Among the major writers of the Hemingway and Fitzgerald generation, Edmund Wilson defied categorization. He wrote essays, stories and novels, cultural criticism, and contemporary chronicles, as well as journals and thousands of letters about the literary life and his own private world. Here for the first time in print is Wilson's personal correspondence to his parents, lovers and wives, children, literary comrades, and friends from the different corners of his life.
The Wound and the Bow collects seven wonderful essays on the delicate theme of the relation between art and suffering by the legendary literary and social critic, Edmund Wilson (1885–1972). This welcome re-issue—one of several for this title—testifies to the value publishers put on it and to a reluctance among them ever to let it stay out of print for very long.
Many of Wilson's writings have been anthologized. But there is another body of work — over fifty fine essays on aspects of contemporary literature and ideas — that have been scattered in a variety of magazines, including The New Yorker, The New Republic, Vanity Fair, and The Nation.