery and conquest, independence and early nationhood, and the recent authoritarian past were purposeful revisionist collisions with received national versions.
In 1837, when Queen Victoria came to the throne, no institution of higher education in Britain was open to women. By the end of the century, a quiet revolution had occurred: women had penetrated even the venerable walls of Oxford and Cambridge and could earn degrees at the many new universities founded during Victoria's reign. During the same period, novelists increasingly put intellectually ambitious heroines students, teachers, and frustrated scholars—at the center of their books.
Provence through the eyes of its writers—those who wrote of it in Provençal or French and also those visitors who were moved by its beauty--that is the inspiration behind A Literary Guide to Provence. In this compact travel guide, Marseilles native Daniel Vitaglione presents a literary panorama of the region of southern France from the Avignon of Mistral to Colette's St. Tropez.
Valuable and timely in its long historical and critical perspective on the legacy of romanticism to Victorian art and thought, The Rescue of Romanticism is the first book-length study of the close intellectual relationship between Walter Pater and John Ruskin, the two most important Victorian critics of art.
In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning’s known writing. The series encompasses autobiography as well as influences bearing on Browning’s life and career and aspects of Victorian thought and culture. A single work, the complex Aristophanes’ Apology (1875), comprises the twelfth volume of The Complete Works of Robert Browning.
Tracing the Victorian crisis over the representation of working-class women to the 1842 Parliamentary bluebook on mines, with its controversial images of women at work, Hidden Hands argues that the female industrial worker became even more dangerous to represent than the prostitute or the male radical because she exposed crucial contradictions between the class and gender ideologies of the period and its economic realities.
In Lord of a Visible World, the editors have amassed and arranged the letters of this prolific writer into the story of his life. The volume traces Lovecraft's upbringing in Providence, Rhode Island, his involvement with the pulp magazine Weird Tales, his short-lived marriage, and his later status as the preeminent man of letters in his field. In addition to conveying the candid details of his life, the volume also traces the evolution of his wide-ranging opinions.
The period from 1966 to 1999 represents a distinct era in Indonesian history. Throughout the “New Order” regime of President Suharto, the policies of economic development and political stability were dominant. However, the public opinion of personal expression was consistently under suspicion, and indeed dissent was severely punished. Secrets Need Words traces the development of Indonesian poetry throughout this entire period.