American Civil War
American History, 20th Century
American History, Early Republic
American History, Midwest
American History, Revolutionary Period
American History, West
British History - Victorian Era
History of Israel and Palestine
History of the Arabian Peninsula
Latin American History
Native American History
Southeast Asian History
World and Comparative History
World War I
World War II
Amílcar Cabral’s charismatic and visionary leadership, his pan-Africanist solidarity and internationalist commitment to “every just cause in the world,” remain relevant to contemporary struggles for emancipation and self-determination. This concise biography is an ideal introduction to his life and legacy.
Water Brings No Harm explores the history of community water management on Mount Kilimanjaro. Using the concept of waterscapes—describing how people “see” water and how physical resources intersect with beliefs, needs, and expectations—Bender argues that water conflicts should be understood as struggles between competing forms of knowledge.
In the accessible and concise A Short History of Chinua Achebe’s Things Fall Apart, Terri Ochiagha asks new questions and brings wider attention to unfamiliar but crucial elements of the story, including new insights into questions of canonicity, and into literary, historiographical, and precolonial aesthetic influences.
Many challenges facing the African continent today are rooted in colonial practices, Cold War alliances, and outsiders’ attempts to influence its political and economic systems. Interdisciplinary and intended for nonspecialists, this book provides a new framework for thinking about foreign political and military intervention in Africa.
Going beyond the headlines, including the group’s 2014 abduction of 276 girls in Chibok and the ensuing international outrage, Boko Haram provides readers new to the conflict with a clearly written and comprehensive history of how the group came to be, the Nigerian government’s failed efforts to end it, and its impact on ordinary citizens.
In an excellent addition to the Ohio Short Histories of Africa series, Robert Trent Vinson recovers the forgotten story of Albert Luthuli, Africa’s first Nobel Peace Prize winner, who linked South African antiapartheid politics with international human rights campaigns and was a leading advocate of nonviolent civil disobedience techniques.
Granted unrestricted access to the Biehl family’s papers, Steven Gish brings Amy and the Foundation to life in ways that have eluded previous authors. He is the first to place Biehl’s story in its full historical context, while also presenting a gripping portrait of this remarkable young woman and the aftermath of her death across two continents.
Thomas F. McDow synthesizes Indian Ocean, Middle Eastern, and East African studies to explain how in the nineteenth century, credit, mobility, and kinship knit together a vast interconnected Indian Ocean region. McDow's new historical analysis of the Indian Ocean reveals roles of previously invisible people.
Msia Kibona Clark examines some of Africa’s biggest hip-hop scenes and shows how hip-hop helps us understand specifically African realities. A tribute to a genre and its artists, Hip-Hop in Africa details the spread of hip-hop culture in Africa and pushes the study of music and diaspora in critical new directions.
For some, Zimbabwe’s President Mugabe is a liberation hero who confronted white rule and oversaw the radical redistribution of land. For others, he is a murderous dictator who drove his country to poverty. This concise biography, in a highly successful series, reveals the complexity of the man who led Zimbabwe for its first decades of independence.
In recent years, anthropologists, historians, and others have been drawn to study the profuse and creative usages of digital media by religious movements. At the same time, scholars of Christian Africa have long been concerned with the history of textual culture, the politics of Bible translation, and the status of the vernacular in Christianity.
Reel Pleasures brings the world of African moviehouses and the publics they engendered to life, revealing how local fans creatively reworked global media—from Indian melodrama to Italian westerns, kung fu, and blaxploitation films—to speak to local dreams and desires.
In this ambitious new history of the antiapartheid struggle, Jon Soske places India and the Indian diaspora at the center of the African National Congress’s development of an inclusive philosophy of nationalism. In so doing, Soske combines intellectual, political, religious, urban, and gender history to tell a story that is global in reach while remaining grounded in the everyday materiality of life under apartheid.