The first African American fiction writer to earn a national reputation, Charles W. Chesnutt remains best known for his depictions of Southern life before and after the Civil War. But he also produced a large body of what might best be called his “Northern” writings, and those works, taken together, describe the intriguing ways in which America was reshaping itself at the turn of the last century.
What is the relationship between history and fiction in a place with a contentious past? And of what concern is gender in the telling of stories about that past? After the first blizzard of an early winter, a Mennonite college girl with a troubled past appears curled up and bloodied outside the offce of her childhood psychiatrist. Mute for many years as a child, Martha Lehman is again not talking.
In her startling collection of short stories, Broken Lives and Other Stories, Anthonia C. Kalu creates a series of memorable characters who struggle to hold displaced but dynamic communities together in a country that is at war with itself. Broken Lives and Other Stories presents a portrait of the ordinary women, children, and men whose lives have been battered by war in their homeland.
The title of Helen Papanikolas’ second collection of short stories, The Apple Falls from the Apple Tree, is taken from an old Greek proverb and speaks of the new generation’s struggle with the vestiges of Greek customs. Gone are the raw, overt emotions of the pioneers, their bold prejudices, and, especially, the haunting black fatalism of funerals. Yet their children retain much of their parents’ culture.
In Below Grass Roots, the second book in Frank Waters's Pikes Peak saga, turn-of-the-century Colorado Springs is prospering with the mining boom and a growing tourist industry. Patriarch Joseph Rogier becomes ever more obsessed with the treasures of the towering mountain and tries to enlist his son-in-law Jonathan Cable in his mining schemes. Cable instead leaves for Navajo country with his young son.
The Wild Earth's Nobility is the first of Frank Waters's semiautobiographical novels in the Pikes Peak saga. Here, in a frontier town in the shadow of the commanding mountain, the Rogier family settles near an age-old route of migrating Native Americans. In an era of prospecting, silver strikes, and frenzied mining, Joseph Rogier becomes a successful building contractor, rears a large family, and is gradually overwhelmed by the power of the great peak.
Based on one of the most significant periods in Frank Waters's own life, Pike's Peak is perhaps the most complete expression of all the archetypal themes he explored in both fiction and nonfiction. In The Dust within the Rock, the third book in the Pikes Peak saga, an aging Joseph Rogier clings to his vision of finding gold in the great mountain and his grandson Marsh comes of age in the Rogier household.
Rudy Wiebe's The Temptations of Big Bear is an epic of the Canadian West. As the buffalo-based food supply vanishes, Big Bear leads his Plains Cree nation across the prairie in search of a means of retaining the way of life quickly being lost—a life his people have lived for thousands of years.
In 1919 a middle-aged Chicago advertising writer from Ohio, a failure as a businessman, husband, and father, published a small yellow book of short stories intended to “reform” American literature. Against all expectations, Winesburg, Ohio: A Group of Tales of Ohio Small Town Life achieved what its author intended: after 1919 and after Winesburg, Ohio, American literature would be written and read freshly and differently.
In 1906 a young, semiliterate Greek arrived in America with a fewdollars in his pocket and his people’s legacy of proverbs, superstitions, and cultural traits to guide him through the dangers and opportunities of a new world. The Time of the Little Black Bird begins with the story of this young man and his plan to build a future for his family as it makes its way in America.
Unlike other young women of her generation, who were “bred up from childhood to sit behind tea-tables and say the right things to tea-drinkers,” Sylvia Marshall—the “twig” of this novel—was reared to think for herself and to trust her own instincts and experience. This, coupled with her passionate temperament, makes Sylvia a compelling figure as she resists efforts to mold her with every rebellious fiber of her independent nature.