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A Companion to the Works of Elizabeth Strout
By Katherine Montwieler
In this first study of novelist Elizabeth Strout’s best-selling works, Katherine Montwieler reveals how Strout’s voice, characters, and themes generate a powerful empathic response among mainstream readers—mostly women—that elite scholars undervalue at their own peril. This accessible companion also includes an exclusive interview with Strout.
Writing Women in Central America
Gender and the Fictionalization of History
By Laura Barbas-Rhoden
What is the relationship between history and fiction in a place with a contentious past? And of what concern is gender in the telling of stories about that past?Writing Women in Central America explores these questions as it considers key Central American texts. This study analyzes how authors appropriate history to confront the rhetoric of the state, global economic powers, and even dissident groups within their own cultures.
Writing Women in Central America
Gender and the Fictionalization of History
By Laura Barbas-Rhoden
What is the relationship between history and fiction in a place with a contentious past? And of what concern is gender in the telling of stories about that past?Writing Women in Central America explores these questions as it considers key Central American texts. This study analyzes how authors appropriate history to confront the rhetoric of the state, global economic powers, and even dissident groups within their own cultures.
Our Lady of Victorian Feminism
The Madonna in the Work of Anna Jameson, Margaret Fuller, and George Eliot
By Kimberly VanEsveld Adams
Our Lady of Victorian Feminism is about three nineteenth-century women (Jameson, Margaret Fuller, and George Eliot), Protestants by background and feminists by conviction, who are curiously and crucially linked by their extensive use of the Madonna in arguments designed to empower women.
Womanist and Feminist Aesthetics
A Comparative Review
By Tuzyline Jita Allan
Alice Walker’s womanist theory about black feminist identity and practice also contains a critique of white liberal feminism. This is the first in-depth study to examine issues of identity and difference within feminism by drawing on Walker’s notion of an essential black feminist consciousness.Allan defines womanism as a “(r)evolutionary aesthetic that seeks to fully realize the feminist goal of resistance to patriarchal domination,” demonstrated most powerfully in The Color Purple.
