Brendan Leary, assigned to an Air Force photo squadron an hour from L.A., thinks he has it made. But when the U.S. invades Cambodia and he joins his buddies who march in protest, he is shipped off to an obscure air base in upcountry Thailand. There, he finds himself flying at night over the Ho Chi Minh Trail in a secret war that turns the mountains of Laos into a napalm-scorched moonscape.
It’s a violent encounter that private investigator Andy Hayes could have done without. One minute he’s finishing up some grocery shopping ahead of a custody visit with his sons. The next, he must come to the rescue of a Somali-American mother and her young children as anti-immigrant bullies torment them.
Inventing Pollution examines new understandings of pollution, centered not on organic decay but on coal combustion, that emerged in the late 19th century in Britain. This change, Thorsheim argues, gave birth to the smoke-abatement movement and to new ways of thinking about the relationships among humanity, technology, and the environment.
When you look at a bird, do you see feathers and a beak? Or do you see circles and triangles? Artist Charley Harper spent his life reducing subjects to their simplest forms, their basic lines and shapes. This resulted in what he called minimal realism and the style that would become easily recognized as Charley Harper’s. Art fans and nature lovers around the world fell in love with Harper’s paintings, which often featured bright colors and intriguing nature subjects.
Before Black Lives Matter and Hamilton, there were abolitionist poets. In Lyrical Liberators, Monica Pelaez draws on unprecedented archival research to recover, collect, and annotate works by critically acclaimed writers, commercially successful scribes, and minority voices including those of African Americans and women.
Msia Kibona Clark examines some of Africa’s biggest hip-hop scenes and shows how hip-hop helps us understand specifically African realities. A tribute to a genre and its artists, Hip-Hop in Africa details the spread of hip-hop culture in Africa and pushes the study of music and diaspora in critical new directions.
Don Beith proposes a new concept of “generative passivity,” the idea that our organic, psychological, and social activities take time to develop into sense. Drawing on empirical studies and phenomenological reflections, he argues that in nature, novel meaning emerges prior to any type of constituting activity or deterministic plan.
That’s it for April. If you’re curious about what’s coming out next month, you can get a sneak peek at May.
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