“Metaphor and the Slave Trade is a book that is long overdue in African literary studies. Using many of the literary canon’s most read texts, the author has presented a new perspective in the reading of these and other texts of African literature, opening the way forward for readers to nuance each and every African text for the subtle metaphors that point to a people’s memory of the slave trade.”
African Studies Quarterly
“Original and challenging…(Murphy) argues that while it has been acknowledged that the oral tradition registers the traumatic effect of the slave trade, scholars have been slow to recognize its deep imprint on the collective imaginary and the way in which it has been reflected in the modern literature in English.”
F. Abiola Irele, author of The African Imagination: Literature in Africa and the Black Diaspora
“Murphy brings to the foreground a hitherto concealed trove of metaphors that, while inspired by the dark, long and gruesome history of slavery in West Africa, will prove to be a highly suggestive resource for re-thinking African literary history. A timely and highly innovative work.”
Ato Quayson, editor of the Cambridge History of Postcolonial Literature
“Drawing on the writings of Tutuola, Okri, Armah and Aidoo, Laura Murphy demonstrates how modern authors of fiction in Africa employ metaphors of the slave trade to reflect cultural memory of a past that is always alive in the present, no matter how obscure.”
Paul E. Lovejoy, Canada Research Chair in African Diaspora History, York University
Metaphor and the Slave Trade provides compelling evidence of the hidden but unmistakable traces of the transatlantic slave trade that persist in West African discourse. Through an examination of metaphors that describe the trauma, loss, and suffering associated with the commerce in human lives, this book shows how the horrors of slavery are communicated from generation to generation.
Laura T. Murphy’s insightful new readings of canonical West African fiction, autobiography, drama, and poetry explore the relationship between memory and metaphor and emphasize how repressed or otherwise marginalized memories can be transmitted through images, tropes, rumors, and fears. By analyzing the unique codes through which West Africans have represented the slave trade, this work foregrounds African literary contributions to Black Atlantic discourse and draws attention to the archive that metaphor unlocks for scholars of all disciplines and fields of study.
Laura T. Murphy is an assistant professor of English at Loyola University in New Orleans. Her work has appeared in Research in African Literatures and in Studies in the Novel. More info →
Save 20% ($27.96)
US and Canada only
Availability and price vary according to vendor.
Permission to reprint
Permission to photocopy or include in a course pack via Copyright Clearance Center
Rewriting Modernity: Studies in Black South African Literary History connects the black literary archive in South Africa to international postcolonial studies via the theory of transculturation, a position adapted from the Cuban anthropologist Fernando Ortiz.
Between the 1880s and the 1940s, the region known as British West Africa became a dynamic zone of literary creativity and textual experimentation. African-owned newspapers offered local writers numerous opportunities to contribute material for publication, and editors repeatedly defined the press as a vehicle to host public debates rather than simply as an organ to disseminate news or editorial ideology.
Before Black Lives Matter and Hamilton, there were abolitionist poets. In Lyrical Liberators, Monica Pelaez draws on unprecedented archival research to recover, collect, and annotate works by critically acclaimed writers, commercially successful scribes, and minority voices including those of African Americans and women.
In the accessible and concise A Short History of Chinua Achebe’s Things Fall Apart, Terri Ochiagha asks new questions and brings wider attention to unfamiliar but crucial elements of the story, including new insights into questions of canonicity, and into literary, historiographical, and precolonial aesthetic influences.