Africa Every Day is a multidisciplinary and accessible counterpoint to the prevailing emphasis on war, poverty, corruption, and other challenges on the continent. Essays address creative and dynamic elements of daily life without romanticizing them, showing that African leisure and popular culture are the product of dynamism and adaptation.
Situating sleeping sickness control within African intellectual worlds and political dynamics, Webel prioritizes local histories to understand the successes and failures of a widely used colonial public health intervention—the sleeping sickness camp—in dialogue with African strategies to mitigate illness and death in the past.
In 1871, journalist Henry M. Stanley embarked on a search for the famous explorer Dr. David Livingstone. In 1872, Stanley returned with the story of how he had found Livingstone near Lake Tanganyika, restored his health, and resupplied his expedition. This collection of unpublished documents reveals how Stanley shaped the account of his journey.
Atlanticization—or interaction between regional processes and Atlantic forces such as the slave trade and Christianization—from 1750 to 1920 transformed gender into a primary mode of social differentiation in the Bight of Biafra. Mbah examines this process to fill a major gap in our understanding of gender’s role in precolonial Africa.
Radio technology and broadcasting played a central role in the formation of colonial Portuguese Southern Africa and the postcolonial nation-state, Angola. Moorman details how settlers, the colonial state, African nationalists, and the postcolonial state all used radio to project power, while the latter employed it to challenge empire.
Age of Concrete is about people building homes on tenuous ground in the outer neighborhoods of Maputo, Mozambique, places thought of simply as slums. But up close, they are an archive: houses of reeds, wood, zinc, and concrete embodying the ambitions of people who built their own largest investment and greatest bequest to the future.
In Converging on Cannibals, Jared Staller demonstrates that one of the most terrifying discourses used during the era of transatlantic slaving—cannibalism—was coproduced by Europeans and Africans. When these people from vastly different cultures first came into contact, they shared a fear of potential cannibals. Some Africans and European slavers allowed these rumors of themselves as man-eaters to stand unchallenged.
In Children of Hope, Sandra Rowoldt Shell details the life histories of sixty-four Oromo children who were enslaved in Ethiopia in the late nineteenth century, liberated by the British navy, and ultimately sent to a Free Church of Scotland mission in South Africa, where their stories were recorded through a series of interviews.
Amílcar Cabral’s charismatic and visionary leadership, his pan-Africanist solidarity and internationalist commitment to “every just cause in the world,” remain relevant to contemporary struggles for emancipation and self-determination. This concise biography is an ideal introduction to his life and legacy.
Staging the Amistad collects for the first time plays about the Amistad slave revolt by three of Sierra Leone’s most influential playwrights of the latter decades of the 20th century. Written and staged before and after the start of Sierra Leone’s decade-long conflict, they brought the Amistad rebellion to public consciousness.
In locating her arguments at the intersection of visual culture and literary and performance studies, Giorgis details how innovations in visual art intersected with shifts in narratives of modernity. The result is a bold intellectual, cultural, and political history of Ethiopia, with art as its centerpiece.
When Desire Mensah, a disgraced school teacher in her thirties, meets Wolfgang “Wolf” Ofori, an eleven-year-old genius, a strange friendship develops between them. Set in 1990s Ghana, The Wolf at Number 4 is a chilling and funny gothic tale that forces us to confront whether the wolves around us are born or made.
In the accessible and concise A Short History of Chinua Achebe’s Things Fall Apart, Terri Ochiagha asks new questions and brings wider attention to unfamiliar but crucial elements of the story, including new insights into questions of canonicity, and into literary, historiographical, and precolonial aesthetic influences.