“Howells’ reputation will continue to rest on his fiction and criticism, but of all his published writings, his poetry gives the most immediate sense of his state of mind and thus is essential to a full understanding of the writer in the last decades of his life. Flawlessly edited, this volume belongs in all college and university libraries.”
For William Dean Howells, the 1880s throbbed with literary warfare over theory and criticism (realism), and social justice. But the terrible climax was more personal and came in the death of his daughter in 1889. The blow altered him radically. Among other changes, a poetry new to him emerged, a poetry in the modern tradition.
This “new” poetry is available now as never before in Pebbles, Monochromes, and Other Modern Poems, 1891-1916. It is metaphysical, agnostic, and ironic with a modernist voice.
Praised at the century's start by figures as notable as Stephen Crane, Henry and William James, W. E. B. DuBois, and Hamlin Garland, Howells arises again at the turn of the next century, hailed by the likes of John Updike and Gore Vidal.
This rich cache of modern poems by W. D. Howells, lost for so long, is now made accessible under the editorial eye of Edwin Cady. Its significance is central to the understanding of the literary history and culture that defined the modern era and to the progeny that grew from that fertile soil.
Edwin Cady is the Andrew W. Mellon Professor Emeritus at Duke University. He is one of the foremost Howells scholars and is the author of numerous books and articles. More info →
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Although best known as a master of the formal lyric poem, Louise Bogan (1897–1970) also published fiction and what would now be called lyrical essays. A Poet’s Prose: Selected Writings of Louise Bogan showcases her devotion to compression, eloquence, and sharp truths. Louise Bogan was poetry reviewer for the New Yorker for thirty-eight years, and her criticism was remarkable for its range and effect.
In seventeen volumes, copublished with Baylor University, this acclaimed series features annotated texts of all of Robert Browning’s known writing. The series encompasses autobiography as well as influences bearing on Browning’s life and career and aspects of Victorian thought and culture.
Featuring innovative research by emergent and established scholars, The Fin-de-Siècle Poem throws new light on the remarkable diversity of poetry produced at the close of the nineteenth century in England. Opening with a detailed preface that explains why literary historians have frequently underrated fin-de-siècle poetry, the collection shows how a strikingly rich body of lyrical and narrative poems anticipated many of the developments traditionally attributed to Modernism.