By Nick Norwood
“Even if you never cared for rural, or you grew up in a city, (Gravel and Hawk) will change you. The natural world lives within this poet in disciplined poems of comfortable silence bracketing culture cells of country life. There is substantiability in these reflections. The subjects are rudimentary; the emotions are gravitational fields of honesty.”
Washington Independent Review of Books
“Nick Norwood’s Gravel and Hawk, his fourth collection of poetry and winner of the Hollis Summers poetry prize, has struck me with its commanding voice. The speaker of these poems has a wonderful way with imagery that provides a strong sense of the rural Texas where his speaker grew up (along with a few ventures into neighboring states).”
“Gravel and Hawk is a sophisticated mapping of personal memories, a map peppered with buildings and places that ultimately give the reader something to anchor their reading to…. (A) wholly satisfying reading experience, anchoring the reader, and the experience of a collective memory, firmly to the ground.”
Concho River Review
“Gravel and Hawk reads like a superb family album of photographs and videos of memories and dreams. There is a James Agee-like sharpness and alertness of observation in the images of tractors, cattle, Victrolas, boats, ancestors, awakening love. Norwood captures the fleeting insights of adolescence, the humiliations and victories of childhood, and inklings of mortality, in portraits achingly vivid, in riffs spare and honest, bringing the past alive in a fresh idiom.”
Robert Morgan, author of Terroir and Gap Creek
Gravel and Hawk dwells on the physical and cultural landscapes of the Texarkana border region, an area of stark natural beauty and even starker manifestations of its human habitation: oil derricks and pump jacks, logging trucks, chicken houses, come-to-Jesus billboards, and greasy catfish joints, a patchwork of dying farm towns and ragtag municipalities laced together by county roads, state highways, and that treacherous, rust-hued slurry known as the Red River. Gravel and Hawk charts the emotional landscape of a single extended family, its history of loss and gain, and, especially, its encounters with violent death. It is an eminently readable collection, rooted in a distinctly American place and united by a poetic voice that is honest, sophisticated, and persuasive.
Nick Norwood is the author of the poetry collections The Soft Blare and A Palace for the Heart and the fine press book Wrestle, which he produced in collaboration with the artist and master printer Erika Adams. His poems have appeared widely in such journals as Western Humanities Review, Southwest Review, Paris Review, Wallace Stevens Journal, and others. More info →
Save 20% ($13.56)
US and Canada only
Availability and price vary according to vendor.
Permission to reprint
Permission to photocopy or include in a course pack via Copyright Clearance Center
To take the mess of life and make meaning from it is what all poets seek to do. For Will Wells, recipient of the thirteenth annual Hollis Summers Poetry Prize, this includes reaching across centuries and continents, into the minds and hearts of disparate individuals—Albert Einstein, Andrea Yates, the traveler from Porlock, Dante, or Holocaust survivors, including his own grandmother—to extract the personal value embedded there for him.
Photographing Eden presents the first full-length collection of poems by a major new talent. The work meditates on several ideas, the crux of which is Eden: spirituality, environmentalism, and the relationships between men and women. Observing, often through the lens of a camera, our state in the world, the poems try to focus sharply on what often seems a blur.
In his provocative, brave, and sometimes brutal first book of poems, Roger Sedarat directly addresses the possibility of political change in a nation that some in America consider part of “the axis of evil.” Iranian on his father’s side, Sedarat explores the effects of the Islamic Revolution of 1979—including censorship, execution, and pending war—on the country as well as on his understanding of his own origins.