“The Anatomy of a South African Genocide provides a succinct and accessible summary of a large body of scholarship on San colonial history. This makes it useful to both academic and lay readers. The book is a high-quality contribution to public education about the colonial history of the San.”
Mathias Guenther, Wilfrid Laurier University, Canada
“The Anatomy of a South African Genocide is provocative and consequential. By compellingly arguing that the extermination of the Cape San is genocide, Adhikari makes an argument with cultural, legal, and political implications in postapartheid South Africa. Akhikari’s clear prose and conveyance of complicated issues…make this short book suitable for a wider public audience and the college classroom.”
“The author's passion for this subject is palpable, driving a successful effort to present the disintegration of San society as a genocide.”
“In a time where fundamentalist intolerance, xenophobia, and racism still crop up constantly, Adhikari’s book serves as an apt, timely, and necessary call to guard against the horrors of such outrage.”
African Studies Quarterly
In 1998 David Kruiper, the leader of the ‡Khomani San who today live in the Kalahari Desert in South Africa, lamented, “We have been made into nothing.” His comment applies equally to the fate of all the hunter-gatherer societies of the Cape Colony who were destroyed by the impact of European colonialism. Until relatively recently, the extermination of the Cape San peoples has been treated as little more than a footnote to South African narratives of colonial conquest.
During the eighteenth and nineteenth centuries, Dutch-speaking pastoralists who infiltrated the Cape interior dispossessed its aboriginal inhabitants. In response to indigenous resistance, colonists formed mounted militia units known as commandos with the express purpose of destroying San bands. This ensured the virtual extinction of the Cape San peoples. In The Anatomy of a South African Genocide, Mohamed Adhikari examines the history of the San and persuasively presents the annihilation of Cape San society as genocide.
Mohamed Adhikari lectures in the Department of Historical Studies, University of Cape Town. His books include “Let Us Live for Our Children”: The Teachers’ League of South Africa, 1913–1940, and he coedited South Africa's Resistance Press: Alternative Voices in the Last Generation under Apartheid (Ohio, 2000). More info →
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George Stow was a Victorian man of many parts—poet, historian, ethnographer, artist, cartographer, and prolific writer. A geologist by profession, he became acquainted, through his work in the field, with the extraordinary wealth of rock paintings in the caves and shelters of the South African interior. Enchanted and absorbed by them, Stow set out to create a record of this creative work of the people who had tracked and marked the South African landscape decades and centuries before him.Un
In the 1870s, facing cultural extinction and the death of their language, several San men and women told their stories to two pioneering colonial scholars in Cape Town, Wilhelm Bleek and Lucy Lloyd. The narratives of these San—or Bushmen—were of the land, the rain, the history of the first people, and the origin of the moon and stars.
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