Increased interest in Indonesian culture and politics is reflected in this work's effort to advance and reject various notions of what it means to be Indonesian. It also addresses perceptions of how Indonesia's citizens and state officials should interact. Because, in recent times, the Indonesian state has been so strong, much of the book is about state-sanctioned and state-supported notions of Indonesian identity and culture and efforts to come to terms with—or sometimes to challenge these official or dominant notions.
The contributions presented here represent a wide range of disciplines, points of view, and ideological orientations. Taken together they convey the notion that much might be gained if the idea were abandoned that a single understanding of what constitutes Indonesian culture is possible or desirable.
Save 20% ($27.96)
US and Canada only
Permission to reprint
Permission to photocopy or include in a course pack via Copyright Clearance Center
Contrary to modern theories of developing nations, Brunei Darussalam, which has a very high rate of literacy, is also one of the few countries where the traditional elite retains absolute political power.
From Jail to Jail is the political autobiography of a central though enigmatic figure of the Indonesian Revolution. Variously labeled a communist, Trotskyite, and nationalist, Tan Malaka managed, during the several decades of his political activity, to run afoul of nearly every political group and faction involved in the Indonesian struggle for independence.
Foreign language lessons often provide translations into a foreign language of phrases students would normally use in their native language and cultural setting. Particularly when studying a non-Western language, such direct translation is very misleading. Students must instead learn the conventions that guide human interactions, so they know both what to say and how to say it. In this text, therefore, the sociological context of Javanese is explained as thoroughly as Javanese grammar.
Resistance on the National Stage analyzes the ways in which, between 1985 and 1998, modern theater practitioners in Indonesia contributed to a rising movement of social protest against the long-governing New Order regime of President Suharto.