This series of publications on Africa is designed to present significant research, translation, and opinion to area specialists and to a wide community of persons interested in world affairs. The editors seek manuscripts of quality in a wide range of disciplines.The editor works closely with authors to produce a high-quality book. The series, published in association with the Center for International Studies at Ohio University, appears in paperback format and is distributed worldwide.
All books in the series are published in association with the Center for International Studies at Ohio University.
Gillian Berchowitz, Executive Editor
Research in International Studies
Ohio University Press
Africa Every Day is a multidisciplinary and accessible counterpoint to the prevailing emphasis on war, poverty, corruption, and other challenges on the continent. Essays address creative and dynamic elements of daily life without romanticizing them, showing that African leisure and popular culture are the product of dynamism and adaptation.
Why do female genital cutting practices persist? How does circumcision affect the rights of girls in a culture where initiation forms the lynchpin of the ritual cycle at the core of defining gender, identity, and social and political status? In Making the Mark, Miroslava Prazak follows the practice of female circumcision through the lives and activities of community members in a rural Kenyan farming society as they decide whether or not to participate in the tradition.In
In the early and mid-1940s, during the period of British wartime occupation, community and religious leaders in the former Italian colony of Eritrea engaged in a course of intellectual and political debate that marked the beginnings of a genuine national consciousness across the region.
African Video Movies and Global Desires is the first full-length scholarly study of Ghana’s commercial video industry, an industry that has produced thousands of movies over the last twenty years and has grown into an influential source of cultural production. Produced and consumed under circumstances of dire shortage and scarcity, African video movies narrate the desires and anxieties created by Africa’s incorporation into the global cultural economy.Drawing
Decades after independence for most African states, the struggle for decolonization is still incomplete, as demonstrated by the fact that Africa remains associated in many Western minds with chaos, illness, and disorder. African and non-African scholars alike still struggle to establish the idea of African humanity, in all its diversity, and to move Africa beyond its historical role as the foil to the West.As
Since 1999 and the death of King Hassan II, Morocco has experienced adramatic social transformation. Encouraged by the more openly democraticclimate fostered by young King Mohammed VI, filmmakers have begunto explore the sociocultural and political debates of their country whilealso seeking to document the untold stories of a dark past.Screening Morocco: Contemporary Film in a ChangingSociety focuses on Moroccan films produced and distributedfrom 1999 to the present.Moroccan
The Twelve Best Books by African Women is a collection of critical essays on eleven works of fiction and one play, an important but belated affirmation of women writers on the continent and a first step toward establishing a recognized canon of African women’s literature.
Slavery, Emancipation and Colonial Rule in South Africa examines the rural Cape Colony from the earliest days of Dutch colonial rule in the mid-seventeenth century to the outbreak of the South African War in 1899.For slaves and slave owners alike, incorporation into the British Empire at the beginning of the nineteenth century brought fruits that were bittersweet.
The Sacred Door and Other Stories: Cameroon Folktales of the Beba offers readers a selection of folktales infused with riddles, proverbs, songs, myths, and legends, using various narrative techniques that capture the vibrancy of Beba oral traditions. Makuchi retells the stories that she heard at home when she was growing up in her native Cameroon.The
Africa is a marriage of cultures: African and Asian, Islamic and Euro-Christian. Nowhere is this fusion more evident than in the formation of Swahili, Eastern Africa’s lingua franca, and its cultures. Swahili beyond the Boundaries: Literature, Language, and Identity addresses the moving frontiers of Swahili literature under the impetus of new waves of globalization in the twentieth and twenty-first centuries.
The dark years of European fascism left their indelible mark on Africa. As late as the 1970s, Angola was still ruled by white autocrats, whose dictatorship was eventually overthrown by black nationalists who had never experienced either the rule of law or participatory democracy.Empire
The concept of Colouredness—being neither white nor black—has been pivotal to the brand of racial thinking particular to South African society. The nature of Coloured identity and its heritage of oppression has always been a matter of intense political and ideological contestation.Not White Enough, Not Black Enough: Racial Identity in the South African Coloured Community is the first systematic study of Coloured identity, its history, and its relevance to South African national life.
Even with a university education, the Igbo women of southeastern Nigeria face obstacles that prevent them from reaching their professional and personal potentials. Negotiating Power and Privilege is a study of their life choices and the embedded patriarchy and other obstacles in postcolonial Africa barring them from fulfillment.Philomina E. Okeke recorded life-history interviews and discussions during the 1990s with educated women of differing ages and professions.
Portugal was the first European nation to assert itself aggressively in African affairs. David Birmingham’s Portugal and Africa, a collection of uniquely accessible historical essays, surveys this colonial encounter from its earliest roots.