Pippa Skotnes is professor of fine art and director of the Lucy Lloyd Archive, Resource and Exhibition Centre (LLAREC). She has published essays on the rock art of the San and is the author and editor of several books, including Sound from the Thinking Strings, Miscast: Negotiating the Presence of the Bushmen, and Heaven's Things.
George Stow was a Victorian man of many parts—poet, historian, ethnographer, artist, cartographer, and prolific writer. A geologist by profession, he became acquainted, through his work in the field, with the extraordinary wealth of rock paintings in the caves and shelters of the South African interior. Enchanted and absorbed by them, Stow set out to create a record of this creative work of the people who had tracked and marked the South African landscape decades and centuries before him.
In the 1870s, facing cultural extinction and the death of their language, several San men and women told their stories to two pioneering colonial scholars in Cape Town, Wilhelm Bleek and Lucy Lloyd. The narratives of these San—or Bushmen—were of the land, the rain, the history of the first people, and the origin of the moon and stars.