The second edition of To Kill a Man’s Pride builds on the success of the previous edition of this anthology of South African short stories by retaining most of stories, but also featuring more women writers and new male voice, to make it more representative. The milieu remains unambiguously South African, with some stories set in rural areas such as the village, farm or dorp, and others in urban centers such as the big city, suburb or township.
Ladders to Fire, Children of the Albatross, The Four-Chambered Heart, A Spy in the House of Love, Seduction of the Minotaur. Haunting and hypnotic, these five novels by Anaïs Nin began in 1946 to appear in quiet succession. Though published separately over the next fifteen years, the five were conceived as a continuous experience—a continuous novel like Proust's, real and flowing as a river.
Helen Papanikolas has been honored frequently for her work in ethnic and labor history. Among her many publications are Toil and Rage in a New Land: The Greek Immigrants in Utah, Peoples of Utah (ed.), and her parents' own story of migration, Emily-George. With Small Bird, Tell Me, she joins a long and ancient tradition of Greek story-tellers whose art informs and enriches our lives.
Higher Elevations: Stories from the West is a rich and varied anthology of fiction from Writers' Forum. As the subtitle promises, it is regional, but these are not all stories from your grandfather's (or Hollywood's) West.
This collection of stories by award-winning write Jane Candia Coleman is about women coming of age. In each one, the protagonist discovers facets, truths about herself and the world that she has not known—finds places in herself where she has never been.
Richter’s novels and stories are filled with the fire of poetic prose and the drama of real lives. This is a reissue of the 1937 tale of cattle ranching on the high-grass plains of New Mexico at a time when a single man could control, if he were fierce enough, a ranch as big as some eastern seaboard states, but perhaps not hold the woman he loves as fiercely as the land.
An excerpt from Stories from Mesa Country: "They are coming back from the burial ground. I can see them walking, two abreast, along the narrow track by the wash. Tom has his head down, his hands in the pockets of his black suit. Beside him, Reverend Sherman is talking, waving his arms, trying, I'd guess, to comfort. Behind them come Enid and Faith, square shapes in best blue dresses, and then Seth and Arch, leggy as colts, uncomfortable in Sunday suits, in the shadow of tragedy.
Not Out of Hate is the first Burmese novel to be translated into English and published outside of Myanmar. It offers unusual insights into the social history of the late colonial period. Set in pre-World War II Burmese society, the story centers on the relationship and marriage of seventeen-year-old Way Way with U Saw Han, a much older Burmese agent for a British trading company.
Conrad Richter's trilogy of novels The Trees (1940), The Fields (1946), and The Town, (1950) traces the transformation of Ohio from wilderness to farmland to the site of modern industrial civilization, all in the lifetime of one character. The trilogy earned Richter immediate acclaim as a historical novelist. The Town won the Pulitzer Prize for fiction in 1951, and The Trees was a Book-of-the-Month Club selection soon after it was published.
Toward the close of the eighteenth century, the land west of the Alleghenies and north of the Ohio River was an unbroken sea of trees. Beneath them the forest trails were dark, silent, and lonely, brightened only by a few lost beams of sunlight. Here, in the first novel of Conrad Richter's Awakening Land trilogy, the Lucketts, a wild, woods-faring family, lived their roaming life, pushing ever westward as the frontier advanced and as new settlements threatened their isolation.
This collection of stories is, like Petesch’s previous work, distinguished by its brilliant lyrical intensity and by characters who are stunningly alive. It is a powerful collection about impassioned cultural conflicts in present-day Spain and Mexico; it is also a book about ourselves—how we have failed to love the Earth and have squandered our resources. In the title story, it is Justina Olivia who breaks the moral law of her village in an unforgettable love story.
Without humor, the American West would be a vast territory of arid clichés — stolid cowboys and fearless lawmen, or, in more modern visions, dastardly land developers and fanatical environmentalists — all of them as lifeless as an alkalai flat.