“Sacred River is a novel of epic proportions powered by a microscopic gaze and magisterial sweep. Told with pain and passion, withering wit and satiric humor, this is a tale of these and other times: thronged, sensuous, cerebral, and visionary in the most unpredictable ways. There is magic in the telling, a magic wrought from the myths and legends of the African world, and facts which belie the strangest fiction. Sacred River reads like a magnificent poem with multiple chapters. A truly virtuoso achievement.”
Niyi Osundare, award-winning poet and distinguished professor of English, University of New Orleans
“The novel fits easily into the post-independence disillusionment novel canon along with Achebe’s A Man of the People, Armah’s The Beautyful Ones Are Not Yet Born, and wa Thiong’o’s Wizard of the Crow.”
African Studies Quarterly
“Syl Cheney-Coker’s beautifully written book explores life in a fictional West African country in all its pain, spirituality, and glory. The poetic lilt of the sentences combined with intertwining stories of suffering, hope, and historical allusions make for a breathtaking and thought-provoking read.”
World Literature Today
“The promise and problems of postcolonial Africa mix with a rich tradition of mythology and magic in this sequel to The Last Harmattan of Alusine Dunbar (1990)…. Readers of this work, part of the publisher’s Modern African Writing series, will be reminded of writers such as Gabriel García Márquez and Salman Rushdie.”
The reincarnation of a legendary nineteenth-century Caribbean emperor as a contemporary African leader is at the heart of this novel. Sacred River deals with the extraordinary lives, hopes, powerful myths, stories, and tragedies of the people of a modern West African nation. It is also the compelling love story of an idealistic philosophy professor and an ex-courtesan of incomparable beauty. Two hundred years after his death, the great Haitian emperor Henri Christophe miraculously appears in a dream to Tankor Satani, president of the fictional West African country of Kissi, with instructions for Tankor to continue Henri Christophe’s rule, which had been interrupted by “that damned Napoleon.”
Ambitious in scope, Sacred River is a diaspora-inspired novel, in which Cheney-Coker has tackled the major themes of politics, social strife, crime and punishment, and human frailty and redemption in Malagueta, the fictional, magical town and its surroundings first created by the author in The Last Harmattan of Alusine Dunbar, for which he was awarded the coveted Commonwealth Writers’ Prize. Sacred River is equally about love and politics, and marks the return to fiction of one of Africa’s major writers.
Syl Cheney-Coker was born in Freetown, Sierra Leone, and is the author of five volumes of poetry, a collection of essays, and the novel The Last Harmattan of Alusine Dunbar, which won the Commonwealth Writers’ Prize (Africa) and was named one of the “20th century’s 100 best Africa books.” More info →
Excerpt: Prologue and Chapters 1–3Download
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debut fiction; South African literature; street kids; child prostitution; homosexuality; Cape Town; drug use; gritty novel; dark themes; African Literature; bildungsroman;
Dog Eat Dog is a remarkable record of being young in a nation undergoing tremendous turmoil, and provides a glimpse into South Africa’s pivotal kwaito (South African hip-hop) generation and life in Soweto. Set in 1994, just as South Africa is making its postapartheid transition, Dog Eat Dog captures the hopes—and crushing disappointments—that characterize such moments in a nation’s history.Raucous
On Black Sisters Street tells the haunting story of four very different women who have left their African homeland for the riches of Europe—and who are thrown together by bad luck and big dreams into a sisterhood that will change their lives. Each night, Sisi, Ama, Efe, and Joyce stand in the windows of Antwerp’s red-light district, promising to make men’s desires come true—if only for half an hour.
Sierra Leone’s unique history, especially in the development and consolidation of British colonialism in West Africa, has made it an important site of historical investigation since the 1950s. Much of the scholarship produced in subsequent decades has focused on the “Krio,” descendants of freed slaves from the West Indies, North America, England, and other areas of West Africa, who settled Freetown, beginning in the late eighteenth century.
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