H. L. Mencken was one of the leading literary, social, and cultural critics of the 1910s, '20s, and '30s. However, very few of his literary reviews have been reprinted in any form prior to their appearance in this volume.
H. L. Mencken on American Literature presents a comprehensive selection of Mencken's reviews of the leading American writers of his time. Manifestly interested in establishing a canon of American literature, he took great pains to vaunt writers such as Theodore Dreiser, Sherwood Anderson, Willa Cather, F. Scott Fitzgerald, Sinclair Lewis, and James Branch Cabell as the most accomplished authors of the day.
At the same time, he found deficiencies in the work of such highly regarded figures as Edith Wharton, W. D. Howells, and Ambrose Bierce, placing them only in the second rank of American writers. Mencken also considered it his function to demolish the popular work of now-forgotten best-selling writers, demonstrating in his inimitably scathing manner the degree to which their catering to a mass audience rendered their work hollow and subliterary.
Mencken's reviews are a vast and untapped source for his provocative analyses of the best and the worst in American literature. They are presented here in a scrupulously edited and annotated edition.
S. T. Joshi has edited several collections of Mencken’s writings, including H. L. Mencken on American Literature, Mencken’s America, and Mencken on Mencken: A New Collection of Autobiographical Writings. He is also an authority on literature of the supernatural and author of The Weird Tale, Unutterable Horror: A History of Supernatural Fiction, and other critical and biographical studies. More info →
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The midwestern pastoral is a literary tradition of place and rural experience that celebrates an attachment to land that is mystical as well as practical, based on historical and scientific knowledge as well as personal experience. It is exemplified in the poetry, fiction, and essays of writers who express an informed love of the nature and regional landscapes of the Midwest.
Just as mass-market magazines and cheap books have played important roles in the creation of an American identity, those skilled craftsmen (and women) whose careers are the subjects of Ronald Weber's narrative profoundly influenced the outlook and strategies of the high-culture writers who are generally the focus of literary studies.
Expanding the scope of American borderland and frontier literary scholarship, West of the Border examines the writings of nineteenth- and turn-of-the-century Native, African, Asian, and Anglo American frontier writers. This book views frontiers as “human spaces” where cultures make contact as it considers multicultural frontier writers who speak from “west of the border.”