By R. S. Rose
“R. S. Rose’s series of volumes about what Robert Levine called ‘the dark side of Brazilian History’ makes fascinating reading and is based on consultations of such a wide range of sources that he has become a leader of research in his field.”
John W. F. Dulles
“I strongly recommend this book to anyone interested in Latin American studies, history, or criminology.”
The Latin Americanist
Portuguese and Brazilian slave-traders shipped at least four million slaves to Brazil—in contrast to the five hundred thousand slaves that English vessels brought to the Americas. Controlling the vast number of slaves in Brazil became of primary importance. The Unpast: Elite Violence and Social Control in Brazil, 1954–2000 documents the ways in which the brutal methods used on plantations led directly to the phenomenon of Brazilian death squads.
The Unpast examines how and why, after the abolition of slavery, elites in Brazil imported new methods of killing, torturing, or disfiguring dissidents and the poor to maintain dominance. Bringing a critical-historical analysis to events following the 1954 suicide of President Getúlio Vargas, R. S. Rose takes the reader along a fifty-year path that helped to shape a nation’s morals. He covers the misunderstood presidency of João Goulart; the overthrow of his government by a U.S.-assisted military; the appalling dictatorship that followed; the efforts to rid the countryside of troublemakers; and the ongoing attempt to cleanse the urban environment of the needy, an endeavor that produced 32,675 victims in just two Brazilian states between 1954 and 2000.
The largest and most comprehensive documentation of suspected death-squad victims ever undertaken, The Unpast is an exposé of practices and attitudes toward the poor in Latin America’s largest country.
R. S. Rose, an American, took his doctorate from the University of Stockholm. He teaches criminology and criminal justice at Northern Arizona University, Yuma. His books include Johnny; One of the Forgotten Things: Getúlio Vargas and Brazilian Social Control, 1930–1954; and Beyond the Pale of Pity: Key Episodes of Elite Violence in Brazil to 1930. More info →
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The Carnivalesque Defunto explores the representations of death and thedead in Brazil’s collective and literary imagination. The recurring stereotype of Brazil as the land of samba, soccer, and sandy beaches overlooks a more complex cultural heritage in which, since colonial times, a relationship of proximity and reciprocity has been cultivated between the living and the dead.Robert
“I imagine everyone has a center of gravity,” says Ellen Bromfield Geld. “Something which binds one to the earth and gives sense and direction to what one does.” For Ellen, this center is a writing table before a window that looks out upon groves of pecan trees and mahogany-colored cattle in seas of grass. The place is Fazenda Pau D’Alho, Brazil, where she and her husband, Carson, have lived and farmed since 1961.Healing
Kubitschek was one of the most important political leaders of Brazil during the twentieth century. As president, he pushed decisively for the industrialization of the largest of the Latin American nations. He also provided his country with the most democratic regime it had ever experienced. His leadership stimulated a flowering of Brazilian culture in literature, art, music, and architecture.
The mobilization of militant indigenous politics is one of the most important stories in Latin American studies today. In this critical work, Kenneth J. Mijeski and Scott H. Beck examine the rise and decline of Ecuador’s leading indigenous party, Pachakutik, as it tried to transform the state into a participative democracy.Using
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