Books in the The Ohio Quilt Series explore the history of one of the state’s most popular crafts. These affordably priced, full-color volumes present a fascinating look at the authors’ research methods and ultimate discoveries. The series documents the rich range of quilting styles that represent Ohio’s varied regions and cultures.
Ricky Clark, Ellice Ronsheim, and Donna Sue Groves
Lynda Salter Chenoweth reveals the value of signature quilts as historic and social documents waiting to be read. Her research to discover the story behind an 1853 Ohio Quaker signature quilt uncovers the identity of the quilt’s recipient, her life and community, and a striking feature of the quilt itself—a “hidden” design element.
From 1888 to 1918, a community of Miami Valley neighbors and relatives made album presentation quilts to celebrate life passages. Their sharing of designs and construction techniques led to the development of a distinctive regional quilt style that has never been duplicated in any other region of the state or country. Album Quilts of Ohio’s Miami Valley presents more than two dozen never-before-published color photographs of these folk art album quilts.
Gayle A. Pritchard’s compelling narrative threads its way through the emergence of the art quilt, from artists working in isolation to the explosive “big bang” of the first Quilt National exhibition and its inevitable reverberations.
Quilts of the Ohio Western Reserve includes early quilts brought from Connecticut to the Western Reserve in northeastern Ohio and contemporary quilts, including one by a conservative Amish woman and another inspired by Cleveland’s Rock and Roll Hall of Fame.