“A welcome contribution to available literature on American nineteenth-century needlework…Her careful review of existing anthropological, historical and needlework literature coupled with a thoughtful analyses of the existing quilts and samplers that formed the core of her study has shown that women’s needlework can help us to better understand the lives and times of the women who made them.”
“I highly recommend this newly published look at a previously neglected aspect of sampler and stitching history… well-researched, with many full page color images of the stitched pieces and the women who created them.”
Swan Sampler Guild Gazette
“The book looks at a field of study that many would think has been well covered from a completely new angle, focusing on older makers rather than styles, fashion, or the education of girls.… [It] brings together anthropological, sociological, and psychological work with decorative arts and straight history.”
Diane L. Fagan Affleck, author of Just New from the Mills: Printed Cottons in America, Late Nineteenth and Early Twentieth Centuries
“This outstanding book is a major contribution to material-culture scholarship. The in-depth analysis of samplers, quilts, and textile arts created by aging women in antebellum America reveals how they used needlework as a key tool to visually express their deep feelings and values. Each chapter explores a theme and is full of personal details, beautiful illustrations, and rich evidence that supports the author’s findings. I believe today’s readers will find meaningful connections across time and space.”
Virginia Gunn, past editor of Uncoverings, the Research Papers of the American Quilt Study Group
Drawing from 167 examples of decorative needleworku2009—u2009primarily samplers and quilts from 114 collections across the United Statesu2009—u2009made by individual women aged forty years and over between 1820 and 1860, this exquisitely illustrated book explores how women experienced social and cultural change in antebellum America.
The book is filled with individual examples, stories, and over eighty fine color photographs that illuminate the role that samplers and needlework played in the culture of the time. For example, in October 1852, Amy Fiske (1785u2009–u20091859) of Sturbridge, Massachusetts, stitched a sampler. But she was not a schoolgirl making a sampler to learn her letters. Instead, as she explained, “The above is what I have taken from my sampler that I wrought when I was nine years old. It was w[rough]t on fine cloth [and] it tattered to pieces. My age at this time is 66 years.”
Situated at the intersection of women’s history, material culture study, and the history of aging, this book brings together objects, diaries, letters, portraits, and prescriptive literature to consider how middle-class American women experienced the aging process. Chapters explore the physical and mental effects of “old age” on antebellum women and their needlework, technological developments related to needlework during the antebellum period and the tensions that arose from the increased mechanization of textile production, and how gift needlework functioned among friends and family members. Far from being solely decorative ornaments or functional household textiles, these samplers and quilts served their own ends. They offered aging women a means of coping, of sharing and of expressing themselves. These “threads of time” provide a valuable and revealing source for the lives of mature antebellum women.
Publication of this book was made possible in part through generous funding from the Coby Foundation, Ltd
and from the Quilters Guild of Dallas, Helena Hibbs Endowment Fund.
Aimee E. Newell is director of collections at the Scottish Rite Masonic Museum & Library in Lexington, Massachusetts. More info →
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