In 1970 Adrian Hall’s production of Lovecraft’s Follies by the Trinity Repertory Company was praised in The New York Times as a “hilarious extravaganza—with music—that is also an earnest attempt to come to grips with the guilts and terrors of the Age of Technology.” The sucess of this production heralded James Schevill’s arrival as an important American playwright dedicated to a new kind of theatre that he calls in the introduction to this book, “Poetic Realism.”
“In addition to his accomplishments as a talented novelist, a thorough historian, and an excellent essayist, Frank Waters is that rare breed of man who has merged heart and mind early in his life and moved forward to confront ultimate questions. This dilemma of faith and heritage, religion and identity, and commitment and comfort has never been resolved intellectually.
From a poetic career that spans more than half a century and that is still producing poems as fresh and honest as the first, comes James Schevill's New and Selected Poems, redefining the achievement of this uniquely American vision. Schevill's poetry, acclaimed and criticized, has been rigorously selected here by the poet himself down to the best and most representative of his significant output.
William Dean Howells has long been recognized as the chief spokesman for post-1880s American Realism. Most of his writing appeared in popular magazines, however, and has been lost to us. This collection brings together for the first time his most significant essays about American drama written between 1875 and 1919 and a full bibliography of his writings on drama and theatre.
Richter’s novels and stories are filled with the fire of poetic prose and the drama of real lives. This is a reissue of the 1937 tale of cattle ranching on the high-grass plains of New Mexico at a time when a single man could control, if he were fierce enough, a ranch as big as some eastern seaboard states, but perhaps not hold the woman he loves as fiercely as the land.
Novelist and critic Alexander Blackburn credits Waters’s novels such as The Man Who Killed the Deer, Pike’s Peak, People of the Valley, and The Woman at Otowi Crossing with creating a worldview that transcends modern materialism and rationalism. Central to Waters’s vision, he suggests, is the individual in whom are concentrated the creative powers of the universe.
Conrad Richter's trilogy of novels The Trees (1940), The Fields (1946), and The Town, (1950) traces the transformation of Ohio from wilderness to farmland to the site of modern industrial civilization, all in the lifetime of one character. The trilogy earned Richter immediate acclaim as a historical novelist. The Town won the Pulitzer Prize for fiction in 1951, and The Trees was a Book-of-the-Month Club selection soon after it was published.
Toward the close of the eighteenth century, the land west of the Alleghenies and north of the Ohio River was an unbroken sea of trees. Beneath them the forest trails were dark, silent, and lonely, brightened only by a few lost beams of sunlight. Here, in the first novel of Conrad Richter's Awakening Land trilogy, the Lucketts, a wild, woods-faring family, lived their roaming life, pushing ever westward as the frontier advanced and as new settlements threatened their isolation.
“I here and there o’heard a Coxcomb cry, Ah, rot—’tis a Woman’s Comedy.” Thus Aphra Behn ushers in a new era for women in the British Theatre (Sir Patient Fancy, 1678). In the hundred years that were to follow—and exactly those years that Curtain Calls examines—women truly took the theater world by storm.
This collection of stories is, like Petesch’s previous work, distinguished by its brilliant lyrical intensity and by characters who are stunningly alive. It is a powerful collection about impassioned cultural conflicts in present-day Spain and Mexico; it is also a book about ourselves—how we have failed to love the Earth and have squandered our resources. In the title story, it is Justina Olivia who breaks the moral law of her village in an unforgettable love story.
While William Dean Howells is today best remembered as Mark Twain’s staunchest defender, Howells was, at his peak, the unrivaled man of letters in America: he had no contemporary equal. The achievements of both Twain and Henry James have since surpassed those of Howells in the literary hierarchy, but the work of Howells still remains an important part of American letters.
Although Alan Swallow's work on behalf of other poets has tended to overshadow his work as a poet, the reputation of his poems has been upon the ascendancy. This volume, a “selected” one, runs the gamut of Swallow's themes. John Holmes reviewed in The New York Times, speaking of “love and compassion warming the face of the carving.” The volume was published in a beautiful limited edition by Carroll Coleman's The Prairie Press.