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The Wolf at Number 4
A Novel

By Ayo Tamakloe-Garr

“Fast-paced and with unexpected twists, The Wolf at Number Four throws together an unusual cast, led by an English teacher with a disturbing past looking for a fresh start but starting off on the wrong foot, and a precocious eleven-year-old on the cusp of winning a prestigious national competition. Right from the arrival of Desire, the quiet neighborhood is steadily rocked by greater and greater waves as the events rise to a gripping, inevitable, crescendo.”

Martin Egblewogbe, author of Mister Happy and the Hammer of God and Other Stories

“An eleven-year-old boy genius struggling with the human condition, a controlling father, an alcoholic schoolteacher on the run from her past, and a town that won’t let secrets remain buried. What could possibly go wrong? The Wolf at Number Four is dark, bold, and shocking. I love this book.”

Leye Adenle, author of When Trouble Sleeps

Praise for previous books in the Modern African Writing series:
“Poignant, thrilling, and funny.…Nwokolo manages to brilliantly distill his branching plot into a singular portrayal of a threatened culture.”

Publishers Weekly (starred review of Chuma Nwokolo’s The Exctinction of Menai)

Praise for previous books in the Modern African Writing series:
“A fresh and moving account of contemporary Zimbabwe.”

The New York Times Book Review (for Tendai Huchu’s The Hairdresser of Harare)

Desire Mensah, a disgraced schoolteacher in her thirties, sees moving to sleepy little Cape Coast, Ghana, as her chance to get away from a shameful secret not buried deeply enough. And maybe, just maybe, she will find the love she craves and the husband her mother craves for her.

But in Cape Coast, the past isn’t dead. It isn’t even past. That’s the kind of thing Wolfgang “Wolf” Ofori would say. Everyone says the eleven-year-old is a genius—eccentric though he is—and is bound to win Wonderkids, a quiz competition ordinarily for high school students. Wolf and Desire form a strange friendship, even as their mutual understanding both precipitates and reinforces the downfall of each. Before long, their struggles to exist in a world that dehumanizes and then throws the first stone whip up a perfect storm, with deadly consequences.

Debut novelist Ayo Tamakloe-Garr drew inspiration from works such as A Streetcar Named Desire and Frankenstein to create The Wolf at Number 4, a story set in 1990s Ghana. The result is a chilling and funny gothic tale that will disarm readers even as it forces them to confront whether the wolves around us are born or made.

Ayo Tamakloe-Garr was born in Accra to a Nigerian father and Ghanaian mother. His short stories have been published on the Flash Fiction Ghana and Writers Project Ghana blogs. The Wolf at Number 4 is his first novel.   More info →

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Excerpt: Prologue and Chapters 1–2
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Cover of The Wolf at Number 4

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Paperback
978-0-8214-2355-4
Retail price: $18.95, T.
Release date: December 2018
180 pages · 5½ × 8½ in.
Rights:  World

Hardcover
978-0-8214-2354-7
Retail price: $35.00, S.
Release date: December 2018
180 pages · 5½ × 8½ in.
Rights:  World

Electronic
978-0-8214-4658-4
Release date: December 2018
180 pages
Rights:  World

Additional Praise for The Wolf at Number 4

Praise for previous books in the Modern African Writing series:
“The collected stories structure recalls David Mitchell's Ghostwritten, or Jennifer Egan’s A Visit From the Goon Squad.…A layered, multifaceted narrative.”

Publishers Weekly, for Imraan Coovadia’s Tales of the Metric System

Praise for previous books in the Modern African Writing series:
“A revelatory work as tough, humane, and unsentimental as its heroines.”

More (for Chika Unigwe’s On Black Sisters Street)

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Cover of 'The Extinction of Menai'

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In the early 1980s, a pharmaceutical company administers an unethical drug trial to residents of the Niger Delta village of Kreektown. When children die as a result, the dominoes of language extinction and cultural collapse begin to topple. Nwokolo moves across time and continents to deliver a novel that speaks to urgent contemporary concerns.

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Cover of 'The Hairdresser of Harare'

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