Reflections: The American Collection of the Columbus Museum of Art adds a novel and provocative element to the library of art museum collection catalogs, featuring selected works from the museum’s collection and accompanied by concise essays by scholars of art who reflect on respond to the distinctive aspects of each work.
In the Gilded Age, when most sculptors aspired to produce monuxadments, Bessie Potter Vonnoh (1872–1955) made significant contributions to small bronze sculpture and garden statuary designed for the embellishment of the home. Her work commanded admiration for her fluid and suggestive modeling, graceful lines, and sculptural form. In 1904 Bessie Potter Vonnoh won the gold medal for sculpture at the St.
Edna Boies Hopkins (1872u2009–1937) is known for her floral woodblock prints that range from Japanese-inspired stylizations to boldly colored and progressively modernist works. In her brief career, Hopkins produced seventy-four known woodblock prints, including figurative work and landscapes as well as floral compositions. This catalogue illustrates all of Hopkins’s known prints, related drawings, and studies.
Rookwood and the American Indian blends anthropology with art history to reveal the relationships between the white settlers and the Native Americans in general, between Cincinnati and the American Indian in particular, and ultimately between Rookwood artists and their Indian friends.
On May 10, 2003, the Cincinnati Art Museum will celebrate the opening of the Cincinnati Wing: eighteen thousand square feet of handsomely renovated gallery space devoted to the museum’s renowned collections of painting, sculpture, furniture, ceramics, and metalwork by Cincinnati artists. The museum is the first in the country to reinterpret its American art collections with a regional emphasis, fostering civic pride and drawing attention to the achievements of the city’s artists.In