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Ohio University Press · Swallow Press · www.ohioswallow.com

Anna Akhmatova

Anna Akhmatova (1889–1966) is an iconic figure of twentieth-century Russian literature and one of her era’s great poets. Her work has been translated into many languages.

Listed in: Poetry · Women Poets · Literature

Cover of 'Way of All the Earth'

Way of All the Earth
By Anna Akhmatova
· Translation by D. M. Thomas

Way of All the Earth contains selected poems written by Anna Akhmatova, one of Russia’s greatest poets whose works embody the complexities of her era. Intricately observed and unwavering in their emotional immediacy, these strikingly modern poems represent one of the twentieth century’s most powerful voices.

Cover of 'Requiem and Poem without a Hero'

Requiem and Poem without a Hero
By Anna Akhmatova
· Translation by D. M. Thomas

Expressing the collective grief for the thousands vanished under Josef Stalin’s regime, “Requiem” chronicles Akhmatova’s seventeen-month wait for news of her imprisoned son’s fate, while “Poem without a Hero” chronicles the transformation of vibrant St. Petersburg into oppressive Leningrad and the pain of those left behind.

Cover of 'You Will Hear Thunder'

You Will Hear Thunder
By Anna Akhmatova
· Translation by D. M. Thomas

Anna Akhmatova (1889–1966) was part of that magnificent and tragic generation of Russian artists which came to first maturity before 1917, and which then had to come to terms with official discouragement and often persecution. You Will Hear Thunder brings together for the first time all D.M. Thomas’s translations of her poems.

Cover of 'You Will Hear Thunder'

You Will Hear Thunder
By Anna Akhmatova
· Translation by D. M. Thomas

Anna Akhmatova (1889–1966) was part of that magnificent and in many ways tragic generation of Russian artists which came to first maturity before 1917, and which then had to come to terms with official discouragement and often persecution. As D.M. Thomas points out in his introduction, practically none of her poetry was published between 1923 and 1940. Her poetic range was wide, from the transparent anonymity of “Requiem” to the symphonic complexity of “Poem without a Hero.”

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