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Ohio University Press · Swallow Press · www.ohioswallow.com

Art

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Cover of 'ArtBreak'

ArtBreak
A Creative Guide to Joyful and Productive Classrooms
By Katherine Ziff

Play is the central, universally significant activity of childhood. Self-directed play in which adults have a supporting rather than directing role is critical to the development and well-being of children. This book is a flexible and accessible guide to encourage art-based play and allow children to explore, plan, and pursue their own interests.

Cover of 'The Illustrated Letters of Richard Doyle to His Father, 1842–1843'

The Illustrated Letters of Richard Doyle to His Father, 1842–1843
By Richard Doyle
· Edited by Grant F. Scott

Before he joined the staff of Punch and designed its iconic front cover, illustrator Richard “Dicky” Doyle was a young man whose father (political caricaturist John Doyle) charged him with sending a weekly letter, even though they lived under the same roof. This volume collects the fifty-three illustrated missives in their entirety for the first time and provides an uncommon peek into the intimate but expansive observations of a precocious social commentator and artist.

Cover of 'The Engraving Trade in Early Cincinnati'

The Engraving Trade in Early Cincinnati
With a Brief Account of the Beginning of the Lithographic Trade
By Donald C. O'Brien

Examines the vibrant engraving industry that helped fuel the growth of the “Queen City” and established its influence as the midwestern center for the print and engraving trade.

Cover of 'Irish People, Irish Linen'

Irish People, Irish Linen
By Kathleen Curtis Wilson

The story of Irish linen is a story of the Irish people. Many thousands of men and women made Irish linen a global product and an international brand. It is also a story of innovation and opportunity. Irish linen has served its makers as sail cloth of incredible strength and durability for world exploration and trade; it has functioned as watertight containers for farmers and firemen; it has soothed the brows of royalty and absorbed the sweat of the working class.

Cover of 'Midwest Modern'

Midwest Modern
The Color Woodcuts of Mabel Hewit
Edited by Jane Glaubinger

The first book to showcase the work of this Ohio artist and important modernist printmaker.

Cover of 'Philena’s Friendship Quilt'

Philena’s Friendship Quilt
A Quaker Farewell to Ohio
By Lynda Salter Chenoweth

Chenoweth’s research to discover the story behind a Quaker signature quilt made in Columbiana County, Ohio, in 1853 revealed not only the identity of the quilt recipient and details of her life and community, but also a striking feature of the quilt itself—a “hidden” design element created by the deliberate placement of names on the quilt’s surface.

Cover of 'Outside the Ordinary'

Outside the Ordinary
Contemporary Art in Glass, Wood, and Ceramics from the Wolf Collection
Edited by Amy Miller Dehan

Outside the Ordinary introduces audiences to sixty–seven masterworks selected from the Nancy and David Wolf Collection, carefully documented and photographed in full color.

Cover of 'Unconquerable Spirit'

Unconquerable Spirit
George Stow’s History Painting of the San
By Pippa Skotnes

George Stow was a Victorian man of many parts—poet, historian, ethnographer, artist, cartographer, and prolific writer. A geologist by profession, he became acquainted, through his work in the field, with the extraordinary wealth of rock paintings in the caves and shelters of the South African interior. Enchanted and absorbed by them, Stow set out to create a record of this creative work of the people who had tracked and marked the South African landscape decades and centuries before him.

Cover of 'The Demon and the Damozel'

The Demon and the Damozel
Dynamics of Desire in the Works of Christina Rossetti and Dante Gabriel Rossetti
By Suzanne Waldman

Developing a perspective on Victorian culture as the breeding ground for early theories of the unconscious and the divided psyche, The Demon and the Damozel: Dynamics of Desire in the Works of Christina Rossetti and Dante Gabriel Rossetti offers a new reading of these eminent Victorian siblings’ literature and visual arts.

Cover of 'Bead International 2008 and Beyond Basketry'

Bead International 2008 and Beyond Basketry
Edited by Andrea R. Lewis

This unique book combines two catalogs in one. Bead International 2008 and Beyond Basketry represents the best of two juried exhibitions held at the Dairy Barn Arts Center in Athens, Ohio.

Cover of 'Art in Context'

Art in Context
Understanding Aesthetic Value
By David E. W. Fenner

The various lenses—ethical, political, sexual, religious, and so forth—through which we may view art are often instrumental in giving us an appreciation of the work. In Art in Context: Understanding Aesthetic Value, philosopher David Fenner presents a straightforward, accessible overview of the arguments about the importance of considering the relevant context in determining the true merit of a work of art.

2009 CHOICE Outstanding Academic Title  · A Library Journal “Editor’s Pick”
Cover of 'Claim to the Country'

Claim to the Country
The Archive of Wilhelm Bleek and Lucy Lloyd
By Pippa Skotnes

In the 1870s, facing cultural extinction and the death of their language, several San men and women told their stories to two pioneering colonial scholars in Cape Town, Wilhelm Bleek and Lucy Lloyd. The narratives of these San—or Bushmen—were of the land, the rain, the history of the first people, and the origin of the moon and stars.

Cover of 'Quilts of the Ohio Western Reserve'

Quilts of the Ohio Western Reserve
By Ricky Clark

Quilts of the Ohio Western Reserve includes early quilts brought from Connecticut to the Western Reserve in northeastern Ohio and contemporary quilts, including one by a conservative Amish woman and another inspired by Cleveland’s Rock and Roll Hall of Fame.

Cover of 'Bringing Modernism Home'

Bringing Modernism Home
Ohio Decorative Arts, 1890–1960
By Carol Boram-Hays

Ohio enjoys a rich artistic heritage: its inhabitants have made significant contributions in the arts; its schools have produced artists of international acclaim; and its companies have employed progressive manufacturing techniques and pioneering materials in the production of their wares. Ohio's artistic tradition is especially impressive in the area of the decorative arts from the first two-thirds of the twentieth century.

Cover of 'American Pantheon'

American Pantheon
Sculptural and Artistic Decoration of the United States Capitol
Edited by Donald R. Kennon and Thomas P. Somma

Like the ancient Roman Pantheon, the U.S. Capitol was designed by its political and aesthetic arbiters to memorialize the virtues, events, and persons most representative of the nation's ideals—an attempt to raise a particular version of the nation's founding to the level of myth. American Pantheon examines the influences upon not only those virtues and persons selected for inclusion in the American pantheon, but also those excluded.