Lorraine Janzen Kooistra is professor emerita of English and founding codirector emerita of Toronto Metropolitan University’s Centre for Digital Humanities. She is the author of The Artist as Critic: Bitextuality in Fin-de-Siècle Illustrated Books and Christina Rossetti and Illustration: A Publishing History. She is co-editor of The Culture of Christina Rossetti: Female Poetics and Victorian Contexts and The Yellow Nineties Online.
Listed in: Literary Criticism | European | English, Irish, Scottish, Welsh · Victorian Studies · Literary Criticism | Modern | 19th Century · Publishing · Victorian Era · Book and Periodical Studies · United Kingdom · Illustration - History and Criticism · Christina Rossetti · 19th century · Comics and Graphic Novel Culture · Literary Criticism, Women Authors · Literature
Poetry, Pictures, and Popular Publishing
The Illustrated Gift Book and Victorian Visual Culture, 1855–1875
By Lorraine Janzen Kooistra
In Poetry, Pictures, and Popular Publishing eminent Rossetti scholar Lorraine Janzen Kooistra demonstrates the cultural centrality of a neglected artifact: the Victorian illustrated gift book. Turning a critical lens on “drawing-room books” as both material objects and historical events, Kooistra reveals how the gift book’s visual/verbal form mediated “high” and popular art as well as book and periodical publication.A
Christina Rossetti and Illustration
A Publishing History
By Lorraine Janzen Kooistra
Readers do not always take into account how books that combine image and text make their meanings. But for the Pre-Raphaelite poet Christina Rossetti, such considerations were central.
The Culture of Christina Rossetti
Female Poetics and Victorian Contexts
Edited by Mary Arseneau, Antony H. Harrison, and Lorraine Janzen Kooistra
The Culture of Christina Rossetti explores a “new” Christina Rossetti as she emerges from the scrutiny of the particular historical and cultural context in which she lived and wrote. The essays in this collection demonstrate how the recluse, saint, and renunciatory spinster of former studies was in fact an active participant in her society’s attempt to grapple with new developments in aesthetics, theology, science, economics, and politics.The
