A Swallow Press Book
“Timothy Steele’s poetry exemplifies the order that he praises, but ultimately it is both the charity and the clarity of his vision that are most remarkable.”
“If ever a poet has been able to wring a noble private order from ignoble public chaos it is Steele, whose Toward the Winter Solstice moves back and forth between the pastoral Vermont of the poet's youth and the world of his macadamized adulthood.”
“Once again Steele has done what he does best: offer celebratory, attentive verses that reveal a mind eager to both inspire and instruct, to witness the world sincerely while still making it his own.”
Since the appearance of Timothy Steele’s first collection of poems in 1979, growing numbers of readers and critics have recognized him as one of the best and most significant poets of his generation. Widely credited with anticipating and encouraging the revival of poetry in traditional form, Steele has produced a body of work praised for its technical accomplishment, its intellectual breadth, and its emotional energy.
Toward the Winter Solstice, Steele’s first collection of new poems in twelve years, features his characteristic grace, wit, and power, while extending his range. In addition to the relatively short lyrical, descriptive, and contemplative poems he has always written so well, this collection offers several middle-length pieces that read almost like compressed novels.
Addressing a variety of topics and themes, Toward the Winter Solstice explores the relationship between the world of nature and the world of ideas. In one way or another, the poems attempt to link the external material universe with that sense of inward self-awareness central to our experience of life. Throughout, Steele writes with a clarity that not only illuminates his subjects but also acknowledges and preserves their ultimate mystery and complexity.
Timothy Steele’s previous collections of poetry include The Color Wheel and Sapphics and Uncertainties: Poems 1970–1986. He has also published two widely discussed works of literary criticism, Missing Measures: Modern Poetry and the Revolt against Meter and All the Fun’s in How You Say a Thing: An Explanation of Meter and Versification. He is a professor of English at California State University, Los Angeles. For more information, visit his website. More info →
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Photographing Eden presents the first full-length collection of poems by a major new talent. The work meditates on several ideas, the crux of which is Eden: spirituality, environmentalism, and the relationships between men and women. Observing, often through the lens of a camera, our state in the world, the poems try to focus sharply on what often seems a blur.
The sharpness of Lucien Stryk’s poetry is made of simple things—frost on a windowpane at morning, ducks moving across a pond, an argument flailing in the distance, a neighbor's fuss over his lawn—set down in a language that is at once direct and powerful. Awakening is, in large part, an approach to what is most familiar by a poet whose language and poetic attention have found their own maturity.
Poet, teacher, and critic, Yvor Winters was a man of letters in more ways than one. This selection of his personal correspondence spans half a century of literary history and a lifetime of intellectual development and growth. As a record of a serious artist and thinker's grappling with important issues and, sometimes, with his notable friends, the letters offer new and often unexpected insight into the creative mind at work.