"A masterpiece of formal beauty … deserves to be recognized as one of the most outstanding novels of our time."
Janet Adam-Smith, The New Statesmen
"Great novel of the broken South."
George Steiner, The New Statesmen
"A psychological horror story … concerned with life rather than death, with significance rather than with futility."
Henry Steele Commager
"The story displays so much imagination and such a profound reflection upon life that it cannot be neglected by anyone interested in contemporary literature."
The Fathers is the powerful novel by the poet and critic recognized as one of the great men of letters of our time.
Old Major Buchan of Pleasant Hill, Fairfax County, Virginia, lived by a gentlemen’s agreement to ignore what was base or rude, to live a life which was gentle and comfortable because it was formal. Into this life George Posey came dashing, as Henry Steele Commager observed, “to defy Major Buchan, marry Susan, betray Charles and Semmes, dazzle young Lacy, challenge and destroy the old order of things.”
The Fathers was published in 1938. It sold respectably in both the United States and England, perhaps because people expected it to be another Gone With the Wind, wheras it is in fact the novel Gone With the Wind ought to have been. Since its publication it has received very little attention, considering that it is one of the most remarkable novels of our time. Its occasion is a public one, the achievement and the destruction of Virginia’s antebellum civilization. Within that occasion it discovers a terrible conflict between two fundamental and irreconcilable modes of existence, a conflict that has haunted American experience, but exists in some form at all times. The Fathers moves between the public and the private aspects of this conflict with an ease very unusual in American novels, and this ease is the most obvious illustration of the novel’s remarkable unity of idea and form, for it is itself a manifestation of the novel’s central idea, that “the belief widely held today, that men may live apart from the political order, that indeed the only humane and honorable satisfactions must be gained in spite of the public order, “is a fantasy.”
—From the introduction of The Fathers
Allen Tate has taught both here and abroad, lectured at over 100 American universities, and published 20 books during his career as one of America's most distinguished men of letters. Tate's honors include a grant from the National Institute of Arts and Letters, the Bollingen Prize for Poetry, and the Brandeis Medal Award. He was the first consultant in poetry to the Library of Congress and in 1968 served as president of the National Institute of Arts and Letters. More info →
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This third novel in the three Cases of Circumstantial Evidence provides an intimate portrayal of deception and corruption in one small poor Parisian family in the late 1600s. In contrast to the majesty of the court of Louis XIV and the bloodthirsty crowds of Paris at that time, the simple lives of Jean Larcher and his wife and son are pitiably ruined by the presence of a seducer and his political pamphlets. The result: personal and public passions mesh to hang an innocent man.
Pamela Finnegan provides a detailed criticism of a major novel written by one of Chile’s leading literary figures. She analyzes the symbolism and the use of language in The Obscene Bird of Night, showing that the novel’s world becomes an icon characterized by entropy, parody, and materiality.
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