This new biography of Kwame Nkrumah (1909–72), Ghana’s first president, demonstrates how his accomplishments extend well beyond his role in Ghanaian decolonization, state-building, and the promotion of pan-Africanism to include his broader anticolonialist work toward an independent, unified Africa.
When Desire Mensah, a disgraced school teacher in her thirties, meets Wolfgang “Wolf” Ofori, an eleven-year-old genius, a strange friendship develops between them. Set in 1990s Ghana, The Wolf at Number 4 is a chilling and funny gothic tale that forces us to confront whether the wolves around us are born or made.
By emphasizing the centrality of human relationships to Ghana’s economic past, Murillo introduces a radical rethinking of consumption studies from an Africa-centered perspective. The result is a keen look at colonial capitalism in all of its intricacies, legacies, and contradictions, including its entanglement with gender and race.
In the 1950s, Ghana, under the leadership of Kwame Nkrumah and the Convention People’s Party, drew the world’s attention as anticolonial activists, intellectuals, and politicians looked to it as a model for Africa’s postcolonial future. Nkrumah was a visionary, a statesman, and one of the key makers of contemporary Africa. In Living with Nkrumahism, Jeffrey S. Ahlman reexamines the infrastructure that organized and consolidated Nkrumah’s philosophy into a political program.Ahlman
Interracial sex mattered to the British colonial state in West Africa. In Crossing the Color Line, Carina E. Ray goes beyond this fact to reveal how Ghanaians shaped and defined these powerfully charged relations. The interplay between African and European perspectives and practices, argues Ray, transformed these relationships into key sites for consolidating colonial rule and for contesting its hierarchies of power.
African Video Movies and Global Desires is the first full-length scholarly study of Ghana’s commercial video industry, an industry that has produced thousands of movies over the last twenty years and has grown into an influential source of cultural production. Produced and consumed under circumstances of dire shortage and scarcity, African video movies narrate the desires and anxieties created by Africa’s incorporation into the global cultural economy.Drawing
A series of transformations, reforms, and attempted abolitions of slavery form a core narrative of nineteenth-century coastal West Africa. As the region’s role in Atlantic commercial networks underwent a gradual transition from principally that of slave exporter to producer of “legitimate goods” and dependent markets, institutions of slavery became battlegrounds in which European abolitionism, pragmatic colonialism, and indigenous agency clashed.In
Smugglers, Secessionists, and Loyal Citizens on the Ghana-Togo Frontier
The Life of the Borderlands since 1914
By Paul Nugent
The first integrated history of the Ghana-Togo borderlands, Smugglers, Secessionists, and Loyal Citizens on the Ghana-Togo Frontier challenges the conventional wisdom that the current border is an arbitrary European construct, resisted by Ewe irredentism.Paul Nugent contends that whatever the origins of partition, border peoples quickly became knowing and active participants in the shaping of this international boundary.
The Gold Coast became important to the Allied war effort in WWII, necessitating the creation of elaborate propaganda and espionage networks, the activities of which ranged from rumor-mongering to smuggling and sabotage.
This study offers a “social interpretation of environmental process” for the coastal lowlands of southeastern Ghana. The Anlo-Ewe, sometimes hailed as the quintessential sea fishermen of the West African coast, are a previously non-maritime people who developed a maritime tradition. As a fishing community the Anlo have a strong attachment to their land. In the twentieth century coastal erosion has brought about a collapse of the balance between nature and culture.
This is a study of the ‘unofficial’ side of African fiction—the largely undocumented writing, publishing, and reading of pamphlets and paperbacks—which exists outside the grid of mass production.Stephanie Newell examines the popular fiction of Ghana produced since the 1930s, analyzing the distinctive ways in which narrative forms are borrowed and regenerated by authors and readers.Familiar
Kwame Nkrumah, who won independence for Ghana in 1957, was the first African statesman to achieve world recognition. Nkrumah and his movement also brought about the end of independent chieftaincy—one of the most fundamental changes in the history of Ghana.Kwame Nkrumah’s Convention Peoples’ Party was committed not only to the rapid termination of British colonial rule but also to the elimination of chiefly power.
The first African statesman to achieve world recognition was Kwame Nkrumah (1909-1972), who became president of the new Republic of Ghana in 1960. He campaigned ceaselessly for African solidarity and for the liberation of southern Africa from white settler rule. His greatest achievement was to win the right of black peoples in Africa to have a vote and to determine their own destiny.He turned a dream of liberation into a political reality.
Forests of Gold is a collection of essays on the peoples of Ghana with particular reference to the most powerful of all their kingdoms: Asante. Beginning with the global and local conditions under which Akan society assumed its historic form between the fifteenth and seventeenth centuries, these essays go on to explore various aspects of Asante culture: conceptions of wealth, of time and motion, and the relationship between the unborn, the living, and the dead.