"Professor Surridge exhibits a clear and persuasive historical sense as well as sensitivity to the novels and stories. I believe this study will have lasting value because of its careful historical research and corresponding interpretation of the texts."
Naomi Wood, Kansas State University
“From a historian’s perspective, Surridge’s interpretations of individual texts are persuasive, yet it is her contextualization of these works of fiction within ongoing reform movements and newspaper reporting that makes this a truly remarkable book.”
“A carefully researched and lucidly written investigation of literary portrayals of domestic violence.... Surridge’s precise historicizing reveals fictional subtleties with new clarity.”
The Offenses Against the Person Act of 1828 opened magistrates' courts to abused working-class wives. Newspapers in turn reported on these proceedings, and in this way the Victorian scrutiny of domestic conduct began. But how did popular fiction treat “private” family violence? Bleak Houses: Marital Violence in Victorian Fiction traces novelists' engagement with the wife-assault debates in the public press between 1828 and the turn of the century.
Lisa Surridge examines the early works of Charles Dickens and reads Dombey and Son and Anne Brontë's The Tenant of Wildfell Hall in the context of the intense debates on wife assault and manliness in the late 1840s and early 1850s. Surridge explores George Eliot's Janet's Repentance in light of the parliamentary debates on the 1857 Divorce Act. Marital cruelty trials provide the structure for both Wilkie Collins's The Woman in White and Anthony Trollope's He Knew He Was Right.
Locating the New Woman fiction of Mona Caird and the reassuring detective investigations of Sherlock Holmes in the context of late-Victorian feminism and the great marriage debate in the Daily Telegraph, Surridge illustrates how fin-de-siècle fiction brought male sexual violence and the viability of marriage itself under public scrutiny. Bleak Houses thus demonstrates how Victorian fiction was concerned about the wife-assault debates of the nineteenth century, debates which both constructed and invaded the privacy of the middle-class home.
Lisa Surridge is Professor of English and Associate Dean Academic of the Faculty of Humanities, University of Victoria. She is author of Bleak Houses: Marital Violence in Victorian Fiction. With Mary Elizabeth Leighton, she coedited the Broadview Anthology of Victorian Prose, 1832–1901 and was coeditor of the Victorian Review. Her articles and book chapters appear in Victorian Studies, Victorian Periodicals Review, Dickens Studies Annual, Victorian Literature and Culture, the Oxford Research Encyclopedia of Literature, and elsewhere. More info →
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Raising the Dust identifies a heretofore-overlooked literary phenomenon that author Beth Sutton-Ramspeck calls “literary housekeeping.” The three writers she examines rejected turn-of-the-century aestheticism and modernism in favor of a literature that is practical, even ostensibly mundane, designed to “set the human household in order.”
Music was at once one of the most idealized and one of the most contested art forms of the Victorian period. Yet this vitally important nineteenth-century cultural form has been studied by literary critics mainly as a system of thematic motifs. Angelic Airs, Subversive Songs positions music as a charged site of cultural struggle, promoted concurrently as a transcendent corrective to social ills and as a subversive cause of those ills.
Tracing the Victorian crisis over the representation of working-class women to the 1842 Parliamentary bluebook on mines, with its controversial images of women at work, Hidden Hands argues that the female industrial worker became even more dangerous to represent than the prostitute or the male radical because she exposed crucial contradictions between the class and gender ideologies of the period and its economic realities.