“This is a book we need.”
Henry Louis Gates, Jr.
Paul Laurence Dunbar, introduced to the American public by William Dean Howells, was the first native-born African American poet to achieve national and international fame. While there have been many valuable editions of his works over time, gaps have developed when manuscripts were lost or access to uncollected works became difficult.
In His Own Voice brings together previously upublished and uncollected short stories, essays, and poems. This volume also establishes Dunbar’s reputation as a dramatist who mastered standard English conventions and used dialect in musical comedy for ironic effects.
In His Own Voice collects more than seventy-five works in six genres. Featured are the previously unpublished play Herrick and two one-act plays, largely ignored for a century, that demonstrate Dunbar’s subversion of the minstrel tradition. This generous expansion of the canon also includes a short story never before published.
Herbert Woodward Martin, renowned for his live portrayal of Dunbar, and Ronald Primeau provide a literary and historical context for this previously untreated material, firmly securing the reputation of an important American voice.
Herbert Woodward Martin, poet in residence at the University of Dayton and Laureate Poet for Dayton, Ohio, is the author of six books of poetry, two opera libretti, and the text for a new Magnificat. He has given readings of Dunbar's poetry around the world for the past twenty years. More info →
Ronald Primeau is a professor of English at Central Michigan University. He is the author of books on Paul Laurence Dunbar, Herbert Woodward Martin, Edgar Lee Masters, and the literature of the American highway. More info →
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As the first African-American fiction writer to achieve a national reputation, Ohio native Charles W. Chesnutt (1858–1932) in many ways established the terms of the black literary tradition now exemplified by such writers as Toni Morrison, Alice Walker, and Charles Johnson.Following
John Updike has won a National Book Award and has earned both critical and popular acclaim. At the moment, his reputation rests largely on his novels, especially Rabbit, Run; The Centaur; Of the Farm; and The Coup. Of his many books, more than half are volumes of poems, stories, essays and reviews, and one play, yet the numerous critical books on Updike concentrate primarily on his long fiction with the result that over one half of his canon is often ignored.
Presents four Dunbar novels under one cover for the first time, allowing readers to assess why he was such a seminal influence on the twentieth century African American writers who followed him into the American canon.
The son of former slaves, Paul Laurence Dunbar was one of the most prominent figures in American literature at the turn of the twentieth century. Thirty-three years old at the time of his death in 1906, he had published four novels, four collections of short stories, and fourteen books of poetry, as well as numerous songs, plays, and essays in newspapers and magazines around the world.In
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