“From the Uncollected Edmund Wilson contains a rich and varied selection of notes and reviews covering Wilson's entire career…It reveals how professionally dedicated he was, even when engaged in routine writing for periodicals.”
John L. Brown, World Literature Today
“This is a book to be both studied and enjoyed; it is most certainly a book that will be quoted, and ought to be influential, for a very long time.”
Burton Raffel, The Literary Review
Many of Wilson's writings have been anthologized. But there is another body of work — over fifty fine essays on aspects of contemporary literature and ideas — that have been scattered in a variety of magazines, including The New Yorker, The New Republic, Vanity Fair, and The Nation. The editors, who recognize Wilson (1895-1972) as one of America's greatest men of letters of the twentieth century, also view his writing as a powerful antidote to late twentieth-century trends and fads and have collected his pieces here in the conviction that Wilson's writing is a permanently important model. Now a new generation of readers — as well as his loyal followers — will have access to this rich literary heritage in a single volume.
The collection is organized chronologically and leads the reader through the journeyman writing at Hill School and Princeton, the essays on literary modernism and contemporary culture written in the 1920s, the socially-focused critiques of the 1930s, and the diverse assortment of book reviews of the late period. Across this full range of moods and literary styles. Wilson is a powerful spokesman for writers and a guardian of imagination and decency for the informed citizen.
Janet Groth is emeritus professor of English at the State University of New York at Plattsburgh. She is the author of Edmund Wilson: A Critic for Our Time.
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The memoir is the most popular and expressive literary form of our time. Writers embrace the memoir and readers devour it, propelling many memoirs by relative unknowns to the top of the best-seller list. Writing programs challenge authors to disclose themselves in personal narrative. Memoir and personal narrative urge writers to face the intimacies of the self and ask what is true.
Recollections of Anaïs Nin presents Nin through the eyes of twenty-six people who knew her. She is the unconventional, distant aunt; the thoughtful friend; the owner of a strangely disarming voice; the author eager for attention yet hypersensitive to criticism; the generous advisor to a literary magazine; the adulteress; the beautiful septuagenarian; the recommender of books—the contributors elaborate on thses and many other perceptions of Nin.
Although Alan Swallow's work on behalf of other poets has tended to overshadow his work as a poet, the reputation of his poems has been upon the ascendancy. This volume, a “selected” one, runs the gamut of Swallow's themes. John Holmes reviewed in The New York Times, speaking of “love and compassion warming the face of the carving.” The volume was published in a beautiful limited edition by Carroll Coleman's The Prairie Press.