One of the most intriguing cultural artifacts of our nation's past was made by young girls—the embroidery sampler. In Ohio Is My Dwelling Place, American decorative arts expert Sue Studebaker documents the samplers created in Ohio prior to 1850, the girls who made them, their families, and the teachers who taught them to stitch.
In 1837, when Queen Victoria came to the throne, no institution of higher education in Britain was open to women. By the end of the century, a quiet revolution had occurred: women had penetrated even the venerable walls of Oxford and Cambridge and could earn degrees at the many new universities founded during Victoria's reign. During the same period, novelists increasingly put intellectually ambitious heroines students, teachers, and frustrated scholars—at the center of their books.
An accessible and comprehensive account of the role Ohio women have assumed in the history of the state and a narrative of their hardships and of the victories that have been won in the past two hundred years.
Tracing the Victorian crisis over the representation of working-class women to the 1842 Parliamentary bluebook on mines, with its controversial images of women at work, Hidden Hands argues that the female industrial worker became even more dangerous to represent than the prostitute or the male radical because she exposed crucial contradictions between the class and gender ideologies of the period and its economic realities.
This oral history, based on interview transcripts, is the untold story of African American life in West Virginia, as seen through the eyes of a remarkable woman: Memphis Tennessee Garrison, an innovative teacher, administrative worker at US Steel, and vice president of the National Board of the NAACP at the height of the civil rights struggle.
Our Lady of Victorian Feminism is about three nineteenth-century women, Protestants by background and feminists by conviction, who are curiously and crucially linked by their extensive use of the Madonna in arguments designed to empower women. In the field of Victorian studies, few scholars have looked beyond the customary identification of the Christian Madonna with the Victorian feminine ideal—the domestic Madonna or the Angel in the House.
In August 1986, Alice Auma, a young Acholi woman in northern Uganda, proclaiming herself under the orders of a Christian spirit named Lakwena, raised an army called the “Holy Spirit Mobile Forces.” With it she waged a war against perceived evil, not only an external enemy represented by the National Resistance Army of the government, but internal enemies in the form of “impure” soldiers, witches, and sorcerers.
This book explores the history of African womanhood in colonial Kenya. By focussing on key sociocultural institutions and practices around which the lives of women were organized, and on the protracted debates that surrounded these institutions and practices during the colonial period, it investigates the nature of indigenous, mission, and colonial control of African women.
Expanding the scope of American borderland and frontier literary scholarship, West of the Border examines the writings of nineteenth- and turn-of-the-century Native, African, Asian, and Anglo American frontier writers. This book views frontiers as “human spaces” where cultures make contact as it considers multicultural frontier writers who speak from “west of the border.”
The role of the telegraph operator in the mid-nineteenth century was like that of today’s software programmer/analyst, according to independent scholar Tom Jepsen, who notes that in the “cyberspace” of long ago, male operators were often surprised to learn that the “first-class man” on the other end of the wire was a woman. Like the computer, the telegraph caused a technological revolution.
Tucked away in the Appalachian Mountains of West Virginia, preserved for generations, handmade bed quilts are windows into the past. In 1983, three West Virginia county extension agents discussed the need to locate and document their state's historic quilts. Mary Nell Godbey, Margaret Meador, and Mary Lou Schmidt joined with other concerned women to found the West Virginia Heritage Quilt Search.
After a century of critical neglect, poet and writer Amy Levy is gaining recognition as a literary figure of stature. This definitive biography accompanied by her letters, along with the recent publication of her selected writings, provides a critical appreciation of Levy's importance in her own time and in ours.
The award-winning Stolen Life is a remarkable collaborative work between a distinguished novelist and a Cree woman who broke a lifetime of silence to share her story. Imprisoned for murder at the age of twenty-seven, Yvonne Johnson sought out Rudy Wiebe, the chronicler of her ancestor Big Bear, as a means of coming to terms with her self, her past, and the crime that defines her future.
If Horatio Alger had imagined a female heroine in the same mold as one of the young male heroes in his rags-to-riches stories, she would have looked like Belinda Mulrooney. Smart, ambitious, competitive, and courageous, Belinda Mulrooney was destined through her legendary pioneering in the wilds of the Yukon basin to found towns and many businesses. She built two fortunes, supported her family, was an ally to other working women, and triumphed in what was considered a man's world.
The Bolshevik seizure of power in 1917 and the ensuing communist regime have often been portrayed as a man’s revolution, with women as bystanders or even victims. Midwives of the Revolution examines the powerful contribution made by women to the overthrow of tsarism in 1917 and their importance in the formative years of communism in Russia.
African American Studies
Emigration and Immigration
Media and Film Studies
Native American Studies
Prostitution and Sex Trade
Race and Ethnicity
Slavery and Slave Trade
Social Science Essays
Social Science, Methodology
Violence in Society