Classic Literature and Fiction
Fiction, Native American
Legends, Myths, and Folk Tales
Short Stories (multiple authors)
Short Stories (single author)
The Man Who Created Paradise, a fable inspired by a true story, tells how young Wally Spero looked at one of the bleakest places in America—the strip-mined spoil banks of southeastern Ohio—and saw in it his escape from the drudgery of his factory job.
In Tales of the Metric System, Coovadia explores a turbulent South Africa from 1970 into the present. He takes his home country's transition from imperial to metric measurements as his catalyst, holding South Africa up and examining it from the diverse perspectives of his many characters.
The Maestro, the Magistrate & the Mathematician follows three Zimbabwean expatriates in Edinburgh as they struggle to find places for themselves in Scotland. Shying from neither the political nor the personal, Huchu creates a humorous but increasingly somber picture of love, loss, belonging, and politics in the Zimbabwean diaspora.
When Dawn Jewell—fifteen, restless, curious, and wry—joins her grandmother’s fight against mountaintop removal mining in spite of herself, she has to decide whether to save a mountain or save herself; be ruled by love or by anger; remain in the land of her birth or run for her life. Inspired by oral tradition and punctuated by Gipe’s raw and whimsical drawings Trampoline is a powerful portrait of a place.
Set in contemporary Zimbabwe, Caine Prize finalist Tendai Huchu’s comedic and devastating novel of manners and sexual mores chronicles the rise and fall of an unconventional friendship between a single mother and a rival male hairdresser, with brutal consequences for both.
In the fictional East African Kwatee Republic of the 1990s, the dictatorship is about to fall, and the nation’s exiles are preparing to return. One of these exiles, a young man named Kalumba, is a graduate student in the United States, where he encounters Mrs. Shaw, a professor emerita and former British settler who fled Kwatee’s postcolonial political and social turmoil.
The reincarnation of a legendary nineteenth-century Caribbean emperor as a contemporary African leader is at the heart of this novel. Sacred River deals with the extraordinary lives, hopes, powerful myths, stories, and tragedies of the people of a modern West African nation. It is also the compelling love story of an idealistic philosophy professor and an ex-courtesan of incomparable beauty.
“Some voyages have their inception in the blueprint of a dream, some in the urgency of contradicting a dream. Lillian’s recurrent dream of a ship that could not reach the water, that sailed laboriously, pushed by her with great effort, through city streets, had determined her course toward the sea, as if she would give this ship, once and for all, its proper sea bed…. With her first swallow of air she inhaled a drug of forgetfulness well known to adventurers.”
Although Under a Glass Bell is now considered one of Anaïs Nin’s finest collections of stories, it was initially deemed unpublishable. Refusing to give up on her vision, in 1944 Nin founded her own press and brought out the first edition, illustrated with striking black-and-white engravings by her husband, Hugh Guiler. Shortly thereafter, it caught the attention of literary critic Edmund Wilson, who reviewed the collection in the New Yorker.
Every city has an unspoken side. Cape Town, between the picture postcard mountain and sea, has its own shadow: a place of dislocation and uncertainty, dependence and desperation, destruction and survival, gangsters, pimps, pedophiles, hunger, hope, and moments of happiness.
It’s 2047 in Dayton, Ohio. In response to food and water shortages, the U.S. government has developed an enormous, and powerfully successful, agricultural area—the “Heartland Grid”—just north of the city. In the meantime, in the wake of declining American power a multinational force has established itself in Cleveland. Behind these quickly shifting alliances lies a troubling yet tantalizing question: what will the American future look like?
Ufrieda Ho’s compelling memoir describes with intimate detail what it was like to come of age in the marginalized Chinese community of Johannesburg during the apartheid era of the 1970s and 1980s. The Chinese were mostly ignored, as Ho describes it, relegated to certain neighborhoods and certain jobs, living in a kind of gray zone between the blacks and the whites. As long as they adhered to these rules, they were left alone.
Dog Eat Dog is a remarkable record of being young in a nation undergoing tremendous turmoil, and provides a glimpse into South Africa’s pivotal kwaito (South African hip-hop) generation and life in Soweto. Set in 1994, just as South Africa is making its postapartheid transition, Dog Eat Dog captures the hopes—and crushing disappointments—that characterize such moments in a nation’s history.
Eloquent and thought-provoking, this classic novel by the Eritrean novelist Gebreyesus Hailu, written in Tigrinya in 1927 and published in 1950, is one of the earliest novels written in an African language and will have a major impact on the reception and critical appraisal of African literature.
On Black Sisters Street tells the haunting story of four very different women who have left their African homeland for the riches of Europe—and who are thrown together by bad luck and big dreams into a sisterhood that will change their lives. Each night, Sisi, Ama, Efe, and Joyce stand in the windows of Antwerp’s red-light district, promising to make men’s desires come true—if only for half an hour.