“Whether for collectors of pottery, students of art, or those interested in Native Americans, Rookwood and the American Indian is well worth a place on a personal or institutional bookshelf.“
“A fascinating look at how Cincinnati’s European-American population negotiated their relationship with Native Americans…. This examination of the range of conditions surrounding the production of these works of art add new layers of understanding to this art form and the many societies of which it was part and makes Rookwood and the American Indian an absorbing read.”
The nation’s premier private collection of Rookwood art pottery featuring American Indian portraiture is on display at the Cincinnati Art Museum from October 2007 to January 2008. Rookwood and the American Indian: Masterpieces of American Art Pottery from the James J. Gardner Collection is a remarkable exhibition catalogue that will be of interest well beyond the exhibition because of its unique subject matter. Fifty-two pieces produced by the Rookwood Pottery Company are showcased, many accompanied by black-and-white photographs of the American Indians portrayed by the ceramic artist. In addition, the catalogue includes a brief biography of each artist as well as curators’ comments about the Rookwood pottery and the Indian apparel seen in the portraits.
The catalogue also presents two essays. The first, “Enduring Encounters: Cincinnatians and American Indians to 1900,” by ethnologist and co-curator Susan Labry Meyn, describes American Indian activities in Cincinnati from the time of the first settlers to 1900 and relates these events to national policy, such as the 1830 Indian Removal Act. Rookwood and the American Indian, by art historian Anita J. Ellis, concentrates on Rookwood’s fascination with the American Indian and the economic implications of producing that line.
Rookwood and the American Indian blends anthropology with art history to reveal the relationships between the white settlers and the Native Americans in general, between Cincinnati and the American Indian in particular, and ultimately between Rookwood artists and their Indian friends.
Deputy director of curatorial affairs at the Cincinnati Art Museum, Anita J. Ellis is the author of Rookwood Pottery: The Glorious Gamble, which won the Florence Roberts Head Book of the Year Award, and Rookwood Pottery: The Glaze Lines. More info →
Susan Labry Meyn is a consulting ethnologist and an adjunct professor at Northern Kentucky University and the College of Mount St. Joseph in Cincinnati, and the author of numerous articles and a book, More Than Curiosities: A Grassroots History of the Indian Arts and Crafts Board, 1920–1942. More info →
Save 20% ($28)
Save 20% ($40)
US and Canada only
Permission to reprint
Permission to photocopy or include in a course pack via Copyright Clearance Center
Outside the Ordinary introduces audiences to sixty–seven masterworks selected from the Nancy and David Wolf Collection, carefully documented and photographed in full color.
In the Gilded Age, when most sculptors aspired to produce monuments, Bessie Potter Vonnoh (1872–1955) made significant contributions to small bronze sculpture and garden statuary designed for the embellishment of the home. Her work commanded admiration for her fluid and suggestive modeling, graceful lines, and sculptural form. In 1904 Bessie Potter Vonnoh won the gold medal for sculpture at the St.
On May 10, 2003, the Cincinnati Art Museum will celebrate the opening of the Cincinnati Wing: eighteen thousand square feet of handsomely renovated gallery space devoted to the museum’s renowned collections of painting, sculpture, furniture, ceramics, and metalwork by Cincinnati artists. The museum is the first in the country to reinterpret its American art collections with a regional emphasis, fostering civic pride and drawing attention to the achievements of the city’s artists.
Rookwood Pottery of Cincinnati—the largest, longest-lasting, and arguably most important American Art Pottery—reflected the country's cultural and commercial milieux in the production, marketing, and consumption of its own products.