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Cover of Decadent Style

Decadent StyleOn Sale

By John Robert Reed

In Decadent Style, John Reed defines “decadent art” broadly enough to encompass literature, music, and the visual arts and precisely enough to examine individual works in detail. Reed focuses on the essential characteristics of this style and distinguishes it from non–esthetic categories of “decadent artists” and “decadent themes.…

Cover of Intonations

Intonations

A Social History of Music and Nation in Luanda, Angola, from 1945 to Recent Times

By Marissa J. Moorman

Intonations tells the story of how Angola’s urban residents in the late colonial period (roughly 1945–74) used music to talk back to their colonial oppressors and, more importantly, to define what it meant to be Angolan and what they hoped to gain from independence.…

Available October 2008 (est.)


Cover of Introduction to Richard Wagner’s Der Ring des Nibelungen

Introduction to Richard Wagner’s Der Ring des Nibelungen

A Handbook

By William O. Cord

Today, more than a century after its first performance, Richard Wagner’s The Ring of Nibelung endures as one of the most significant artistic creations in the history of opera. This monumental work not only altered previously accepted concepts of music and drama but also inspired creative and intellectual efforts far beyond the field of opera.…

Cover of Mode in Javanese Music

Mode in Javanese Music

By Susan Pratt Walton

One of the most controversial aspects of Javanese gamelan music is its musical mode, pathet. From her experience as a performer of sindhenan, or female singing, Walton analyses the melodies and defines the basic laws of mode for sindhenan.…


Cover of Music Hall and Modernity

Music Hall and Modernity

The Late-Victorian Discovery of Popular Culture

By Barry J. Faulk

The late-Victorian discovery of the music hall by English intellectuals marks a crucial moment in the history of popular culture. Music Hall and Modernity demonstrates how such pioneering cultural critics as Arthur Symons and Elizabeth Robins Pennell used the music hall to secure and promote their professional identity as guardians of taste and national welfare.…

Cover of Ontology of the Work of Art

Ontology of the Work of Art

The Musical Work, The Picture, The Architectural Work, The Film

By Roman Ingarden

In these studies Roman Ingarden investigates the nature and mode of being of four kinds of art works: the musical work, the picture, the architectural work, and the film. He establishes that the work of art is a purely intentional object but considers also its connections to the real world.…


Cover of Words on Music

Words on Music

From Addison to Barzun

Edited by Jack Sullivan

For centuries, distinguished writers have taken on the challenge of describing great music and its significance in their lives. From Joseph Addison to Virgil Thomson, writers in and out of the music field have used their most vivid language to conjure the sounds and emotions of the music that mattered most to them.…

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