shopping_cart
Ohio University Press · Swallow Press · www.ohioswallow.com

American Literature

American Literature Book List

Cover of 'The Selected Letters of Yvor Winters'

The Selected Letters of Yvor Winters
By Yvor Winters
· Edited by R. L. Barth

Poet, teacher, and critic, Yvor Winters was a man of letters in more ways than one. This selection of his personal correspondence spans half a century of literary history and a lifetime of intellectual development and growth. As a record of a serious artist and thinker’s grappling with important issues and, sometimes, with his notable friends, the letters offer new and often unexpected insight into the creative mind at work.The

Cover of 'A Frank Waters Reader'

A Frank Waters Reader
A Southwestern Life in Writing
By Frank Waters
· Edited by Thomas J. Lyon

Over the course of his life, Frank Waters amassed a body of work that has few equals in the literature of the American West. Because his was a writing that touched every facet of the Western experience, his voice still echoes throughout that region’s literary world.Swallow Press is especially proud to present this generous sampling of Frank Waters’s writings. A Frank Waters Reader encompasses the full range of his work and draws from both his nonfiction and his many novels.

Winner of the 2000 Hollis Summers Poetry Prize.
Cover of 'Midland'

Midland
Poems
By Kwame Dawes

The winning manuscript of the fourth annual Hollis Summers Poetry Prize is also the exciting American debut by a poet who has already established himself as an important international poetic voice. Midland, the seventh collection by Kwame Dawes, draws deeply on the poet’s travels and experiences in Africa, the Caribbean, England, and the American South.

Cover of 'Maverick Heart'

Maverick Heart
The Further Adventures of Zane Grey
By Stephen J. May

In 1927, at the peak of his career, Zane Grey bought a three-masted schooner, which he sailed to the Galapagos Islands, later journeying to Tahiti, New Zealand, Australia, and Fiji.As colorful as his characters were, so too was their creator. A consummate explorer, Zane Grey toured the world, was an acclaimed expert on salt- and freshwater fishing, and incorporated the sights and sounds he witnessed into his writings.As

Winner of the Governor General’s Literary Award, 1973
Cover of 'The Temptations of Big Bear'

The Temptations of Big Bear
A Novel
By Rudy Wiebe

Rudy Wiebe’s The Temptations of Big Bear is an epic of the Canadian West. As the buffalo-based food supply vanishes, Big Bear leads his Plains Cree nation across the prairie in search of a means of retaining the way of life quickly being lost—a life his people have lived for thousands of years.

Cover of 'West of the Border'

West of the Border
The Multicultural Literature of the Western American Frontiers
By Noreen Groover Lape

Expanding the scope of American borderland and frontier literary scholarship, West of the Border examines the writings of nineteenth- and turn-of-the-century Native, African, Asian, and Anglo American frontier writers. This book views frontiers as “human spaces” where cultures make contact as it considers multicultural frontier writers who speak from “west of the border.”James

Cover of 'The Selected Poems of Janet Lewis'

The Selected Poems of Janet Lewis
By Janet Lewis
· Edited by R. L. Barth

Since the appearance in print of her early poems over seventy-five years ago, the poetry of Janet Lewis has grown in quiet acclaim and popularity. Although she is better known as a novelist of historical fiction, her first and last writings were poems. With the publication of her selected poems, Swallow Press celebrates the distinguished career of one of its most cherished authors.Critics

Cover of 'Set the Ploughshare Deep'

Set the Ploughshare Deep
A Prairie Memoir
By Timothy Murphy

Fifteen years in the making, Set the Ploughshare Deep is a memoir in prose, verse, and woodcuts. It depicts the consequences of Warren’s advice for a writer who turned his back on cities and the academic world, who bought and sold, farmed and failed like his forebears, all the while distilling what he saw, heard, or felt into his tall tales and short verses. Timothy Murphy has harvested pheasants and ducks as well as wheat and apples.

Cover of 'Transcendental Wordplay'

Transcendental Wordplay
America’s Romantic Punsters and the Search for the Language of Nature
By Michael West

Throughout the first half of the nineteenth century, America was captivated by a muddled notion of “etymology.” New England Transcendentalism was only one outcropping of a nationwide movement in which schoolmasters across small-town America taught students the roots of words in ways that dramatized religious issues and sparked wordplay.Shaped by this ferment, our major romantic authors shared the sensibility that Friedrich Schlegel linked to punning and christened “romantic irony.”

Cover of 'Pebbles, Monochromes and Other Modern Poems, 1891–1916'

Pebbles, Monochromes and Other Modern Poems, 1891–1916
By W. D. Howells
· Edited by Edwin Cady

Metaphysical, agnostic, and ironic with a modernist voice.

Cover of 'Pages'

Pages
New Poems and Cuttings
By John Matthias

A unique voice among contemporary American poets, John Matthias has compiled here a major new collection, his first volume of poetry since the publication in 1995 of his retrospective collections of shorter and longer poems. Divided into three sections, Pages begins with thirty short poems that range in subject from Ovid and Akhmatova to remembered friends and family.

Cover of 'Value and Vision in American Literature'

Value and Vision in American Literature
Essays in Honor of Ray Lewis White
Edited by Joseph Candido

The widely divergent voices in this collection are united by their common interest in the American literary heritage and by their intention to redefine that heritage by altering our angle of vision or forcing us to re-examine some traditional values.

Cover of 'The Time of the Little Black Bird'

The Time of the Little Black Bird
By Helen Papanikolas

In 1906 a young, semiliterate Greek arrived in America with a fewdollars in his pocket and his people’s legacy of proverbs, superstitions, and cultural traits to guide him through the dangers and opportunities of a new world. The Time of the Little Black Bird begins with the story of this young man and his plan to build a future for his family as it makes its way in America.Told

Cover of 'Robert Lowell’s Shifting Colors'

Robert Lowell’s Shifting Colors
The Poetics of the Public and the Personal
By William Doreski

In the two decades that have passed since Robert Lowell’s death, Robert Lowell’s Shifting Colors is the first critical survey of the poet’s aesthetic efforts to make personal vision and public exhortation cohere and thus combine poetic genres that have been historically discrete.Rather

Cover of 'Mountain Dialogues'

Mountain Dialogues
By Frank Waters
· Foreword by Thomas J. Lyon

“Mysticism is peculiar to the mountainbred,” Frank Waters once told an interviewer for Psychology Today. And in Mountain Dialogues, available for the first time in paperback, the mountainbred Waters proves it true. Ranging over such diverse subjects as silence, spirits, time, change, and the sacred mountains of the world, Waters sounds again and again the radiant, mystic theme of man’s inherent wholeness and his oneness with the cosmos.Writing

Cover of 'Word Play Place'

Word Play Place
Essays on the Poetry of John Matthias
Edited by Robert Archambeau

The poetry of John Matthias has long been admired by other poets for the way it refuses to be categorized. Lyrical and experimental, cosmopolitan and rooted in place, it challenges our received notions of what poetry can be at the end of the twentieth century. This volume introduces the work of this significant American poet to readers previously unfamiliar with it and enriches the reading of those who have long admired it.

Cover of 'Deprived of Unhappiness'

Deprived of Unhappiness
By Sam Pickering

In this, his tenth book of essays, renowned raconteur Sam Pickering wanders from Nova Scotia to Tennessee, from a middle school athletic field to an English department. He tells stories about people named Googoo and Loppie. He examines trees and flowers. He watches a daughter play soccer and a son row. He attends funerals and remembers the past and imagines the future. His is the ordinary world observed closely.But reading Pickering makes life blossom.

Cover of 'Sturdy Oak'

Sturdy Oak
A Composite Novel of American Politics
Edited by Elizabeth Jordan
· Introduction by Ida H. Washington

In the spring of 1916, as the workers for woman suffrage were laying plans for another attack on the bastions of male supremacy, the idea for The Sturdy Oak was born: a satiric look at the gender roles of the time written as a collaborative effort by the leading authors of the day, such as Fannie Hurst, Dorothy Canfield, and Kathleen Norris.

Cover of 'Arrows of Longing'

Arrows of Longing
The Correspondence between Anaïs Nin and Felix Pollak, 1952–1976
By Gregory H. Mason

In the winter of 1951-52, Anaïs Nin was a writer in despair. More than a dozen publishing houses had rejected her new novel, A Spy in the House of Love, and Nin became desperate for literary acceptance. Encouragement came from an unexpected source. Felix Pollak, an Austrian emigré and Rare Book Librarian at Northwestern University, had been entrusted with the task of acquiring some of Nin’s manuscripts for the library.

Cover of 'Haunted by Waters'

Haunted by Waters
Fly Fishing in North American Literature
By Mark Browning

Four essential questions: Why does one fish? How should one properly fish? What relations are created in fishing? And what effects does fishing have on the future? Haunted by Waters is a self-examination by the author as he constructs his own narrative and tries to answer these questions for himself. But it is also a thorough examination of the answers he uncovers in the course of reading what’s been written on the subject.As

Cover of 'The Destructive Element'

The Destructive Element
New and Selected Poems
By Turner Cassity

Turner Cassity is like a highly accomplished traditional composer—Camille Saint-Saëns, say, or Richard Strauss—who does not doubt that the music is the score and the score is the music. That is, poetry is verse and verse is poetry.Given that confidence, he is prepared to take on any subject. In the forty years he has been publishing, Mr. Cassity has never once written about nothing.

Cover of 'America’s Sketchbook'

America’s Sketchbook
The Cultural Life of a Nineteenth-Century Literary Genre
By Kristie Hamilton

America’s Sketchbook recaptures the drama of nineteenth-century American cultural life, placing at its center a genre—the literary sketch—more available than the novel, less governable by the critical establishment, and shot through with the tensions and types of local and national culture-making.

Cover of 'And Still Birds Sing'

And Still Birds Sing
New and Collected Poems
By Lucien Stryk

Written over a career that spans five decades, And Still Birds Sing is the masterwork of a major voice in American poetry.Bringing

Cover of 'Hired Pens'

Hired Pens
Professional Writers in America’s Golden Age of Print
By Ronald Weber

Just as mass-market magazines and cheap books have played important roles in the creation of an American identity, those skilled craftsmen (and women) whose careers are the subjects of Ronald Weber’s narrative profoundly influenced the outlook and strategies of the high-culture writers who are generally the focus of literary studies.Hired

Cover of 'The Bent Twig'

The Bent Twig
A Novel
By Dorothy Canfield
· Introduction by Ida H. Washington

Unlike other young women of her generation, who were “bred up from childhood to sit behind tea-tables and say the right things to tea-drinkers,” Sylvia Marshall—the “twig” of this novel—was reared to think for herself and to trust her own instincts and experience. This, coupled with her passionate temperament, makes Sylvia a compelling figure as she resists efforts to mold her with every rebellious fiber of her independent nature.Sylvia’s

Cover of 'The Poems of J. V. Cunningham'

The Poems of J. V. Cunningham
Edited by Timothy Steele

The lifework in verse of one of the century’s finest and liveliest American poets, this collection of the poems of J. V. Cunningham (1911-85) documents the poet’s development from his early days as an experimental modernist during the Depression to his emergence as the master of the classical “plain style”—distinguished by its wit, feeling, and subtlety.

Cover of 'Resisting Regionalism'

Resisting Regionalism
Gender And Naturalism In American Fiction, 1885-1915
By Donna Campbell

When James Lane Allen defined the “Feminine Principle” and the “Masculine Principle” in American fiction for the Atlantic Monthly in 1897, he in effect described local color fiction and naturalism, two branches of realism often regarded as bearing little relationship to each other.

Cover of 'Wound and the Bow'

Wound and the Bow
Seven Studies in Literature
By Edmund Wilson

The Wound and the Bow collects seven wonderful essays on the delicate theme of the relation between art and suffering by the legendary literary and social critic, Edmund Wilson (1885–1972). This welcome re-issue—one of several for this title—testifies to the value publishers put on it and to a reluctance among them ever to let it stay out of print for very long.The

Cover of 'Recollections of Anaïs Nin'

Recollections of Anaïs Nin
By Her Contemporaries
Edited by Benjamin Franklin V

Recollections of Anaïs Nin presents Nin through the eyes of twenty-six people who knew her. She is the unconventional, distant aunt; the thoughtful friend; the owner of a strangely disarming voice; the author eager for attention yet hypersensitive to criticism; the generous advisor to a literary magazine; the adulteress; the beautiful septuagenarian; the recommender of books—the contributors elaborate on thses and many other perceptions of Nin.Readers

Cover of 'The Immigrant Train'

The Immigrant Train
And Other Stories
By Natalie L. M. Petesch

In this short story collection, acclaimed author Natalie Petesch reaffirms for us our enduring debt to millions of immigrants who helped build America.

Cover of 'The Complete American Fantasies'

The Complete American Fantasies
By James Schevill

“Fantasies to me, as I wrote in an earlier 1983 edition of American Fantasies, are the active, visionary links between reality and imagination as my characters pursue their destinies. Although we pretend to be a pragmatic, materialistic country, our fantasies, once suppressed by tradition, peer increasingly through the media into our private and public behavior.

Cover of 'Cities of the Interior'

Cities of the Interior
By Anaïs Nin

Ladders to Fire, Children of the Albatross, The Four-Chambered Heart, A Spy in the House of Love, Seduction of the Minotaur. Haunting and hypnotic, these five novels by Anaïs Nin began in 1946 to appear in quiet succession. Though published separately over the next fifteen years, the five were conceived as a continuous experience—a continuous novel like Proust’s, real and flowing as a river.The

Cover of 'Sight Unseen'

Sight Unseen
Beckett, Pinter, Stoppard, and Other Contemporary Dramatists on Radio
By Elissa S. Guralnick

In Sight Unseen radio drama, a genre traditionally dismissed as popular culture, is celebrated as high art. The radio plays discussed here range from the conventional (John Arden’s Pearl) to the docudramatic (David Rudkin’s Cries from Casement), from the curtly conversational (Harold Pinter’s A Slight Ache) to the virtually operatic (Robert Ferguson’s Transfigured Night), testifying to radio drama’s variety and literary stature.

Cover of 'Booking Pleasures'

Booking Pleasures
By Jack Matthews

“The covetous foraging for old and rare books,” is how Matthews defines “booking.” It is an act which leads naturally to the pleasures of adding them to one’s personal library, then reading them as instruments of light and measure in a murky and chaotic world.

Cover of 'From the Uncollected Edmund Wilson'

From the Uncollected Edmund Wilson
By Edmund Wilson
· Edited by Janet Groth

Many of Wilson’s writings have been anthologized. But there is another body of work — over fifty fine essays on aspects of contemporary literature and ideas — that have been scattered in a variety of magazines, including The New Yorker, The New Republic, Vanity Fair, and The Nation.

Cover of 'Beltane at Aphelion'

Beltane at Aphelion
Longer Poems
By John Matthias

Beltane at Aphelion collects all of John Matthias’s longer poems and is published simultaneously with Swimming at Midnight, which collects his shorter poems.

Cover of 'Swimming At Midnight'

Swimming At Midnight
Selected Shorter Poems
By John Matthias

Swimming at Midnight collects the short and middle-length poems from John Matthias’s earlier books together with twenty poems that have previously appeared only in magazines. It is published simultaneously with Beltane at Aphelion, which includes all of Matthias’s longer poems. The two books together represent some thirty years of his work.The

Cover of 'Sometimes I’m Happy'

Sometimes I’m Happy
A Writer’s Memoir
By Marshall Sprague

Marshall Spragues colorful lifetime spanned the century like a mountain rainbow. Somewhere between the time he learned the true function of the umbrella stand in the Midwest Victorian household of his youth and his first solo train ride to New York City, he surrendered to an innate talent and inquisitiveness that subsequently engaged tens of thousands of his friends and readers. He played the Tiger Rag with a Princeton band on transatlantic steamer crossings.

Cover of 'After the Grapes of Wrath'

After the Grapes of Wrath
Essays on John Steinbeck in Honor of Tetsumaro Hayashi
Edited by Donald V. Coers, Robert DeMott, and Paul D. Ruffin
· Introduction by Warren G. French

Traditionally, the critical reputation of Nobel Prize-winning American novelist John Steinbeck (1902-1968) has rested on his achievements of the 1930s, especially In Dubious Battle (1936), Of Mice and Men (19370, The Long Valley (1938), and, of course, The Grapes of Wrath (1939), one of the most powerful – and arguable on of the greatest – American novels of this century.Book

Cover of 'Small Bird, Tell Me'

Small Bird, Tell Me
Stories of Greek Immigrants
By Helen Papanikolas

Helen Papanikolas has been honored frequently for her work in ethnic and labor history. Among her many publications are Toil and Rage in a New Land: The Greek Immigrants in Utah, Peoples of Utah (ed.), and her parents’ own story of migration, Emily-George. With Small Bird, Tell Me, she joins a long and ancient tradition of Greek story-tellers whose art informs and enriches our lives.

Cover of 'Claribel Alegría and Central American Literature'

Claribel Alegría and Central American Literature
Critical Essays
Edited by Sandra M. Boschetto-Sandoval and Marcia Phillips McGowan

These essays examine the multifaceted work of the Central American author whom Latin American literary historians consider precursor of “cultural dialogism” in poetry and fiction. As poet, essayist, journalist, novelist, and writer of “quasi–testimonio,” Alegría’s multiple discourses transgress the boundaries between traditional and postmodern political theories and practices.

Cover of 'Nietzsche and Emerson'

Nietzsche and Emerson
An Elective Affinity
By George J. Stack

George J. Stack traces the sources of ideas and theories that have long been considered the exclusive province of Friedrich Nietzsche to the surprisingly radical writings of the American essayist and poet, Ralph Waldo Emerson.Nietzsche and Emerson makes us see Emerson’s writings in a new, more intensified light and presents a new perspective on Nietzsche’s philosophy.

Cover of 'Waste of Timelessness and Other Early Stories'

Waste of Timelessness and Other Early Stories
By Anaïs Nin

These stories precede all of Nin’s published work to date. In them are many sources of the more mature work that collectors and growing writers can appreciate.Written

Cover of 'Higher Elevations'

Higher Elevations
Stories From The West: A Writers’ Forum Anthology
Edited by Alexander Blackburn and C. Kenneth Pellow

Higher Elevations: Stories from the West is a rich and varied anthology of fiction from Writers’ Forum. As the subtitle promises, it is regional, but these are not all stories from your grandfather’s (or Hollywood’s) West.

Cover of 'Zen, Poetry, the Art of Lucien Stryk'

Zen, Poetry, the Art of Lucien Stryk
By Susan Porterfield

Lucien Stryk has been a presence in American letters for almost fifty years. Those who know his poetry well will find this collection particularly gratifying. Like journeying again to places visited long ago, Stryk’s writing is both familiar and wonderfully fresh.For those just becoming acquainted with Stryk’s work, Zen, Poetry, the Art of Lucien Stryk makes an excellent introduction.

Cover of '5 Plays 5'

5 Plays 5
Lovecraft’s Follies, The Ushers, Mother O, Shadows of Memory, The Last Romantics
By James Schevill

In 1970 Adrian Hall’s production of Lovecraft’s Follies by the Trinity Repertory Company was praised in The New York Times as a “hilarious extravaganza—with music—that is also an earnest attempt to come to grips with the guilts and terrors of the Age of Technology.” The sucess of this production heralded James Schevill’s arrival as an important American playwright dedicated to a new kind of theatre that he calls in the introduction to this book, “Poetic Realism.”

Cover of 'Frank Waters'

Frank Waters
Man and Mystic
Edited by Vine Deloria Jr.

“In addition to his accomplishments as a talented novelist, a thorough historian, and an excellent essayist, Frank Waters is that rare breed of man who has merged heart and mind early in his life and moved forward to confront ultimate questions. This dilemma of faith and heritage, religion and identity, and commitment and comfort has never been resolved intellectually.

Cover of 'New and Selected Poems'

New and Selected Poems
By James Schevill

From a poetic career that spans more than half a century and that is still producing poems as fresh and honest as the first, comes James Schevill’s New and Selected Poems, redefining the achievement of this uniquely American vision.Schevill’s poetry, acclaimed and criticized, has been rigorously selected here by the poet himself down to the best and most representative of his significant output.

Cover of 'A Realist in the American Theatre'

A Realist in the American Theatre
Selected Drama Criticism of William Dean Howells
Edited by Brenda Murphy

William Dean Howells has long been recognized as the chief spokesman for post-1880s American Realism. Most of his writing appeared in popular magazines, however, and has been lost to us. This collection brings together for the first time his most significant essays about American drama written between 1875 and 1919 and a full bibliography of his writings on drama and theatre.

Cover of 'Selected Short Stories of William Dean Howells'

Selected Short Stories of William Dean Howells
By W. D. Howells
· Edited by Ruth Bardon

Full texts of thirteen of Howells’s short stories, each preceded by a thorough critical analysis.

Cover of 'Sea of Grass'

Sea of Grass
By Conrad Richter

Richter’s novels and stories are filled with the fire of poetic prose and the drama of real lives. This is a reissue of the 1937 tale of cattle ranching on the high-grass plains of New Mexico at a time when a single man could control, if he were fierce enough, a ranch as big as some eastern seaboard states, but perhaps not hold the woman he loves as fiercely as the land.

Cover of 'Rare Book Lore'

Rare Book Lore
Selections from the Letters of Ernest J. Wessen
By Ernest J. Wessen
· Edited by Jack Matthews

Ernest J. Wessen was one of the legendary rare bookmen of the mid-twentieth century, and his letters, like his famous catalogs, Midland Notes, are a treasure of Americana.

Cover of 'Sunrise Brighter Still'

Sunrise Brighter Still
The Visionary Novels of Frank Waters
By Alexander Blackburn
· Foreword by Charles L. Adams

Novelist and critic Alexander Blackburn credits Waters’s novels such as The Man Who Killed the Deer, Pike’s Peak, People of the Valley, and The Woman at Otowi Crossing with creating a worldview that transcends modern materialism and rationalism. Central to Waters’s vision, he suggests, is the individual in whom are concentrated the creative powers of the universe.

Cover of 'The Trees'

The Trees
By Conrad Richter

Toward the close of the eighteenth century, the land west of the Alleghenies and north of the Ohio River was an unbroken sea of trees. Beneath them the forest trails were dark, silent, and lonely, brightened only by a few lost beams of sunlight. Here, in the first novel of Conrad Richter’s Awakening Land trilogy, the Lucketts, a wild, woods-faring family, lived their roaming life, pushing ever westward as the frontier advanced and as new settlements threatened their isolation.

Cover of 'The Fields'

The Fields
By Conrad Richter

Conrad Richter’s trilogy of novels The Trees (1940), The Fields (1946), and The Town, (1950) traces the transformation of Ohio from wilderness to farmland to the site of modern industrial civilization, all in the lifetime of one character. The trilogy earned Richter immediate acclaim as a historical novelist. The Town won the Pulitzer Prize for fiction in 1951, and The Trees was a Book-of-the-Month Club selection soon after it was published.

Cover of 'A Gathering of Ways'

A Gathering of Ways
By John Matthias

A Gathering of Ways is John Matthias’ first collection of poems since the publication of his warmly received Northern Summer collection in 1985.

Cover of 'House of Incest'

House of Incest
By Anaïs Nin
· Introduction by Allison Pease
· Foreword by Gunther Stuhlmann

Originally published in 1936,  House of Incest  is Anaïs Nin’s first work of fiction. Based on Nin’s dreams, the novel is a surrealistic look within the narrator’s subconscious as she attempts to distance herself from a series of all-consuming and often taboo desires.

Cover of 'Curtain Calls'

Curtain Calls
British and American Women and the Theater, 1660–1820
Edited by Mary A. Schofield and Cecilia Macheski

“I here and there o’heard a Coxcomb cry, Ah, rot—’tis a Woman’s Comedy.”Thus Aphra Behn ushers in a new era for women in the British Theatre (Sir Patient Fancy, 1678). In the hundred years that were to follow—and exactly those years that Curtain Calls examines—women truly took the theater world by storm.For each woman who chose a career in the theater world of the eighteenth century, there is a unique tale of struggle, insult, success, good or bad fortune, disaster, seduction, or fame.

Cover of 'Justina of Andalusia and Other Stories'

Justina of Andalusia and Other Stories
By Natalie L. M. Petesch

This collection of stories is, like Petesch’s previous work, distinguished by its brilliant lyrical intensity and by characters who are stunningly alive. It is a powerful collection about impassioned cultural conflicts in present-day Spain and Mexico; it is also a book about ourselves—how we have failed to love the Earth and have squandered our resources.In the title story, it is Justina Olivia who breaks the moral law of her village in an unforgettable love story.

Cover of 'Early Prose Writings of William Dean Howells, 1852–1861'

Early Prose Writings of William Dean Howells, 1852–1861
By W. D. Howells
· Edited by Thomas Wortham

While William Dean Howells is today best remembered as Mark Twain’s staunchest defender, Howells was, at his peak, the unrivaled man of letters in America: he had no contemporary equal. The achievements of both Twain and Henry James have since surpassed those of Howells in the literary hierarchy, but the work of Howells still remains an important part of American letters.In

Cover of 'The Nameless Sight'

The Nameless Sight
Poems 1937–1956
By Alan Swallow

Although Alan Swallow’s work on behalf of other poets has tended to overshadow his work as a poet, the reputation of his poems has been upon the ascendancy. This volume, a “selected” one, runs the gamut of Swallow’s themes. John Holmes reviewed in The New York Times, speaking of “love and compassion warming the face of the carving.”The volume was published in a beautiful limited edition by Carroll Coleman’s The Prairie Press.

Cover of 'Of Pen and Ink and Paper Scraps'

Of Pen and Ink and Paper Scraps
By Lucien Stryk

The first of this new collection’s three parts ranges very widely, from poems of childhood-his own, his children’s, and his grandchild’s-to poems of keen social and political awareness, and on to pieces about his neighbors, about growing more firmly and deeply into a personal place.The

Winner of the 1998 NEMLA-Ohio University Press Book Award
A Choice Outstanding Academic Book
Cover of 'Edmund Wilson'

Edmund Wilson
A Critic For Our Time
By Janet Groth

In the course of a career that spanned five decades, Edmund Wilson’s literary output was impressive. His life’s work includes five volumes of poetry, two works of fiction, thirteen plays, and more than twenty volumes of social commentary on travel, politics, history, religion, anthropology, and economics. It is, however, his criticism for which Wilson is best known. To note a few of his accomplishments as a critic, Wilson furthered the understanding and appreciation of the poetry of W.B.

Cover of 'James Wright'

James Wright
The Poetry of a Grown Man; Constancy and Transition in the Work of James Wright
By Kevin Stein

Although some critics have identified two phases in the poetry of James Wright and have isolated particulars of his movement from traditional to more experimental forms, few have noted also the elements of constancy in the evolution of his poetry.

Cover of 'Other Concerns and Brother Clark'

Other Concerns and Brother Clark
By Hollis Summers

Ordinary, everday, homely. These are words that come to mind to describe the dimension Hollis Summers’ poems live in. But they are inadequate words, and his are deceptively simple poems. They speak little, and quietly, but they record, in the silences they create, a desperate, melancholy magic about the surfaces and trivial events of our days. So we are led to discover, and assent, to all these tonal perceptions as the true domestic furniture of our inner lives.

Cover of 'Pike’s Peak'

Pike’s Peak
A Mining Saga
By Frank Waters

During the fabulous reign of Colorado Silver, innumerable prospectors passed by Pike’s Peak on their way to the silver strikes at Leadville, Aspen, and the boom camps in the Saguache, Sangre de Cristo, and San Juan mountain. Then, in 1890, a carpenter named Winfield Scott Stratton discovered gold along Cripple Creek. By 1900, this six square mile area on the south slope of Pike’s Peak supported 475 mines and led the world in gold production.

Cover of 'Interior Country'

Interior Country
Stories of the Modern West
Edited by Alexander Blackburn, Craig Lesley, and Jill Landem

A mile down the road from the Los Alamos Scientific Laboratory, a woman unearths an ancient shard of pottery bearing the thousands-year-old thumbprint of a Navawi‘i woman. A marriage is thrown into crisis by the husband’s discovery, on a fishing trip, of a girl’s corpse. To impress the prostitute he wants to marry, a man constructs a homemade atomic bomb.

Cover of 'The Woman at Otowi Crossing'

The Woman at Otowi Crossing
By Frank Waters

Based on the real life of Edith Warner, who ran a tearoom at Otowi Crossing, just below Los Alamos, The Woman at Otowi Crossing is the story of Helen Chalmer, a person in tune with her adopted environment and her neighbors in the nearby Indian pueblo and also a friend of the first atomic scientists. The secret evolution of atomic research is a counterpoint to her psychic development.In

Cover of 'Ambiguous Dancers of Fame'

Ambiguous Dancers of Fame
Collected Poems: 1945-1986
By James Schevill

This second volume of James Schevill’s collected poems is a companion to his remarkable ongoing sequence of poems, The American Fantasies, published by Swallow in 1983. This collection extends the scope of the poet’s concern with American power and influences to Mexico, Central America, and the Caribbean. In these poems, Schevill reveals again the range of his lyrical and dramatic powers. As M.I.

Cover of 'Flight from Fiesta'

Flight from Fiesta
By Frank Waters

Frank Waters, whose work has spanned half a century, has continually attempted to depict the reconciliation of opposites, to heal the national wounds of polarization.Flight From Fiesta, Waters’ first novel in nearly two decades, is testimony to that aspiration, emerging as a moving and masterfully–told story of two characters who must discover the potential for common ground between their personalities.Set in Santa Fe in the mid–fifties, the story itself is deceptively simple.

Cover of 'Flowering Mimosa'

Flowering Mimosa
By Natalie L. M. Petesch

Flowering Mimosa is a story of lost innocence and coming of age among the disinherited of America in the 1980’s. Against a backdrop of social and economic disruption in the American southwest, Petesch traces the fates of the Wingfield family, who have lost their Texas farm and moved to a mining town in Silver Valley, Idaho.As various tensions threaten to break the family apart, Tamsen Wingfield reacts most strongly.

Cover of 'Collected Short Plays'

Collected Short Plays
By James Schevill

In a time that emphasizes media spectaculars, the short play offers an exploration of minimal possibilities yet has the power to fix history in a moment’s structure, a flash of revelation. The short play is a powerful and innovative theatrical medium, relying upon compression and clarity rather than amplification, and reducing character and action to a spare, dramatic core.Schevill

Cover of 'Novel of the Future'

Novel of the Future
By Anaïs Nin

In The Novel of the Future, Anaïs Nin explores the act of creation—in literature, film, art, and dance—to arrive at a new synthesis for the young artist struggling against the sterility, formlessness, and spiritual bankruptcy afflicting much of modern fiction.

Cover of 'Good-bye, Son and Other Stories'

Good-bye, Son and Other Stories
By Janet Lewis

Lewis’ only collection of short fiction was first published in 1946, but remains as quietly haunting today as it was then. Set in small communities of the upper Midwest and northern California in the ’30s and ’40s, these midcentury gems focus on the quiet cycles connecting youth and age, despair and hope, life and death.

Cover of 'Against a Darkening Sky'

Against a Darkening Sky
By Janet Lewis

Against a Darkening Sky was original published in 1943. Set in a semi-rural community south of San Francisco, it is the story of an American mother of the mid-1930s and the sustaining influence she brings, through her own profound strength and faith, to the lives of her four growing children.Scottish by birth, but long a resident of America, Mary Perrault is married to a Swiss-French gardener. Their life in South Encina, though anything but lavish, is gay, serene, and friendly.