“What emerges in Mrs. Shaw is the cyclical nature of a postcolonial nation-state returning, over and over again, to its violent origins. Yet Mukoma is just as critical toward revolutionary movements that they themselves cannot escape the pathologies of violence.… Mrs. Shaw is a treatise on traumas, individual and collective, but it is also a document on working through these physical and psychological wounds through the technologies of writing.”
Los Angeles Review of Books
“Mukoma Wa Ngugi is a deft, poised storyteller who has mastered the art of sweeping up the reader. From the first page of Mrs. Shaw I found myself hooked, in awe, riveted. Here’s a sad, gripping and highly entertaining romp of a novel.”
Okey Ndibe, author of Foreign Gods, Inc. and Arrows of Rain
“Mrs. Shaw is a searing account which subverts the notion of universal truths. It is also a novel that poignantly narrates the story of exile, love, the struggle for freedom and multiple perceptions of history.…Through his artistic and fictional representation of war, exile and love, Mukoma wa Ngugi has produced an eloquent critique on the complexity of life and relationships and the impact of political exile.”
“Mukoma Wa Ngugi’s latest publication, Mrs. Shaw, is a work of astonishing imagination, blending the real with the surreal to explore the plight of a political activist, Kalumba, who is returning to his fictional homeland, Kwatee, following years of exile in America. The book grips the reader’s attention from start to finish, using twists, turns, and surprises in a plot laced with intrigue, suspense, tension, and passion.”
Mῖcere Gῖthae Mũgo, author of Writing and Speaking from the Heart of My Mind and My Mother’s Poem and Other Songs
In the fictional East African Kwatee Republic of the 1990s, the dictatorship is about to fall, and the nation’s exiles are preparing to return. One of these exiles, a young man named Kalumba, is a graduate student in the United States, where he encounters Mrs. Shaw, a professor emerita and former British settler who fled Kwatee’s postcolonial political and social turmoil. Kalumba’s girlfriend, too, is an exile: a Puerto Rican nationalist like her imprisoned father, she is an outcast from the island. Brought together by a history of violence and betrayals, all three are seeking a way of regaining their humanity, connecting with each other, and learning to make a life in a new land. Kalumba and Mrs. Shaw, in particular, are linked by a past rooted in colonial and postcolonial violence, yet they are separated by their differing accounts of what really happened.
The memory of each is subject to certain lapses, whether selective or genuine. Even when they agree on the facts—be they acts of love, of betrayal, or of violence—each narrator shapes the story in his or her own way, by what is left in and what is left out, by what is remembered and what is forgotten.
Mukoma Wa Ngugi is an assistant professor of English at Cornell University and the author of Nairobi Heat, Black Star Nairobi, and Hurling Words at Consciousness. In 2014, Buchkultur named the German translation of Nairobi Heat the Crime Book of the Season. In 2009, Mukoma was short-listed for the Caine Prize for African Writing and in 2010 for the Penguin Prize for African Writing for his manuscript The First and Second Books of Transition, which became Mrs. Shaw. More info →
Save 20% ($23.96)
US and Canada only
Availability and price vary according to vendor.
Permission to reprint
Permission to photocopy or include in a course pack via Copyright Clearance Center
Set in contemporary Zimbabwe, Caine Prize finalist Tendai Huchu’s comedic and devastating novel of manners and sexual mores chronicles the rise and fall of an unconventional friendship between a single mother and a rival male hairdresser, with brutal consequences for both.
In Tales of the Metric System, Coovadia explores a turbulent South Africa from 1970 into the present. He takes his home country’s transition from imperial to metric measurements as his catalyst, holding South Africa up and examining it from the diverse perspectives of his many characters.
The Maestro, the Magistrate & the Mathematician follows three Zimbabwean expatriates in Edinburgh as they struggle to find places for themselves in Scotland. Shying from neither the political nor the personal, Huchu creates a humorous but increasingly somber picture of love, loss, belonging, and politics in the Zimbabwean diaspora.
Sign up to be notified when new Fiction titles come out.
We will only use your email address to notify you of new titles in the subject area(s) you follow. We will never share your information with third parties.