Elizabeth S. D. Engelhardt is John Shelton Reed Distinguished Professor of Southern Studies in the department of American studies at the University of North Carolina, Chapel Hill. Her family roots in western North Carolina extend back to the 1700s. Among her publications are A Mess of Greens: Southern Gender and Southern Food, The Tangled Roots of Feminism, Environmentalism, and Appalachian Literature, and The Larder: Food Studies Methods from the American South (edited with John T. Edge and Ted Ownby).
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Listed in: Appalachia · Appalachian Studies · Food Studies · Women Authors · Gender Studies · American Literature · Literature · Literary Collections | Diaries & Journals · American Studies · Ohio and Regional · Women’s Studies · Women’s History · Literary Criticism, Women
Blue ridge tacos, kimchi with soup beans and cornbread, family stories hiding in cookbook marginalia, African American mountain gardens—this wide-ranging anthology considers all these and more. Diverse contributors show us that contemporary Appalachian tables offer new ways into understanding past, present, and future American food practices.
Previously examined only by a handful of scholars, the journals of Emma Bell Miles (1879–1919) contain poignant and incisive accounts of nature and a woman’s perspective on love and marriage, death customs, child raising, medical care, and subsistence on the land in southern Appalachia in the early twentieth century.
Women’s studies unites with Appalachian studies in Beyond Hill and Hollow, the first book to focus exclusively on studies of Appalachia’s women. Featuring the work of historians, linguists, sociologists, performance artists, literary critics, theater scholars, and others, the collection portrays the diverse cultures of Appalachian women.The
Contemporaries were shocked when author Mary Noailles Murfree revealed she was a woman, but modern readers may be more surprised by her cogent discussion of community responses to unwanted development. Effie Waller Smith, an African American woman writing of her love for the Appalachian mountains, wove discussions of women’s rights, racial tension, and cultural difference into her Appalachian poetry.