By Frank Waters
“The prose of Frank Waters seems almost as timeless as the Southwest of which he writes so elegantly and so eloquently. … The Lizard Woman is the story of a journey, and of a discovery. It is a brief, but powerful and compelling story.”
Jerry Keenan, Colorado Libraries
“The novel was begun in 1926, when I was twenty-four years old and working as a telephone engineer in Imperial Valley, on the California-Baja California border. During my stay there I made a horseback trip down into the little-known desert interior of Lower California. After having lived all of my early years in the high Rockies of California, I was unprepared for the vast sweep of sunstruck desert with its flat wastes, clumps of cacti, and barren parched-rock ranges. Its emotional impact was so profound, I was impelled to give voice to it with pencil and paper.”
— Frank Waters
First published in 1930 under the title Fever Pitch, The Lizard Woman is Frank Waters’ first novel. It foreshadows a theme central to Waters’ later work: that we must attune our spirits to the land to fully understand our places in the natural order.
Frank Waters (1902–1995), one of the finest chroniclers of the American Southwest, wrote twenty–eight works of fiction and nonfiction. More info →
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In 1932, two years after D. H. Lawrence’s death, a young woman wrote a book about him and presented it to a Paris publisher. She recorded the event in her diary: “It will not be published and out by tomorrow, which is what a writer would like when the book is hot out of the oven, when it is alive within oneself. He gave it to his assistant to revise.” The woman was Anaïs Nin.Nin examined Lawrence’s poetry, novels, essays, and travel writing.
The award-winning Stolen Life is a remarkable collaborative work between a distinguished novelist and a Cree woman who broke a lifetime of silence to share her story. Imprisoned for murder at the age of twenty-seven, Yvonne Johnson sought out Rudy Wiebe, the chronicler of her ancestor Big Bear, as a means of coming to terms with her self, her past, and the crime that defines her future.
Richter’s novels and stories are filled with the fire of poetic prose and the drama of real lives. This is a reissue of the 1937 tale of cattle ranching on the high-grass plains of New Mexico at a time when a single man could control, if he were fierce enough, a ranch as big as some eastern seaboard states, but perhaps not hold the woman he loves as fiercely as the land.
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