When Desire Mensah, a disgraced school teacher in her thirties, meets Wolfgang “Wolf” Ofori, an eleven-year-old genius, a strange friendship develops between them. Set in 1990s Ghana, The Wolf at Number 4 is a chilling and funny gothic tale that forces us to confront whether the wolves around us are born or made.
In the accessible and concise A Short History of Chinua Achebe’s Things Fall Apart, Terri Ochiagha asks new questions and brings wider attention to unfamiliar but crucial elements of the story, including new insights into questions of canonicity, and into literary, historiographical, and precolonial aesthetic influences.
Pursuing Justice in Africa focuses on visions of justice across the African continent, featuring essays that engage with topics at the cutting edge of contemporary scholarship across a wide range of disciplines including activism, land tenure, international legal institutions, and post-conflict reconciliation.
Many challenges facing the African continent today are rooted in colonial practices, Cold War alliances, and outsiders’ attempts to influence its political and economic systems. Interdisciplinary and intended for nonspecialists, this book provides a new framework for thinking about foreign political and military intervention in Africa.
David Rawson draws on declassified documents and his own experiences as the initial US observer of the 1993 Rwandan peace talks at Arusha to seek out what led to the Rwandan genocide. The result is a commanding blend of diplomatic history and analysis of the crisis and of what happens generally when conflict resolution and diplomacy fall short.
Going beyond the headlines, including the group’s 2014 abduction of 276 girls in Chibok and the ensuing international outrage, Boko Haram provides readers new to the conflict with a clearly written and comprehensive history of how the group came to be, the Nigerian government’s failed efforts to end it, and its impact on ordinary citizens.
Granted unrestricted access to the Biehl family’s papers, Steven Gish brings Amy and the Foundation to life in ways that have eluded previous authors. He is the first to place Biehl’s story in its full historical context, while also presenting a gripping portrait of this remarkable young woman and the aftermath of her death across two continents.
Thomas F. McDow synthesizes Indian Ocean, Middle Eastern, and East African studies to explain how in the nineteenth century, credit, mobility, and kinship knit together a vast interconnected Indian Ocean region. McDow's new historical analysis of the Indian Ocean reveals roles of previously invisible people.
Msia Kibona Clark examines some of Africa’s biggest hip-hop scenes and shows how hip-hop helps us understand specifically African realities. A tribute to a genre and its artists, Hip-Hop in Africa details the spread of hip-hop culture in Africa and pushes the study of music and diaspora in critical new directions.
For some, Zimbabwe’s President Mugabe is a liberation hero who confronted white rule and oversaw the radical redistribution of land. For others, he is a murderous dictator who drove his country to poverty. This concise biography, in a highly successful series, reveals the complexity of the man who led Zimbabwe for its first decades of independence.
In recent years, anthropologists, historians, and others have been drawn to study the profuse and creative usages of digital media by religious movements. At the same time, scholars of Christian Africa have long been concerned with the history of textual culture, the politics of Bible translation, and the status of the vernacular in Christianity.
Reel Pleasures brings the world of African moviehouses and the publics they engendered to life, revealing how local fans creatively reworked global media—from Indian melodrama to Italian westerns, kung fu, and blaxploitation films—to speak to local dreams and desires.
Dedan Kimathi on Trial
Colonial Justice and Popular Memory in Kenya’s Mau Mau Rebellion
Edited by Julie MacArthur
· Introduction by Julie MacArthur
· Foreword by Mĩcere Gĩthae Mũgo and Ngũgĩ wa Thiong'o
Perhaps no figure embodied the ambiguities, colonial fears, and collective imaginations of Kenya’s decolonization era more than Dedan Kimathi, the self-proclaimed field marshal of the rebel forces that took to the forests to fight colonial rule in the 1950s. Kimathi personified many of the contradictions that the Mau Mau rebellion represented: rebel statesman, literate peasant, modern traditionalist.
A new era in world history began when Atlantic maritime trade among Africa, Asia, Europe, and the Americas opened up in the fifteenth century, setting the stage for massive economic and cultural change. In Making Money, Colleen Kriger examines the influence of the global trade on the Upper Guinea Coast two hundred years later—a place and time whose study, in her hands, imparts profound insights into Anglo-African commerce and its wider milieu.