African American Authors
Diaries and Journals
Latin American Literature
Native American Literature
Peter Rose has spent a lifetime exploring patterns of culture, examining issues of race and ethnicity, working with refugees, teaching sociology, and roaming the world. In Guest Appearances and Other Travels in Time and Space, he reflects on his adventures and the formative experiences that led him to a fascination with lives that seem quite unlike our own.Guest
John Reed (1887-1920) is best known as the author of Ten Days That Shook the World and as champion of the communist movement in the United States. Still, Reed remains a writer almost systematically ignored by the literary critical establishment, even if alternately vilified and lionized by historians and by films like Warren Beatty’s Reds.John
In Solving for X, his award-winning collection of new poems, Robert B. Shaw probes the familiar and encounters the unexpected; in the apparently random he discerns a hidden order. Throughout, Shaw ponders the human frailties and strengths that continue to characterize us, with glances at the stresses of these millennial times that now test our mettle and jar our complacency. Often touched with humor, his perceptions are grounded in devoted observation of the changing world.As
The title of Helen Papanikolas’ second collection of short stories, The Apple Falls from the Apple Tree, is taken from an old Greek proverb and speaks of the new generation’s struggle with the vestiges of Greek customs. Gone are the raw, overt emotions of the pioneers, their bold prejudices, and, especially, the haunting black fatalism of funerals. Yet their children retain much of their parents’ culture.
If you think that Turner Cassity has mellowed or slowed down since the 1998 release of his selected poems, The Destructive Element, think again. In No Second Eden Cassity is back more Swiftian than ever. Among the targets reduced to ruin are countertenors, parole boards, the French Symbolists, calendar reformers, the Yale Divinity School, and the cult of Elvis. Without turning a blind eye, he even extends a toast to Wernher von Braun.Surprisingly,
The novels and nonfiction work of writer Frank Waters stand as a monument to his genius and to his lifetime quest to plumb the spiritual depths that he found for himself in the landscape and people of his beloved Southwest. In a career spanning more than half a century, he shared, through his many books, his insights and discoveries with countless readers across the globe.Now,
The Wild Earth’s Nobility is the first of Frank Waters’s semiautobiographical novels in the Pikes Peak saga. Here, in a frontier town in the shadow of the commanding mountain, the Rogier family settles near an age-old route of migrating Native Americans. In an era of prospecting, silver strikes, and frenzied mining, Joseph Rogier becomes a successful building contractor, rears a large family, and is gradually overwhelmed by the power of the great peak.In
In Below Grass Roots, the second book in Frank Waters’s Pikes Peak saga, turn-of-the-century Colorado Springs is prospering with the mining boom and a growing tourist industry. Patriarch Joseph Rogier becomes ever more obsessed with the treasures of the towering mountain and tries to enlist his son-in-law Jonathan Cable in his mining schemes. Cable instead leaves for Navajo country with his young son.
H. L. Mencken was one of the leading literary, social, and cultural critics of the 1910s, ’20s, and ’30s. However, very few of his literary reviews have been reprinted in any form prior to their appearance in this volume.H. L. Mencken on American Literature presents a comprehensive selection of Mencken’s reviews of the leading American writers of his time.
Based on one of the most significant periods in Frank Waters’s own life, Pike’s Peak is perhaps the most complete expression of all the archetypal themes he explored in both fiction and nonfiction.In The Dust within the Rock, the third book in the Pikes Peak saga, an aging Joseph Rogier clings to his vision of finding gold in the great mountain and his grandson Marsh comes of age in the Rogier household.
Among the major writers of the Hemingway and Fitzgerald generation, Edmund Wilson defied categorization. He wrote essays, stories and novels, cultural criticism, and contemporary chronicles, as well as journals and thousands of letters about the literary life and his own private world. Here for the first time in print is Wilson’s personal correspondence to his parents, lovers and wives, children, literary comrades, and friends from the different corners of his life.
The Man Who Created Paradise, a fable inspired by a true story, tells how young Wally Spero looked at one of the bleakest places in America—the strip-mined spoil banks of southeastern Ohio—and saw in it his escape from the drudgery of his factory job.
In Lord of a Visible World, the editors have amassed and arranged the letters of this prolific writer into the story of his life. The volume traces Lovecraft’s upbringing in Providence, Rhode Island, his involvement with the pulp magazine Weird Tales, his short-lived marriage, and his later status as the preeminent man of letters in his field.In addition to conveying the candid details of his life, the volume also traces the evolution of his wide-ranging opinions.
Poet, teacher, and critic, Yvor Winters was a man of letters in more ways than one. This selection of his personal correspondence spans half a century of literary history and a lifetime of intellectual development and growth. As a record of a serious artist and thinker’s grappling with important issues and, sometimes, with his notable friends, the letters offer new and often unexpected insight into the creative mind at work.The
Over the course of his life, Frank Waters amassed a body of work that has few equals in the literature of the American West. Because his was a writing that touched every facet of the Western experience, his voice still echoes throughout that region’s literary world.Swallow Press is especially proud to present this generous sampling of Frank Waters’s writings. A Frank Waters Reader encompasses the full range of his work and draws from both his nonfiction and his many novels.
The winning manuscript of the fourth annual Hollis Summers Poetry Prize is also the exciting American debut by a poet who has already established himself as an important international poetic voice. Midland, the seventh collection by Kwame Dawes, draws deeply on the poet’s travels and experiences in Africa, the Caribbean, England, and the American South.
In 1927, at the peak of his career, Zane Grey bought a three-masted schooner, which he sailed to the Galapagos Islands, later journeying to Tahiti, New Zealand, Australia, and Fiji.As colorful as his characters were, so too was their creator. A consummate explorer, Zane Grey toured the world, was an acclaimed expert on salt- and freshwater fishing, and incorporated the sights and sounds he witnessed into his writings.As
Expanding the scope of American borderland and frontier literary scholarship, West of the Border examines the writings of nineteenth- and turn-of-the-century Native, African, Asian, and Anglo American frontier writers. This book views frontiers as “human spaces” where cultures make contact as it considers multicultural frontier writers who speak from “west of the border.”James
Rudy Wiebe’s The Temptations of Big Bear is an epic of the Canadian West. As the buffalo-based food supply vanishes, Big Bear leads his Plains Cree nation across the prairie in search of a means of retaining the way of life quickly being lost—a life his people have lived for thousands of years.
Since the appearance in print of her early poems over seventy-five years ago, the poetry of Janet Lewis has grown in quiet acclaim and popularity. Although she is better known as a novelist of historical fiction, her first and last writings were poems. With the publication of her selected poems, Swallow Press celebrates the distinguished career of one of its most cherished authors.Critics
Fifteen years in the making, Set the Ploughshare Deep is a memoir in prose, verse, and woodcuts. It depicts the consequences of Warren’s advice for a writer who turned his back on cities and the academic world, who bought and sold, farmed and failed like his forebears, all the while distilling what he saw, heard, or felt into his tall tales and short verses. Timothy Murphy has harvested pheasants and ducks as well as wheat and apples.
Throughout the first half of the nineteenth century, America was captivated by a muddled notion of “etymology.” New England Transcendentalism was only one outcropping of a nationwide movement in which schoolmasters across small-town America taught students the roots of words in ways that dramatized religious issues and sparked wordplay.Shaped by this ferment, our major romantic authors shared the sensibility that Friedrich Schlegel linked to punning and christened “romantic irony.”
Metaphysical, agnostic, and ironic with a modernist voice.
A unique voice among contemporary American poets, John Matthias has compiled here a major new collection, his first volume of poetry since the publication in 1995 of his retrospective collections of shorter and longer poems. Divided into three sections, Pages begins with thirty short poems that range in subject from Ovid and Akhmatova to remembered friends and family.
The widely divergent voices in this collection are united by their common interest in the American literary heritage and by their intention to redefine that heritage by altering our angle of vision or forcing us to re-examine some traditional values.
In 1906 a young, semiliterate Greek arrived in America with a fewdollars in his pocket and his people’s legacy of proverbs, superstitions, and cultural traits to guide him through the dangers and opportunities of a new world. The Time of the Little Black Bird begins with the story of this young man and his plan to build a future for his family as it makes its way in America.Told
In the two decades that have passed since Robert Lowell’s death, Robert Lowell’s Shifting Colors is the first critical survey of the poet’s aesthetic efforts to make personal vision and public exhortation cohere and thus combine poetic genres that have been historically discrete.Rather
“Mysticism is peculiar to the mountainbred,” Frank Waters once told an interviewer for Psychology Today. And in Mountain Dialogues, available for the first time in paperback, the mountainbred Waters proves it true. Ranging over such diverse subjects as silence, spirits, time, change, and the sacred mountains of the world, Waters sounds again and again the radiant, mystic theme of man’s inherent wholeness and his oneness with the cosmos.Writing
The poetry of John Matthias has long been admired by other poets for the way it refuses to be categorized. Lyrical and experimental, cosmopolitan and rooted in place, it challenges our received notions of what poetry can be at the end of the twentieth century. This volume introduces the work of this significant American poet to readers previously unfamiliar with it and enriches the reading of those who have long admired it.
In this, his tenth book of essays, renowned raconteur Sam Pickering wanders from Nova Scotia to Tennessee, from a middle school athletic field to an English department. He tells stories about people named Googoo and Loppie. He examines trees and flowers. He watches a daughter play soccer and a son row. He attends funerals and remembers the past and imagines the future. His is the ordinary world observed closely.But reading Pickering makes life blossom.
In the spring of 1916, as the workers for woman suffrage were laying plans for another attack on the bastions of male supremacy, the idea for The Sturdy Oak was born: a satiric look at the gender roles of the time written as a collaborative effort by the leading authors of the day, such as Fannie Hurst, Dorothy Canfield, and Kathleen Norris.
In the winter of 1951-52, Anaïs Nin was a writer in despair. More than a dozen publishing houses had rejected her new novel, A Spy in the House of Love, and Nin became desperate for literary acceptance. Encouragement came from an unexpected source. Felix Pollak, an Austrian emigré and Rare Book Librarian at Northwestern University, had been entrusted with the task of acquiring some of Nin’s manuscripts for the library.
Four essential questions: Why does one fish? How should one properly fish? What relations are created in fishing? And what effects does fishing have on the future? Haunted by Waters is a self-examination by the author as he constructs his own narrative and tries to answer these questions for himself. But it is also a thorough examination of the answers he uncovers in the course of reading what’s been written on the subject.As
Turner Cassity is like a highly accomplished traditional composer—Camille Saint-Saëns, say, or Richard Strauss—who does not doubt that the music is the score and the score is the music. That is, poetry is verse and verse is poetry.Given that confidence, he is prepared to take on any subject. In the forty years he has been publishing, Mr. Cassity has never once written about nothing.
America’s Sketchbook recaptures the drama of nineteenth-century American cultural life, placing at its center a genre—the literary sketch—more available than the novel, less governable by the critical establishment, and shot through with the tensions and types of local and national culture-making.
Unlike other young women of her generation, who were “bred up from childhood to sit behind tea-tables and say the right things to tea-drinkers,” Sylvia Marshall—the “twig” of this novel—was reared to think for herself and to trust her own instincts and experience. This, coupled with her passionate temperament, makes Sylvia a compelling figure as she resists efforts to mold her with every rebellious fiber of her independent nature.Sylvia’s
The lifework in verse of one of the century’s finest and liveliest American poets, this collection of the poems of J. V. Cunningham (1911-85) documents the poet’s development from his early days as an experimental modernist during the Depression to his emergence as the master of the classical “plain style”—distinguished by its wit, feeling, and subtlety.
When James Lane Allen defined the “Feminine Principle” and the “Masculine Principle” in American fiction for the Atlantic Monthly in 1897, he in effect described local color fiction and naturalism, two branches of realism often regarded as bearing little relationship to each other.
The Wound and the Bow collects seven wonderful essays on the delicate theme of the relation between art and suffering by the legendary literary and social critic, Edmund Wilson (1885–1972). This welcome re-issue—one of several for this title—testifies to the value publishers put on it and to a reluctance among them ever to let it stay out of print for very long.The
Recollections of Anaïs Nin presents Nin through the eyes of twenty-six people who knew her. She is the unconventional, distant aunt; the thoughtful friend; the owner of a strangely disarming voice; the author eager for attention yet hypersensitive to criticism; the generous advisor to a literary magazine; the adulteress; the beautiful septuagenarian; the recommender of books—the contributors elaborate on thses and many other perceptions of Nin.Readers
“Fantasies to me, as I wrote in an earlier 1983 edition of American Fantasies, are the active, visionary links between reality and imagination as my characters pursue their destinies. Although we pretend to be a pragmatic, materialistic country, our fantasies, once suppressed by tradition, peer increasingly through the media into our private and public behavior.
Ladders to Fire, Children of the Albatross, The Four-Chambered Heart, A Spy in the House of Love, Seduction of the Minotaur. Haunting and hypnotic, these five novels by Anaïs Nin began in 1946 to appear in quiet succession. Though published separately over the next fifteen years, the five were conceived as a continuous experience—a continuous novel like Proust’s, real and flowing as a river.The
In Sight Unseen radio drama, a genre traditionally dismissed as popular culture, is celebrated as high art. The radio plays discussed here range from the conventional (John Arden’s Pearl) to the docudramatic (David Rudkin’s Cries from Casement), from the curtly conversational (Harold Pinter’s A Slight Ache) to the virtually operatic (Robert Ferguson’s Transfigured Night), testifying to radio drama’s variety and literary stature.
Many of Wilson’s writings have been anthologized. But there is another body of work — over fifty fine essays on aspects of contemporary literature and ideas — that have been scattered in a variety of magazines, including The New Yorker, The New Republic, Vanity Fair, and The Nation.
Swimming at Midnight collects the short and middle-length poems from John Matthias’s earlier books together with twenty poems that have previously appeared only in magazines. It is published simultaneously with Beltane at Aphelion, which includes all of Matthias’s longer poems. The two books together represent some thirty years of his work.The
Marshall Spragues colorful lifetime spanned the century like a mountain rainbow. Somewhere between the time he learned the true function of the umbrella stand in the Midwest Victorian household of his youth and his first solo train ride to New York City, he surrendered to an innate talent and inquisitiveness that subsequently engaged tens of thousands of his friends and readers. He played the Tiger Rag with a Princeton band on transatlantic steamer crossings.
Helen Papanikolas has been honored frequently for her work in ethnic and labor history. Among her many publications are Toil and Rage in a New Land: The Greek Immigrants in Utah, Peoples of Utah (ed.), and her parents’ own story of migration, Emily-George. With Small Bird, Tell Me, she joins a long and ancient tradition of Greek story-tellers whose art informs and enriches our lives.
George J. Stack traces the sources of ideas and theories that have long been considered the exclusive province of Friedrich Nietzsche to the surprisingly radical writings of the American essayist and poet, Ralph Waldo Emerson.Nietzsche and Emerson makes us see Emerson’s writings in a new, more intensified light and presents a new perspective on Nietzsche’s philosophy.
Higher Elevations: Stories from the West is a rich and varied anthology of fiction from Writers’ Forum. As the subtitle promises, it is regional, but these are not all stories from your grandfather’s (or Hollywood’s) West.
Lucien Stryk has been a presence in American letters for almost fifty years. Those who know his poetry well will find this collection particularly gratifying. Like journeying again to places visited long ago, Stryk’s writing is both familiar and wonderfully fresh.For those just becoming acquainted with Stryk’s work, Zen, Poetry, the Art of Lucien Stryk makes an excellent introduction.
In 1970 Adrian Hall’s production of Lovecraft’s Follies by the Trinity Repertory Company was praised in The New York Times as a “hilarious extravaganza—with music—that is also an earnest attempt to come to grips with the guilts and terrors of the Age of Technology.” The sucess of this production heralded James Schevill’s arrival as an important American playwright dedicated to a new kind of theatre that he calls in the introduction to this book, “Poetic Realism.”
“In addition to his accomplishments as a talented novelist, a thorough historian, and an excellent essayist, Frank Waters is that rare breed of man who has merged heart and mind early in his life and moved forward to confront ultimate questions. This dilemma of faith and heritage, religion and identity, and commitment and comfort has never been resolved intellectually.
From a poetic career that spans more than half a century and that is still producing poems as fresh and honest as the first, comes James Schevill’s New and Selected Poems, redefining the achievement of this uniquely American vision.Schevill’s poetry, acclaimed and criticized, has been rigorously selected here by the poet himself down to the best and most representative of his significant output.